After purchasing a set of china that matched her Grandmothers, Emma Chase finds her world turned up-side down, by an inheritance no one knew about. The Chatterton Estate was all she had ever hoped for. BUT AT WHAT COST? Even when the living go to bed, she’s left to struggle with ghost’s and visions. perhaps she even slips in to the past.
A dark, gritty police procedural -- the first in the Detective Inspector Frank Keane series. On a freezing October morning, Detective Inspector Frank Keane is called to the scene of a crime on Liverpool's shoreline.The body of what looks like a man, brutally tortured and burned, has been tied to a pole on the beach. With very little evidence to go on, Keane and his partner, DS Emily Harris, rely on their gut feeling that this murder is gang-related and their investigation takes them, once again, into the murky underworld of organised crime. Over in Australia, ex-Liverpool Police detective Menno Koopman -- Frank's former boss -- is enjoying his retirement. He has no plans to ever return to England but when the body on the beach turns out to be his son, Stevie -- whom he only ever met once as a baby -- he knows he has to go back and seek justice for his horrific murder. But there's a fine line between justice and revenge.
Co-written by science-fiction/fantasy luminaries Austin Hall and Homer Eon Flint, The Blind Spot is a thought-provoking novel that posits the existence of a mysterious portal that links together multiple dimensions. It's a long-time favorite that fantasy fans should add to their must-read lists.
This book scrutinizes the genre of the author-as-character with respect to three broad issues--authorship, the posthumous, and cultural revisionism--that arise in reading such works from a contemporary perspective. Late twentieth-century fiction "postmodernizes" romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's The Blue Flower, Peter Ackroyd's The Last Testament of Oscar Wilde and Chatterton, Peter Carey's Jack Maggs, Michael Cunningham's The Hours, Colm Toibin's The Master, and Geoff Dyer's Out of Sheer Rage: Wrestling with D. H. Lawrence--"the mighty dead" (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a post-modern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality. Laura E. Savu is a lecturer at the University of Bucharest.