The Making of Theatre History
Author: Paul Kuritz
Publisher: PAUL KURITZ
Published: 1988
Total Pages: 478
ISBN-13: 9780135478615
DOWNLOAD EBOOKRead and Download eBook Full
Author: Paul Kuritz
Publisher: PAUL KURITZ
Published: 1988
Total Pages: 478
ISBN-13: 9780135478615
DOWNLOAD EBOOKAuthor: Oscar Gross Brockett
Publisher:
Published: 1974
Total Pages: 706
ISBN-13:
DOWNLOAD EBOOKAuthor: John Russell Brown
Publisher: Oxford Illustrated History
Published: 2001
Total Pages: 598
ISBN-13: 9780192854421
DOWNLOAD EBOOKA scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
Author: Martin Revermann
Publisher: Bloomsbury Publishing
Published: 2019-08-08
Total Pages: 273
ISBN-13: 1350135291
DOWNLOAD EBOOKTheatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Author: Nellie McCaslin
Publisher:
Published: 1997
Total Pages: 0
ISBN-13: 9780887346774
DOWNLOAD EBOOKAuthor: Juliet Guzzetta
Publisher:
Published: 2021-08-15
Total Pages: 264
ISBN-13: 9780810143869
DOWNLOAD EBOOKThis is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.
Author: Geoffrey Nowell-Smith
Publisher: Oxford University Press
Published: 2017-11-16
Total Pages: 160
ISBN-13: 0191005231
DOWNLOAD EBOOKCinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century. Today, it continues to adapt and grow as new technologies and viewing platforms become available, and remains an integral cultural and aesthetic entertainment experience for people the world over. Cinema developed against the backdrop of the two world wars, and over the years has seen smaller wars, revolutions, and profound social changes. Its history reflects this changing landscape, and, more than any other art form, developments in technology. In this Very Short Introduction, Nowell-Smith looks at the defining moments of the industry, from silent to sound, black and white to colour, and considers its genres from intellectual art house to mass market entertainment. ABOUT THE SERIES: The Very Short Introduction series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Donald C. King
Publisher: McFarland
Published: 2008-02-28
Total Pages: 0
ISBN-13: 9780786438747
DOWNLOAD EBOOKThe theatre had a difficult time establishing itself in Massachusetts. Colonial authorities in Boston were adamantly opposed to theatrical amusements of any kind. In the mid-eighteenth century, even theatricals performed in the homes of private citizens aroused the indignant ire of puritanically minded authorities. In 1750 the General Court of Massachusetts passed an act prohibiting stage plays or any other theatrical entertainment. In 1762, the New Hampshire House of Representatives refused a theatre troupe admission to the town of Portsmouth on the ground that plays had a "peculiar influence on the minds of young people and greatly endangered their morals by giving them a taste for intriguing amusement and pleasure." The first public dramatic performance in Boston was produced at a coffeehouse on State Street by two English actors and some local volunteers. In 1775 General John Burgoyne, himself an actor and playwright, converted Boston's Faneuil Hall into a theatre, where he presented, among other pieces, The Blockade of Boston. After the Revolutionary War, in February 1794, the dramatic history of Boston may be said to have begun with the opening of the Boston Theatre. The history of Boston theatres from the eighteenth century through the present is covered in this well illustrated work. Although the theatre had a somewhat rocky beginning, by 1841 more than 15 theatre houses--including the Boston Theatre, Concert Hall, Merchants Hall, Boylston Hall, the Washington Gardens Amphitheatre, the Tremont Theatre, the Washington Theatre, the American Amphitheatre, the Federal Street Theatre, Mr. Saubert's Theatre, the Lion Theatre, the National Theatre (which boasted gas lighting), and the Howard Athenaeum--were all established. After these first theatres paved the way and puritanical restraint had been overcome, the public's enthusiasm for varied entertainment prevailed and theatres proliferated in the city. This book details the long and storied history of Boston theatre construction, alteration, restoration, and, in many cases, destruction. Information is also provided about building architecture, types of performances, ticket prices and other interesting data about each theatre's history.
Author: Richard Maltby
Publisher: John Wiley & Sons
Published: 2011-03-16
Total Pages: 355
ISBN-13: 1444396404
DOWNLOAD EBOOKExplorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema
Author: Errol G. Hill
Publisher: Cambridge University Press
Published: 2003-07-17
Total Pages: 652
ISBN-13: 9780521624435
DOWNLOAD EBOOKTable of contents