At the turn of the century, Chautauqua meant the summer tent shows in the town of Chautauqua, New York. But for the past decade it has stood for the month-long summer tour of a band of vaudevillians, led by The Flying Karamazov Brothers, which travels to small towns in the American Northwest and over to Canada. A few summers ago, Rebecca Chace joined the Chautauqua as a trapeze artist, along with the Karamazovs; Artis the Spoonman; Magical Mystical Michael; The Girls Who Wear Glasses; folksinger Faith Petric; Toes Tiranoff; and many others, including the band and the children of various performers, who put together their own act. This is her story of that summer, and of her romance with Dmitri Karamazov.
More than a college or a summer resort or a religious assembly, the Chautauqua movement was a composite of all of these, and for five decades after it began in 1874, Chautauqua dominated adult education and reached millions with its summer assemblies, reading clubs, and traveling circuits. This critical study weaves the threads of Chautauqua into a single story and places it at the vital center of fin de siecle cultural and political history.
Explore the history of the education in this cloistered community, both spiritual and cultural, offered at the Chautauqua Institution in NY State for over 125 years. The Chautauqua Institution, located on Chautauqua Lake in southwestern New York State, is both a cloistered community and a world-renowned educational establishment. Founded in 1874 as a summer camp for Methodist Sunday school teachers, Chautauqua is synonymous with the ideas of spiritual growth, educational study, and intellectual stimulation in conjunction with recreation in an outdoor setting. For over 125 years, Chautauqua has remained an educational and cultural mecca for the common man. Chautauqua Institution, 1874-1974 is a compendium of Chautauqua's growth from its inception at Fair Point to its centennial celebrations. Each chapter's brief introduction acquaints the reader with historic highlights followed by pages of fascinating facts and intriguing images, ranging from rudimentary tents to the grande dame of hotels, from Victorian cottages to Greek-pillared halls. This array of architecture forms the backdrop for countless individuals who were responsible for bringing the founders' vision to fruition and who were the backbone of the Chautauqua Movement.
The Chautauqua Institution was started in 1874 by the Normal Department of the Methodist Episcopal Church as a two-week program to instruct Sunday school teachers of all Protestant denominations. The program proved to be a popular combination of worship, education, and recreation and each year brought thousands of visitors to the beautiful shores of Chautauqua Lake. As Chautauqua became a model of for lifelong learning and the good use of leisure time, hundreds of similar sites were built across the continent. The Chautauqua program included lectures, classes, symphony concerts, opera, theater, art, and recreations such as golf, tennis, swimming, and sailing. In time, the movement embraced all denominations and faiths. Today Chautauqua offers a vacation filled with many opportunities in a setting that could be from a century ago.
Winner of the Christopher Medal and a "heart-wrenching" Al Roker's Book Club selection on the Today Show. Zulaikha hopes. She hopes for peace, now that the Taliban have been driven from Afghanistan; a good relationship with her hard stepmother; and one day even to go to school, or to have her cleft palate fixed. Zulaikha knows all will be provided for her--"Inshallah," God willing. Then she meets Meena, who offers to teach her the Afghan poetry she taught her late mother. And the Americans come to her village, promising not just new opportunities and dangers, but surgery to fix her face. These changes could mean a whole new life for Zulaikha--but can she dare to hope they'll come true?
THE STORY: When a world-renowned origami artist opens her studio to a teenage prodigy and his school teacher, she discovers that life and love can't be arranged neatly in this drama about finding the perfect fold.
A striking new ensemble drama based on the Jena Six; six Black students who were initially charged with attempted murder for a school fight after being provoked with nooses hanging from a tree on campus. This bold new play by Dominique Morisseau (Sunset Baby, Detroit '67, Skeleton Crew) examines the miscarriage of justice, racial double standards, and the crises in relations between men and women of all classes and, as a result, the shattering state of Black family life.
The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."
The publishing phenomenon of summer reading, often focused on novels set in vacation destinations, started in the nineteenth century, as both print culture and tourist culture expanded in the United States. As an emerging middle class increasingly embraced summer leisure as a marker of social status, book publishers sought new market opportunities, authors discovered a growing readership, and more readers indulged in lighter fare. Drawing on publishing records, book reviews, readers' diaries, and popular novels of the period, Donna Harrington-Lueker explores the beginning of summer reading and the backlash against it. Countering fears about the dangers of leisurely reading—especially for young women—publishers framed summer reading not as a disreputable habit but as a respectable pastime and welcome respite. Books for Idle Hours sheds new light on an ongoing seasonal publishing tradition.
