The depraved crimes of both real and imagined serial killers and mass murderers have long transfixed us in newspapers and books, but perhaps nowhere more so than on the big screen. Films such as Silence of the Lambs, Psycho and Henry: Portrait of a Serial Killer have not only reached huge audiences but also allowed us into the minds of society’s most disturbed individuals. Bestselling author, Christopher Berry-Dee, talks to the serial killers whose wicked stories have most thrilled and fascinated us at the movies and, through far-ranging and disturbing interviews, he tells the stories of the mass murderers who provided the inspiration for some of cinema’s most shocking films. Serial Killers at the Movies takes the reader on an uncomfortable and truly dark journey into a lurid world of murder and deviancy.
Revised and updated edition. A unique and compelling guide to serial killer movies and their true-life counterparts. One of Australia's most popular true crime authors, Paul B. Kidd, presents cinema's classic serial killer movies and introduces the real killers who inspired some of our worst nightmares. They include: Ivan Milat, Hannibal Lecter, Norman Bates, Ted Bundy, Ed Gein, Aileen 'Monster' Wuornos and Jack the Ripper. Complete with movie posters and real-life photos of the murderers, this comprehensive book is a must-have for all true crime buffs.
Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s. The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century. Citing numerous sources, Simpson argues that serial killers’ recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right. Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.
"Each entry contains a listing of the film's main credits, a synopsis of the film, a summary of the film's respective merits and a discussion of how they fit into the themes and structures outlined in the introduction."--BOOK JACKET.
Serial killing is an extremely rare phenomenon in reality that is none-theless remarkably widespread in the cultural imagination. Moreover, despite its rarity, it is also taken to be an expression of characteristic aspects of humanity, masculinity, or our times. Richard Dyer investigates this paradox, focusing on the notion at its heart: seriality. He considers the aesthetics of the repetition of nastiness and how this relates to the perceptions and anxieties that images of serial killing highlight in the societies that produce them. Shifting the focus away from the US, which is often seen as the home of the serial killer, Lethal Repetition instead examines serial killing in European culture and cinema – ranging from Scandinavia to the Mediterranean and from Britain to Romania. Spanning all brows of cinema – including avant-garde, art, mainstream and trash – Dyer provides case studies on Jack the Ripper, the equation of Nazism with serial killing, and the Italian giallo film to explore what this marginal and uncommon crime is being made to mean on European screens.
Once more we meet the inimitable Inspector Albert V. Tretheway and his colleague, Constable Jonathan (Jake) Small, in the Canadian city of Fort York in 1939. Pranks begin when Tretheway's beloved bowler hat disappears. Three weeks later Tretheway and Jake investigate a nervous neighbor's report about an anonymous phone tip that her long-dead husband is in her garage. They find instead a live horse wearing Tretheway's missing bowler. The pranks escalate, and only Tretheway connects them and surmises they are movie-inspired. The guessing game begins. Which movie is next? When the fourth prank involves a pre-dug grave, the Hindu Goddess Kali and the murder of a popular Bugle-Major, Tretheway spearheads a chase, cerebral and physical, through more movie murder adventures to a fiery spectacular finale.
This volume examines the significant increase in representations of serial killers as central characters in popular television over the last two decades. Via critical analyses of the philosophical and existential themes presented to viewers and their place in the cultural landscape of contemporary America, the authors ask: What is it about serial killers that incited such a boom in these types of narratives in popular television post-9/11? Looking past the serial format of television programming as uniquely suited for the presentation of the serial killer’s actions, the chapters delve into deeper reasons as to why TV has proven to be such a fertile ground for serial killer narratives in contemporary popular culture. An international team of authors question: What is it about serial killers that makes these characters deeply enlightening representations of the human condition that, although horrifically deviant, reflect complex elements of the human psyche? Why are serial killers intellectually fascinating to audiences? How do these characters so deeply affect us? Shedding new light on a contemporary phenomenon, this book will be a fascinating read for all those at the intersection of television studies, film studies, psychology, popular culture, media studies, philosophy, genre studies, and horror studies.
Discover the real-life inspirations behind history’s most infamous serial killers: John Wayne Gacy, Jeffrey Dahmer, Charles Manson, and so many more. Gothic media moguls Kelly Florence and Meg Hafdahl, authors of The Science of Monsters, The Science of Women in Horror, and The Science of Stephen King, and co-hosts of the Horror Rewind podcast called “the best horror film podcast out there” by Film Daddy, present a guide to the serial killers who inspired the movies and media we all know and love. Delve into the brutal truth behind horror’s secret: many monsters portrayed on the silver screen are based on true murderers. Uncover the truth behind the real monsters of horror, answering such questions as: What is the science behind serial killers’ motivations like Ted Bundy and John Wayne Gacy? How did detectives discover the identities of criminals like the Boston Strangler and the BTK Strangler? Has science made it possible to unmask Jack the Ripper and the Zodiac Killer? What is the science behind female versus male serial killers? Through interviews, film analysis, and bone-chilling discoveries, join Kelly and Meg as they learn about the horrors of true crime through the decades.
Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s. The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century. Citing numerous sources, Simpson argues that serial killers' recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right. Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.
A gigantic double horror/thriller novel featuring 21 different serial killers... For everyone who thinks the bad guys are so much more fun to read than the good guys, this is a book just for you. The definitive volume containing every major villain from the Crouch/Konrath Universe is here. If you haven't read anything by Crouch or Konrath, Serial Killers Uncut is the perfect introduction to the dark side of their universe. And if you enjoy a despicable bad guy (or bad girl), you're going to love this. There are close to two dozen serial killers featured in this book: Orson and Luther from Desert Places, Locked Doors, and Stirred, Mr. K from Shaken, Alex and Charles Kork from Whiskey Sour and Rusty Nail, Isaiah from Abandon, Taylor from Afraid, Javier from Snowbound, Donaldson and Lucy, plus many, many more. There are some good guys too, including Andrew Z. Thomas (Desert Places, Locked Doors), Jack Daniels (Whiskey Sour, Shaken), Violet King (Locked Doors, Break You), Tequila (Shot of Tequila), and Clayton Theel (Draculas). Serial Killers Uncut is an original 120,000 word double novel that stands alone without having read any of Konrath's or Crouch's work. If you are a more sensitive (or adventurous) reader, this handy scale rates specific categories from 1 (lowest) to 10 (highest) to give you some idea if this is your kind of book. SERIAL KILLERS UNCUT by Crouch and Konrath Bad Language - 6 Scary - 8 Violent - 8 Funny - 4 Sexy - 7 Crossovers - Features characters from dozens of books in the Konrath and Crouch universe
