Cibus is a 6-year-old boy with a very rough childhood. His mother had abused him ever since he could remember. And then one day...she simply abondened him. In front of a stranger's door. On a cold and rainy November evening. The owner of the house, Lucien, finds the boy on his doorstep and decides to take care of him. But for what reason? Could his motives have another cause than pure kindness? How will Cibus new life be like? TW: Binge eating
This book offers the term 'ecophobia' as a way of understanding and organizing representations of contempt for the natural world. Estok argues that this vocabulary is both necessary to the developing area of ecocritical studies and for our understandings of the representations of 'Nature' in Shakespeare.
Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks. Catherine Léglu explores the narrative's translation into French in medieval England, examining the multiple versions of the Samson narrative via its many adaptations into verse, prose, visual art and musical. Utilizing a multidisciplinary approach, this text draws together examples from several genres and media, focusing on the importance of book learning to secular works. In analysing this Biblical narrative, Léglu reveals the importance of the Samson and Delilah story as a point of entry into a fuller understanding of medieval translations and adaptations of the Bible.
This compendium (4 vols.) studies the continuity, flexibility, and variation of structural elements in epic narratives. It provides an overview of the structural patterns of epic poetry by means of a standardized, stringent terminology. Both diachronic developments and changes within individual epics are scrutinized in order to provide a comprehensive structural approach and a key to intra- and intertextual characteristics of ancient epic poetry.
Equally in God's Image: Women in the Middle Ages is a volume of essays presenting the argument that with the coming of the universities women were excluded, in an apartheid of gender, from education and power. It discusses the resulting paradigm shift from Romanesque to Gothic, describing the images which women had of themselves and which the dominant male society had of them. We meet, in the pages of this book, medieval women in their roles as writers, pilgrims, wives, anchoresses and nuns, at court, on pilgrimage, in households and convents. The volume, as a «Distant Mirror» for ourselves today, seeks to present ways in which women then fulfilled the roles society expected of them and the ways in which they also subverted - through entering into textuality - the expectations of the dominating culture in order to quest identity and equality.
In Showing of Love, Julia Bolton Holloway provides a complete translation of Julian of Norwich's ground-breaking text, opening windows of insight into her medieval world. As a female mystic and theologian who was uniquely recognized (in a time when most women were not) for her holiness, Julian of Norwich also came to be known as a catechist, prophet, and spiritual director. Showing of Love records her own healing encounter with divine love and has for many centuries been a source of healing and inspiration for others. Readers of Julian's work find her belief that God sits in our soul as a fair city to be of profound value. That city is every city, Mary its queen, Christ its king. Julian offers these layers in rich text and variant readings. Julian dedicated years of her life to shaping Showing of Love, at the end rewriting it to preserve it from censorship. The anchoress lived in St. Julian's churchyard in Norwich. Her text was saved from destruction by nuns in Brigittine and Benedictine convents, first in England, then in exile after the Reformation. Julian's writings were later published by the Benedictines in 1670. They reveal her strong links with Benedict that continue to have lasting value for readers today. Includes two-color ink on inside pages. Julia Bolton Holloway, PhD, is a vowed hermit living in Florence, Italy. She has published seventeen other works on important historical figures.
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