Sam Henry's Songs of the People
Sam Henry's Songs of the People

Author: Gale Huntington

Publisher: University of Georgia Press

Published: 2010-06-01

Total Pages: 674

ISBN-13: 0820336254

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The story of Ireland—its graces and shortcomings, triumphs and sorrows—is told by ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and an aspect of Irish life beloved throughout the rest of the world. Incredibly, the largest single gathering of Irish folk songs had been almost inaccessible because, originally newspaper based, it was available in only three libraries, in Belfast, Dublin, and Washington D.C. Sam Henry's “Songs of the People” makes the music available to a wider audience than the collector ever imagined. Comprising nearly 690 selections, this thoroughly annotated and indexed collection is a treasure for anyone who performs, composes, studies, collects, or simply enjoys folk music. It is valuable as an outstanding record of Irish folk songs before World War II, demonstrating the historical ties between Irish and Southern folk culture and the tremendous Irish influence on American folk music. In addition to the songs themselves and their original commentary, Sam Henry's “Songs of the People” includes a glossary, bibliography, discography, index of titles and first lines, melodic index, index of the original sources of the songs and information about them, geographical index of sources, and three appendixes related to the original song series in the Northern Constitution.

Never Without a Song
Never Without a Song

Author: Katharine D. Newman

Publisher: University of Illinois Press

Published: 1995

Total Pages: 332

ISBN-13: 9780252063718

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Never Without a Song focuses on the centrality of folksong in the life of Jennie Devlin, a woman who worked for fourteen years as a "bound-out girl" along the New York-Pennsylvania border and later lived in Philadelphia and Gloucester, New Jersey. Katharine Newman met Devlin in 1936 and compiled information about the older woman's life and music. Half a century later, Newman returned to her collection in retirement-with her own perspective of age. The result is a unique biography of an American working-class woman, told with depth and candor. It includes "I Wish I'd Been Born a Boy," "James Bird," "Martha Decker," "My Grandmother's Old Armchair," and other pieces, both British and American, most with tunes.

Alan Lomax
Alan Lomax

Author: Ronald Cohen

Publisher: Routledge

Published: 2004-03-01

Total Pages: 382

ISBN-13: 1135949220

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Alan Lomax is a legendary figure in American folk music circles. Although he published many books, hundreds of recordings and dozens of films, his contributions to popular and academic journals have never been collected. This collection of writings, introduced by Lomax's daughter Anna, reintroduces these essential writings. Drawing on the Lomax Archives in New York, this book brings together articles from the 30s onwards. It is divided into four sections, each capturing a distinct period in the development of Lomax's life and career: the original years as a collector and promoter; the period from 1950-58 when Lomax was recording thorughout Europe; the folk music revival years; and finally his work in academia.

Alan Lomax
Alan Lomax

Author: Alan Lomax

Publisher: Psychology Press

Published: 2003

Total Pages: 363

ISBN-13: 9780415938549

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Accompany CD has excerpts from a speech given by Alan Lomax on March 7, 1989, at the New York Public Library plus seven tracks of folk songs recorded by Alan Lomax.

Wasn’t That a Mighty Day
Wasn’t That a Mighty Day

Author: Luigi Monge

Publisher: Univ. Press of Mississippi

Published: 2022-08-24

Total Pages: 388

ISBN-13: 1496841794

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Wasn’t That a Mighty Day: African American Blues and Gospel Songs on Disaster takes a comprehensive look at sacred and secular disaster songs, shining a spotlight on their historical and cultural importance. Featuring newly transcribed lyrics, the book offers sustained attention to how both Black and white communities responded to many of the tragic events that occurred before the mid-1950s. Through detailed textual analysis, Luigi Monge explores songs on natural disasters (hurricanes, floods, tornadoes, and earthquakes); accidental disasters (sinkings, fires, train wrecks, explosions, and air disasters); and infestations, epidemics, and diseases (the boll weevil, the jake leg, and influenza). Analyzed songs cover some of the most well-known disasters of the time period from the sinking of the Titanic and the 1930 drought to the Hindenburg accident, and more. Thirty previously unreleased African American disaster songs appear in this volume for the first time, revealing their pertinence to the relevant disasters. By comparing the song lyrics to critical moments in history, Monge is able to explore how deeply and directly these catastrophes affected Black communities; how African Americans in general, and blues and gospel singers in particular, faced and reacted to disaster; whether these collective tragedies prompted different reactions among white people and, if so, why; and more broadly, how the role of memory in recounting and commenting on historical and cultural facts shaped African American society from 1879 to 1955.

The Study of Ethnomusicology
The Study of Ethnomusicology

Author: Bruno Nettl

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 530

ISBN-13: 025209199X

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The first edition of this book, The Study of Ethnomusicology: Twenty-Nine Issues and Concepts, has become a classic in the field. This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere. This book looks at the field of ethnomusicology--defined as the study of the world's musics from a comparative perspective, and the study of all music from an anthropological perspective--as a field of research. Nettl selects thirty-one concepts and issues that have been the subjects of continuing debate by ethnomusicologists, and he adds four entirely new chapters and thoroughly updates the text to reflect new developments and concerns in the field. Each chapter looks at its subject historically and goes on to make its points with case studies, many taken from Nettl's own field experience. Drawing extensively on his field research in the Middle East, Western urban settings, and North American Indian societies, as well as on a critical survey of the available literature, Nettl advances our understanding of both the diversity and universality of the world's music. This revised edition's four new chapters deal with the doing and writing of musical ethnography, the scholarly study of instruments, aspects of women's music and women in music, and the ethnomusicologist's study of his or her own culture.