Chap-books of the Eighteenth Century

Chap-books of the Eighteenth Century

Author: John Ashton

Publisher: DigiCat

Published: 2022-09-04

Total Pages: 525

ISBN-13:

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DigiCat Publishing presents to you this special edition of "Chap-books of the Eighteenth Century" (With Facsimiles, Notes, and Introduction) by John Ashton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


Chapbooks

Chapbooks

Author: Victor E. Neuburg

Publisher: London : Woburn Press

Published: 1972

Total Pages: 100

ISBN-13:

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Provincial Readers in Eighteenth-Century England

Provincial Readers in Eighteenth-Century England

Author: Jan Fergus

Publisher: OUP Oxford

Published: 2007-01-25

Total Pages: 328

ISBN-13: 0191538205

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Many scholars have written about eighteenth-century English novels, but no one really knows who read them. This study provides historical data on the provincial reading publics for various forms of fiction - novels, plays, chapbooks, children's books, and magazines. Archival records of Midland booksellers based in five market towns and selling printed matter to over thirty-three hundred customers between 1744 and 1807 form the basis for new information about who actually bought and borrowed different kinds of fiction in eighteenth-century provincial England. This book thus offers the first solid demographic information about actual readership in eighteenth-century provincial England, not only about the class, profession, age, and sex of readers but also about the market of available fiction from which they made their choices - and some speculation about why they made the choices they did. Contrary to received ideas, men in the provinces were the principal customers for eighteenth-century novels, including those written by women. Provincial customers preferred to buy rather than borrow fiction, and women preferred plays and novels written by women - women's works would have done better had women been the principal consumers. That is, demand for fiction (written by both men and women) was about equal for the first five years, but afterward the demand for women's works declined. Both men and women preferred novels with identifiable authors to anonymous ones, however, and both boys and men were able to cross gender lines in their reading. Goody Two-Shoes was one of the more popular children's books among Rugby schoolboys, and men read the Lady's Magazine. These and other findings will alter the way scholars look at the fiction of the period, the questions asked, and the histories told of it.


Paris

Paris

Author: Charissa Bremer-David

Publisher: Getty Publications

Published: 2011

Total Pages: 169

ISBN-13: 160606052X

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Published to accompany an exhibition on view at the J. Paul Getty Museum, Los Angeles, Apr. 26-Aug. 7, 2011, and at the Museum of Fine Arts, Houston, Sept. 18-Dec. 10, 2011.


A Little Pretty Pocket-book

A Little Pretty Pocket-book

Author: John Newbery

Publisher: DigiCat

Published: 2022-05-29

Total Pages: 108

ISBN-13:

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A Little Pretty Pocket-Book is a children's book written by John Newbery. It is commonly thought to be the first children's book ever made, and provides a code of conduct for boys and girls in different social settings.


Book Trade Connections from the Seventeenth to the Twentieth Centuries

Book Trade Connections from the Seventeenth to the Twentieth Centuries

Author: John Hinks

Publisher:

Published: 2008

Total Pages: 288

ISBN-13:

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The ninth volume of the Print Network series contains twelve chapters from scholars working on the connections between the parties involved in the production of print artefacts, from author to printer, publisher, bookseller and reader. Chronologically, the offerings range from the seventeenth to the twentieth centuries as they track the developing trade in England, Scotland, Wales and Ireland. Publishers and readers who spent part of their lives in North America are also featured in several of the chapters. The main theme emerging from this volume is the significance of cheap print, including newspapers and journals. The social, cultural political and economic significance of these artefacts is highlighted by an in-depth examination of the lives of those men and women who participated in the book trade.


The Crisis of Literature in the 1790s

The Crisis of Literature in the 1790s

Author: Paul Keen

Publisher: Cambridge University Press

Published: 1999-11-28

Total Pages: 318

ISBN-13: 1139426486

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This book offers an original study of the debates which arose in the 1790s about the nature and social role of literature. Paul Keen shows how these debates were situated at the intersection of the French Revolution and a more gradual revolution in information and literacy reflecting the aspirations of the professional classes in eighteenth-century England. He shows these movements converging in hostility to a new class of readers, whom critics saw as dangerously subject to the effects of seditious writings or the vagaries of literary fashion. The first part of the book concentrates on the dominant arguments about the role of literature and the status of the author; the second shifts its focus to the debates about working-class activists, radical women authors, and the Orientalists, and examines the growth of a Romantic ideology within this context of political and cultural turmoil.


The Irish Hedge School and Its Books, 1695-1831

The Irish Hedge School and Its Books, 1695-1831

Author: Antonia McManus

Publisher:

Published: 2004

Total Pages: 0

ISBN-13: 9781851828128

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For over 136 years the hedge schoolmasters were the dominant educators in Ireland. For most of that time, they worked underground due to the strictures of the Penal Laws. Their books were an eclectic mix of romantic chapbooks, as well as the best available literature of the eighteenth century, purchased by parents as cheap piracies of expensive English originals.