With works by nearly fifty artists, including Richard Duardo, Sam Coronado, Vincent Valdez, Alex Rubio, Ester Hernández, Patssi Valdez, Gronk, César Martínez, and Luis Jiménez, this volume presents one of the most important collections of contemporary Mexican American prints in existence.
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Originating in the early seventies, Chicano art long remained unrecognised by the art and gallery world. This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art.
"Chicanitas: Small Paintings from the Cheech Marin Collection {size doesn't matter}" showcases 70 paintings by 29 painters represented in Cheech Marin's noted collection of Chicano art. Marin, the entertainer who is well known for his work in movies, television, and improvisational comedy, has been acquiring art for more than 20 years, and he has amassed one of the renowned collections of Chicano art in private hands. Marin's most recent passion is collecting small paintings averaging 16 inches square and smaller in size. In contrast to other works in his collection representing and promoting the Chicano art movement of the mid-60's and 70's, the content of many of these small paintings leans more towards the artist's internal or personal statement rather than as a response to political, social or cultural situations. The paintings, which range from photo-realism to abstractions to portraits to landscapes, offer a window into the lives of the artists. Whether showing us a glimpse of their neighborhood as Margaret García does in her expressive paintings of a car wash, hair salon, grocery store and taco shop; or personal interests such as graffiti art, street fashion and underground music that influence the works of Carlos Donjuán; or peppered with mystery and a bit of humor as in Ricardo Ruiz's four Masotas portraits based on family members; or making a statement about the double standards imposed on Mexican women as Ana Teresa Fernández does in "To Press I" and "To Press II;" or John Valadez's underwater figure studies painted on ceramic tiles, each artist draws on his or her own upbringing, cultural heritage, education and life experiences for inspiration.
"Papel Chicano Dos: Works on Paper from the Collection of Cheech Marin" presents 65 artworks by 24 established and emerging artists. Their work demonstrates a myriad of techniques from watercolor and aquatint to pastel and mixed media, dates from the late 1980s to present day, and offers iconic imagery with influences ranging from pre-Hispanic symbols and post-revolutionary nationalistic Mexican motives to Chicano movement of the 1960s and contemporary urban culture. Featured artists are Carlos Almaraz, Charles "Chaz" Bojórquez, Pablo Andres Cristi, Carlos Donjuán, Gaspar Enríquez, Sonya Fe, Emmanuel Galvez, Margaret García, Roberto Gil de Montes, CiCi Segura González, Raúl Guerrero, Roberto Gutiérrez, Adán Hernández, Benito Huerta, Leo Limón, Gilbert "Magu" Luján, Cesar A. Martínez, Glugio "Gronk" Nicondra, Wenceslao Quiroz, Frank Romero, Sonia Romero, Ricardo Ruiz, John Valadez, and Vincent Valdez. The book is presented by Cheech Marin; produced, edited and published by Melissa Richardson Banks of CauseConnect, LLC; and designed by Eva Crawford. Artworks were photographed by Lisa Mansy Photography with support by Ted Meyer of Art Your World.
"The Strachwitz Frontera Collection is the largest repository of commercially produced Mexican and Mexican American vernacular recordings in existence. It contains more than 130,000 individual recordings. Many are rare, and some are one of a kind. Although border music is the focus of the collection, it also includes notable recordings of other Latin forms, including salsa, mambo, sones, and rancheras. More than 40,000 of the recordings, all from the first half of the twentieth century, have been digitized with the help of the UCLA Chicano Studies Research Center and are available online through the University of California's Digital Library Program. Agustin Gurza explores the Frontera Collection from different viewpoints, discussing genre, themes, and some of the thousands of composers and performers whose work is contained in the archive. Throughout he discusses the cultural significance of the recordings and relates the stories of those who have had a vital role in their production and preservation. Rounding out the volume are chapters by Jonathan Clark, who surveys the recordings of mariachi ensembles, and Chris Strachwitz, the founder of the Arhoolie Foundation, who reflects on his six decades of collecting the music that makes up the Frontera Collection."--Publisher description.
Explores life and work of Chicano photographer Oscar Castillo, whose papers and photograph files are housed at the UCLA Chicano Studies Research Center archive.