Describes Cecil the lion's rise to power at the Hwange National Park, from his struggles as a cub and alliance with rival Jericho to his untimely death that shocked the world.
Wubbzy is afraid of going to school for the first time. When Widget creates a robot to teach him instead, it goes out of control! Wubbzy decides he'd rather just have fun--but there's no one to play with. All of his friends are at school! Will Wubbzy give school a try?
Short stories, including the adapted-to-film original Cecil and Jordan in New York Gabrielle Bell splits her cartooning time between creating wry sketchbook autobiographical comics, such as those included in her 2006 graphic novel, Lucky, and working on more detailed fictional short stories. This collection represents her short comics work that has been published in various anthologies over the past five years, including Kramer's Ergot, Mome, and The D+Q Showcase Book Four. The surrealist title story, in which a young woman turns herself into a chair so as not to be too much of a bother to those around her, is being adapted into a short film, Interior Design, by director Michel Gondry (Eternal Sunshine of the Spotless Mind and The Science of Sleep) as part of the forthcoming Tôkyô! trilogy set for fall 2008 release.
Loner tells the story of Cecil Eklund's amazing century in his own words. From his years as a youth living in a logging camp, to working in a San Francisco glass factory before the Great Depression, to the formation of the Pacific waterfront unions, Cecil offers a first-hand look at American history in the making. Compiler Janelle Eklund offers her own important commentary around her fathers' life story.
On December 20, 1924, the newest hotel in downtown Los Angeles opened its doors. Catering to businessmen, bankers, theatergoers, and travelers, the Cecil started out as a home away from home for the city's high rollers. Then came the Great Depression. Times changed, and the hotel found itself in the middle of Skid Row. Awash in a sea of violent crime, drugs, and homelessness, the Cecil gained a dark reputation which remains to this day. Tales of murder, suicide, and serial killers are just one part of the hotel's checkered past. Some also claim that restless spirits haunt the rooms and hallways. Following the bizarre and tragic death of a young woman, whose body was found floating in a rooftop water tank, the Hotel Cecil once again found itself in the unwelcome limelight of public attention. Join Richard Estep of TV's "Haunted Hospitals" and "Paranormal 911" in an exploration of this iconic LA landmark's past, present, and future.
True love endures. This love story has taken over fifty-seven years to tell. It began with the hot fiery passion of youth, the separation of our lovers because of time and space, and then the rekindling of that love from the embers found in the ashes of that fire.The story starts in the coastal town of Watsonville, California, where these lovers met at Watsonville High School in 1960. Anyone who was alive in the fifties and early sixties really miss those good old days. We did not realize at that time how great they were. We enjoyed simple pleasures. Cruising on a Saturday night, drive-in movies, and many nights sitting at the beach listening to the radio. We were innocent but not prudish, mischievous but not mean, respectful to our parents, the elderly, and those in authority. We were not angels, but neither were we devils.So from those days, which have taken on an idealistic perspective, we progress to real life as grown-ups in the eighties and nineties. This double autobiography follows the lives of Cecil and Lois through marriages, divorces, births, deaths, and all the myriad of unexpected events that came along the way.And at last we reach retirement after all those years of employment. What we hoped for does not turn out exactly like we thought. Again, unexpected events and surprises await us. But true love endures.
I suppose it is inevitable that a jazz musician would want to ‘blow his own trumpet,’ but I truly believe that this novel contains such a detailed insight into the drama that unfolds, that it could not have possibly been written by someone else. The story is about social politics in America and beyond during the twentieth century, as seen through the lives of a family of jazz musicians. Their work takes them into areas where racism and bigotry abound not only in the States but abroad too, but, ‘The music goes round and around,’ despite their misgivings. Their recordings provide the ‘pictures’ on an otherwise blank canvas, for without them there would be only hear say. Their story is taken up by two reporters who finally get to the bottom of a racist conspiracy on the other side of the world. It follows that a knowledge and empathy with the past is all important in a story such as this. I’m an historian and retired teacher of politics as well as being a part-time jazz musician, and I have just concluded a radio show called ‘Jazz Dreams.’ I’ve come across racism in many different guises and in many corners of the Globe during my lifetime, and I know how insidious it can be. In this story I have tried to explain how important it is that individuals take personal responsibility and confront it. That takes courage and the book is about this also. A recent visit to New Zealand including Milford Sound and Doubtful Sound gave me the idea for a perfect hiding place. (Bond meets Lord of the Rings perhaps?) ‘It was good to read your book. Your thoughts on the pitfalls and perils of jazz are very well made. I will be depositing a copy in the UK national jazz archive.’ Digby Fairweather (trumpeter, writer and broadcaster.) ‘My uncle Lou would have been really pleased to see his band amongst all the other great British outfits such as Jack Hylton and Roy Fox mentioned in the book.’ Paul Preager Director Colston Hall Bristol. ‘I am pleased to offer my support for this book that tells a story of jazz as only a jazz musician would tell it.’ Acker Bilk MBE and International ‘Stranger on the Shore,’ clarinettist. ‘This book evokes the majesty and the mystery of Otago’s Doubtful Sound Fiord’ Paul Anthony, New Zealand Arts Council. ‘You have reminded us all that the long struggle against racism is far from over. It re-invents itself every generation just like the Hydra.’ David Oakensen, Deputy Mayor of Frome Somerset.