The official U.S. Army account of Army performance in the Gulf War, Certain Victory was originally published by the Office of the Chief of Staff, U.S. Army, in 1993. Brig. Gen. Scales, who headed the Army's Desert Storm Study Project, offers a highly readable and abundantly illustrated chronicle.
Employs hundreds of images and written records from Japanese periodicals during World War II to trace the nation's transformation from a colorful, cosmopolitan empire in 1937 to a bleak total war society facing imminent destruction in 1945. This volume offers a representation of the official Japanese narrative of the war in contemporary terms.
A pair of siblings' bucolic French town is almost untouched by the ravages of WWII. When their friend goes into hiding and his Jewish parents disappear, they realize they must take a stand.
How money, guts, and greed built the Warriors dynasty -- and then took it apart The Golden State Warriors dominated the NBA for the better part of a decade. Since the arrival of owner Joe Lacob, they won more championships and sold more merchandise than any other franchise in the sport. And in 2019, they opened the doors on a lavish new stadium. Yet all this success contained some of the seeds of decline. Ethan Sherwood Strauss's clear-eyed exposé reveals the team's culture, its financial ambitions and struggles, and the price that its players and managers have paid for all their winning. From Lacob's unlikely acquisition of the team to Kevin Durant's controversial departure, Strauss shows how the smallest moments can define success or failure for years. And, looking ahead, Strauss ponders whether this organization can rebuild after its abrupt fall from the top, and how a relentless business wears down its players and executives. The Victory Machine is a defining book on the modern NBA: it not only rewrites the story of the Warriors, but shows how the Darwinian business of pro basketball really works.
Originally published in 1984, this collection of 14 short stories set in Arkansas and Mississippi went on to win that year’s National Book Award for fiction, confirming Ellen Gilchrist’s place as one of the preeminent literary talents of her generation. Victory Over Japan takes us into the lives of an unforgettable group of Southern women — beautiful, complicated, enchanting, and sometimes dangerous — in and out of bars, marriages, divorces, lovers' arms, and even earthquakes, in an attempt to find happiness, or at least some satisfaction. Throughout these stories, one hears echoes of Flannery O'Connor and Eudora Welty, but Ms. Gilchrist has her own unique literary voice, and it is outrageously funny, moving, tragic, and always appealing. PRAISE: “To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen.” —Jonathan Yardley, The Washington Post “She is what they call a natural, writing with passion, authority and a noticeable lack of the self-consciousness that weighs down much of contemporary fiction.” —San Francisco Examiner-Chronicle “Ellen Gilchrist’s achievement is to create lives which refuse to be bound on the page by words and sentences . . . the writing is full of understanding that doesn’t advertise itself as perception or insight.” —London Daily Telegraph
Why have the major post-9/11 US military interventions turned into quagmires? Despite huge power imbalances in the United States' favor, significant capacity-building efforts, and repeated tactical victories by what many observers call the world's best military, the wars in Afghanistan and Iraq turned intractable. The US government's fixation on zero-sum, decisive victory in these conflicts is a key reason why military operations to overthrow two developing-world regimes failed to successfully achieve favorable and durable outcomes. In Zero-Sum Victory, retired US Army colonel Christopher D. Kolenda identifies three interrelated problems that have emerged from the government's insistence on zero-sum victory. First, the US government has no organized way to measure successful outcomes other than a decisive military victory, and thus, selects strategies that overestimate the possibility of such an outcome. Second, the United States is slow to recognize and modify or abandon losing strategies; in both cases, US officials believe their strategies are working, even as the situation deteriorates. Third, once the United States decides to withdraw, bargaining asymmetries and disconnects in strategy undermine the prospects for a successful transition or negotiated outcome. Relying on historic examples and personal experience, Kolenda draws thought-provoking and actionable conclusions about the utility of American military power in the contemporary world—insights that serve as a starting point for future scholarship as well as for important national security reforms.
Today, war is considered a last resort for resolving disagreements. But a day of staged slaughter on the battlefield was once seen as a legitimate means of settling political disputes. James Whitman argues that pitched battle was essentially a trial with a lawful verdict. And when this contained form of battle ceased to exist, the law of victory gave way to the rule of unbridled force. The Verdict of Battle explains why the ritualized violence of the past was more effective than modern warfare in bringing carnage to an end, and why humanitarian laws that cling to a notion of war as evil have led to longer, more barbaric conflicts. Belief that sovereigns could, by rights, wage war for profit made the eighteenth century battle’s golden age. A pitched battle was understood as a kind of legal proceeding in which both sides agreed to be bound by the result. To the victor went the spoils, including the fate of kingdoms. But with the nineteenth-century decline of monarchical legitimacy and the rise of republican sentiment, the public no longer accepted the verdict of pitched battles. Ideology rather than politics became war’s just cause. And because modern humanitarian law provided no means for declaring a victor or dispensing spoils at the end of battle, the violence of war dragged on. The most dangerous wars, Whitman asserts in this iconoclastic tour de force, are the lawless wars we wage today to remake the world in the name of higher moral imperatives.
From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era. New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies. While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In Victory City, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.