Attacks on Janet Osborne lend new significance to the earlier murder of her brother Eric. They were holding out to keep the family newspaper a beacon of liberal advocacy journalism. A screwy plot to save the newspaper turns tragic and even screwier before Strachey and a driven reporter step in to sort it all out.
FOOLS RUSH IN. . . I'd done some crazy stuff off-and-on the last couple of years. My life had gone off in some weird directions. But nothing could match yanking a stoned, naked, sick seventeen-year-old girl out of a murder scene and sneaking her off under the nose of the police. Harry James Denton is no fool. But his search for a rich runaway teen, Stacey Jameson, takes him to the seamy and very wild side of Nashville. Nobody's chain lays straight, a friend tells Harry. But Stacey's is especially twisted, with links that lead back to a family filled with secrets. Even a hardboiled P.I. like Harry isn't prepared for what awaits him in the depths of hard-core hell, where only he can save a lost girl before she destroys herself or lets a ruthless murderer do it for her. "Steven Womack has done for male private eye fiction what Grafton and Paretsky did for women operatives in the Eighties, and if you haven't heard of him yet, you will." --Mostly Murder From the Paperback edition.
Warner Bros. Publications' new Ultimate Guitar Collection series is an incredible value and a tremendous resource. Each book contains more than 40 complete note-for-note guitar transcriptions -- approximately 200 pages in each book! Fifty-four classic soul hits including: Ain't No Stoppin' Us Now * Break Up to Make Up * Chain of Fools * Freddie's Dead (Theme from Superfly) * (Your Love Has Lifted Me) Higher & Higher * Hot Fun in the Summertime * If You Don't Know Me by Now * In the Midnight Hour * Lady Love * Love Train * Me and Mrs. Jones * The Midnight Train to Georgia * Papa's Got a Brand New Bag * People Get Ready * When a Man Loves a Woman and many, many more.
Divine Choir, volume 3, marvelous continuation of Divine Choir volume 1 & 2. Various poets from all over the world. Action in Heaven and on Earth, very entertaining, on all subjects of life and afterlife.
Quo Vadis, a complex anthology of fascinating poems dedicated to love, life, peace as well as humanity and our planet Earth. True tides of love, tides of the Universe, enriched by deeply philosophical thoughts expressed in enchanting poetic verses by Thaddeus Hutyra, with his motto: TO BE, ALWAYS TO BE! A fascinating journey throughout the verses, the universe of Thaddeus' poetic and philosophical thought. It is already second volume of Thaddeus' Quo Vadis, first one was published in 2015 and is available on Amazon, and this one, dated 2020, available in Lulu.com and in Amazon as well, thank you.
How does one reconcile the tension between the community of one’s own Catholic upbringing and a sexuality and gender identity that may be in conflict with some of the tenets of the faith – especially when one is a member of the Gay, Lesbian, Bisexual, Transgender, Queer, and Intersex community? Queer and Catholic offers a source of comfort to members of these communities, focusing on not only practicing Catholics, but also the entire experience of growing up Catholic. This unique book discusses Catholicism beyond its religiosity and considers its implications as a culture of origin. This widely varied and entertaining book pulls together a comprehensive collection of essays, stories, and poetry that together represent an honest and engaging reflection of being a queer person within the Catholic experience.
An insightful music writer brilliantly reinterprets the lives of three pop geniuses and the soul revolution they launched. Soul music is one of America's greatest cultural achievements, and Stevie Wonder, Aretha Franklin, and Curtis Mayfield are three of its most inspired practitioners. In midcentury America it was soul music—particularly the dazzling stream of recordings made by these three stars—that helped bring the gospel vision of the black church into the mainstream, energizing the era’s social movements and defining a new American gospel where the sacred and the secular met. What made this gospel all the more amazing was that its most influential articulators were the sons and daughters of sharecroppers, storefront preachers, and single parents in the projects, whose genius gave voice to a new vision of American possibility. Higher Ground seamlessly weaves the specific and intensely personal narratives of Stevie, Aretha, and Curtis’s lives into the historical fabric of their times. The three shared many similarities: They were all children of the great migration and of the black church. But Werner goes further and ties them together with a provocative thesis about American history and culture that compels us to reconsider both the music and the times. And aside from the personalities and the history, he writes beautifully about music itself, the nuts and bolts of its creation and performance, in a way that brings a new awareness and understanding to the most familiar music, forcing you to listen to songs you've heard a thousand times with fresh ears. In Higher Ground, Werner illuminates the lives of three unparalleled American artists, reminding us why their music mattered then and still resonates with us today.
“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.
Table Scraps and Other Essays is for all intents and purposes memoir writing. At the heart of the twenty-two true stories is an African American female who, as a child, along with her siblings, must learn the value of hard work as hired hands. James’s young spirit is often at odds with her growing family, especially with a father figure who ignores his duties as husband and provider. She has a strong, loving mother who insists on keeping the family together. James learns to trust and depend on the “guardians” of her small Louisiana community—teachers who are eventually forced to move away from the area when the local schools are integrated. Many years later, James returns home figuratively, and literally on occasion, from the apartment where she lives in New Orleans, and reconnects with a father who seeks forgiveness for his earlier betrayal. He spends each day attempting to make up for the ill treatment of his wife and children. In these essays, James shares her love of nature, both as a means of escape from her troubled family and as inspiration for her writing.