In Troubled Commemoration, Robert J. Cook recounts the planning, organization, and ultimate failure of United States Civil War Centennial and reveals how the broad-based public history extravaganza was derailed by its appearance during the decisive phase of the civil rights movement.
This bibliography includes all traceable self-contained books, monographs, pamphlets and chapters from books which in some way pertain to Jews in Australia and New Zealand between 1788 and 2008 Born in Russia in 1942, Serge Liberman came to Australia in 1951, where he now works as a medical practitioner. As author of several short-story collections including On Firmer Shores, A Universe of Clowns, The Life That I Have Led, and The Battered and the Redeemed, he has three times received the Alan Marshall Award and has also been a recipient of the NSW Premier's Literary Award. In addition, he is compiler of two previous editions of A Bibliography of Australian Judaica. Several of his titles have been set as study texts in Australian and British high schools and universities. His literary work has been widely published; he has been Editor and Literary Editor of several respected journals and has contributed to many other publications.
A major study of Catholic and Protestant Irish in an important but neglected center of historic Irish settlement where communal violence and Irish-related antipathy bore the hallmarks of the Liverpool and Glasgow experiences. "Culture, Conflict and Migration... deserves to be read as an important contribution to the growing literature on the Irish in Britain."—Irish Studies Review
It is known as 'the people's bank', 'the community bank' or simply 'the Bendigo'. As BUILDING THE VILLAGE shows, the Bendigo Bank's sense of social responsibility stretches back to 1858 and its roots on the Bendigo goldfield. Today, 150 years later, the bank's future rests upon the close community relationships it has built up across Australia. Historian Alan Mayne tells the story of the bank's developments, which parallel the building of Australia into one prosperous nation, and required overcoming many hurdles along the way, such as the protracted Federation drought, world wars, and the financial turmoil of the early 1990s.
First Published in 2017. Volume 6 of the directory contains the Trade Unions of Building and Construction, Agriculture, Fishing, Chemicals, Wood and Woodworking, Transport, Engineering and Metal Working, Government, Civil and Public Service, Energy and Extraction in the United Kingdom and Ireland, Shipbuilding.
This book shows how Dante Alighieri has been represented in the Italian collective imagination from the late eighteenth century to the present day. Often held to be a precursor of Italian unity, the author of the Divine Comedy has been put forward both as a standard-bearer of a secular, anti-clerical Italy and the embodiment of the concept of a deeply religious and Catholic nation; while he was later adopted by nationalist and fascists as well as a pop icon in the age of the internet and globalization. The book describes this long and fascinating history from a completely original point of view: the centuries-old myth of Dante is analysed from the perspective of cultural history. The sources employed include Dante commemorations, festivals and monuments, pilgrimages to his tomb, films and other media productions about Dante, as well as comic strips, advertisements and other cultural items dedicated to him.
In Colonial Legacies, Gabriella Nugent examines a generation of contemporary artists born or based in the Congo whose lens-based art attends to the afterlives and mutations of Belgian colonialism in postcolonial Congo. Focusing on three artists and one artist collective, Nugent analyses artworks produced by Sammy Baloji, Michèle Magema, Georges Senga and Kongo Astronauts, each of whom offers a different perspective onto this history gleaned from their own experiences. In their photography and video art, these artists rework existent images and redress archival absences, making visible people and events occluded from dominant narratives. Their artworks are shown to offer a re-reading of the colonial and immediate post-independence past, blurring the lines of historical and speculative knowledge, documentary and fiction. Nugent demonstrates how their practices create a new type of visual record for the future, one that attests to the ramifications of colonialism across time.