Alarming environmental shifts and disasters have raised public awareness and anxieties regarding the future of the planet. While planetary in scale, the negative effects of this global crisis are distributed unequally, affecting some of the already most fragile communities most intensely, thus contributing to rising global inequality. The pairing of environmental crises and a sense of inadequacy facing hitherto celebrated models of citizenry informs a current spirit of the times. The contributors to this volume place ethnographic or world cultures museums at the centre of these debates - these museums have been embroiled in longstanding debates about their histories, collections, and practices in relation to the colonial past.
This original collection of articles, derived in part from the papers presented at the twenty-sixth biennial conference of the Classical Association of South Africa held at Durban and Pietermaritzburg 5-7 July 2005, explores a wide range of receptions of Classical ideas in the fiction, drama, poetry, history, opera, and popular culture of a number of countries from South Africa to Cuba. There is a strong emphasis on the use of Greek and Roman tragedy, especially Aeschylus Seven against Thebes, the Electra plays of Sophocles and Euripides, various reworkings of the figures of Antigone and Medea, and the dramatic style of Seneca, but the compendium also includes chapters on Platonism, Horatian Satire, Mythology, Roman Civilization, Roman Historiography, and Greek erotic spells. Chronologically, the scope of reception extends from the contemporary (the problem of HIV/AIDS in South Africa), to the twentieth century (Soyinka, Walcott, Forster, Seth, Campbell), and the Renaissance (Daniel Heinsius). The book illustrates the depth, diversity, and complexity of the interconnections between the Classical past and the present. It provides a refreshingly different perspective on a vitally important and vibrant field of research.
As one of the most monumental and recognisable landmarks from Zanzibar’s years as a British Protectorate, the distinctive domed building of the Zanzibar Museum (also known as the Beit al-Amani or Peace Memorial Museum) is widely known and familiar to Zanzibaris and visitors alike. Yet the complicated and compelling history behind its construction and collection has been overlooked by historians until now. Drawing on a rich and wide range of hitherto unexplored archival, photographic, architectural and material evidence, this book is the first serious investigation of this remarkable institution. Although the museum was not opened until 1925, this book traces the longer history of colonial display which culminated in the establishment of the Zanzibar Museum. It reveals the complexity of colonial knowledge production in the changing political context of the twentieth century British Empire and explores the broad spectrum of people from diverse communities who shaped its existence as staff, informants, collectors and teachers. Through vivid narratives involving people, objects and exhibits, this book exposes the fractures, contradictions and tensions in creating and maintaining a colonial museum, and casts light on the conflicted character of the ’colonial mission’ in eastern Africa.