This book explores the lively chemistry culture that arose during the 17th century in Colonial New England. This was chiefly due to the efforts of John Winthrop, Jr. who brought both chemical knowledge and the largest library of chemical books in the New World to Boston. He founded towns, such as Ipswich and New London, and industrial enterprises, such as salt works and ironworks, while also serving as the primary source of Paracelsian medicines, which led him to become the most famous physician in Colonial New England. Moreover, the book covers topics such as the founding of Harvard College, and the life and works of Cotton Mather, especially Magnalia Christi Americana, one of the most important vanity volumes in the history of scholarly publication.
The story of this little-known Dutch physician “will interest students and practitioners of history, chemistry, and philosophy of science” (Choice). In Inventing Chemistry, historian John C. Powers turns his attention to Herman Boerhaave (1668–1738), a Dutch medical and chemical professor whose work reached a wide, educated audience and became the template for chemical knowledge in the eighteenth century. The primary focus of this study is Boerhaave’s educational philosophy, and Powers traces its development from Boerhaave’s early days as a student in Leiden through his publication of the Elementa chemiae in 1732. Powers reveals how Boerhaave restructured and reinterpreted various practices from diverse chemical traditions (including craft chemistry, Paracelsian medical chemistry, and alchemy), shaping them into a chemical course that conformed to the pedagogical and philosophical norms of Leiden University’s medical faculty. In doing so, Boerhaave gave his chemistry a coherent organizational structure and philosophical foundation, and thus transformed an artisanal practice into an academic discipline. Inventing Chemistry is essential reading for historians of chemistry, medicine, and academic life.
The present volume owes its ongm to a Colloquium on "Alchemy and Chemistry in the Sixteenth and Seventeenth Centuries", held at the Warburg Institute on 26th and 27th July 1989. The Colloquium focused on a number of selected themes during a closely defined chronological interval: on the relation of alchemy and chemistry to medicine, philosophy, religion, and to the corpuscular philosophy, in the sixteenth and seventeenth centuries. The relations between Medicina and alchemy in the Lullian treatises were examined in the opening paper by Michela Pereira, based on researches on unpublished manuscript sources in the period between the 14th and 17th centuries. It is several decades since the researches of R.F. Multhauf gave a prominent role to Johannes de Rupescissa in linking medicine and alchemy through the concept of a quinta essentia. Michela Pereira explores the significance of the Lullian tradition in this development and draws attention to the fact that the early Paracelsians had themselves recognized a family resemblance between the works of Paracelsus and Roger Bacon's scientia experimentalis and, indeed, a continuity with the Lullian tradition.
Praise for From Alchemy to Chemistry in Picture and Story "The timeline from alchemy to chemistry contains some of the most mystifying ideas and images that humans have ever devised. Arthur Greenberg shows us this wonderful world in a unique and highly readable book." —Dr. John Emsley, author of The Elements of Murder: A History of Poison "Art Greenberg takes us, through text and lovingly selected images, on a 'magical mystery tour' of the chemical universe. No matter what page you open, there is a chemical story worth telling." —Dr. Roald Hoffmann, Nobel Laureate and coauthor of Chemistry Imagined "Chemistry has perhaps the most intricate, most fascinating, and certainly most romantic history of all the sciences. Arthur Greenberg's essays-delightful, learned, quirky, highly personal, and richly illustrated with contemporary drawings (many of great rarity and beauty)-provide a kaleidoscope of intellectual landscapes, bringing the experiments, the ideas, and the human figures of chemistry's past intensely alive." —Dr. Oliver Sacks, author of Awakenings From Alchemy to Chemistry in Picture and Story takes you on an illustrated tour of chemistry's fascinating history, from its early focus on the spiritual relationship between man and nature to some of today's most cutting-edge applications. Drawing from rare publications and artwork that span over five centuries, the book contains nearly 200 essays and over 350 illustrations-including 24 in full color-that tell the engaging story of the development of this fundamental science and its connection with human history. Join Arthur Greenberg as he combines the "best of the best" from his previous works (as well as several new essays) to paint a colorful picture of chemistry's remarkable origins!
Presents chemistry as a science in search of an identity, or rather as a science whose identity has changed in response to its relation to society and other disciplines. This book discusses the conceptual, experimental, and technological challenges with wh
This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.
Most studies of the Salem witch trials focus on social history and the dynamics between accused and accusers. Science and Specters at Salem turns instead to the intellectual background of the judges to understand why they accepted controversial types of evidence. The role of judges in a witch trial was central. Goldish argues that in Salem the judges' acceptance of questionable touch tests and spectral evidence was a result of their intellectual commitments. Several of the Salem judges were highly educated, and some of them were adherents of a particular philosophical school in England led by Henry More and Joseph Glanvill which Goldish calls "the anti-Sadducees." He demonstrates how the ideas of these leading thinkers, friends of Robert Boyle and Sir Isaac Newton, could have led to the deaths of twenty accused witches in Salem. This book will interest students and scholars of witch trials, American colonial history, Atlantic history, legal history and early modern Europe, as well as lay readers wanting a better understanding of Salem.
This collection of Stephen Clucas's articles addresses the complex interactions between religion, natural philosophy and magic in sixteenth- and seventeenth-century Europe. The essays on the Elizabethan mathematician and magus John Dee show that the angelic conversations of John Dee owed a significant debt to medieval magical traditions and how Dee's attempts to communicate with spirits were used to serve specific religious agendas in the mid-seventeenth century. The essays devoted to Giordano Bruno offer a reappraisal of the magical orientation of the Italian philosopher's mnemotechnical and Lullist writings of the 1580s and 90s and show his influence on early seventeenth-century English understandings of memory and intellection. Next come three studies on the atomistic or corpuscularian natural philosophy of the Northumberland and Cavendish circles, arguing that there was a distinct English corpuscularian tradition prior to the Gassendian influence in the 1640s and 50s. Finally, two essays on the seventeenth-century Intelligencer Samuel Hartlib and his correspondents shows how religion alchemy and natural philosophy interacted during the 'Puritan Revolution'.
