Through an ethnographic study of a Charismatic movement in Cameroon and Paris, the book explores the dialectics between a ~Pentecostalizationa (TM) and a ~Africanizationa (TM) within contemporary African Catholicism. It appears that both processes pursue, although for different purposes, the missionary policy of dismantling local cultures.
The National Book Award–winning historian’s “vivid and moving” eyewitness account of the fall of France to Hitler’s Third Reich at the outset of WWII (The New York Times). As an international war correspondent and radio commentator during World War II, William L. Shirer didn’t just research the fall of France. He was there. In just six weeks, he watched the Third Reich topple one of the world’s oldest military powers—and institute a rule of terror and paranoia. Based on in-person conversations with the leaders, diplomats, generals, and ordinary citizens who both shaped the events and lived through them, Shirer constructs a compelling account of historical events without losing sight of the human experience. From the heroic efforts of the Freedom Fighters to the tactical military misjudgments that caused the fall and the daily realities of life for French citizens under Nazi rule, this fascinating and exhaustively documented account brings this significant episode of history to life. “This is a companion effort to Shirer’s The Rise and Fall of the Third Reich, also voluminous but very readable, reflecting once again both Shirer’s own experience and an enormous mass of historical material well digested and assimilated.” —Kirkus Reviews (starred review)
Keith explores the complex position of the Catholic Church in modern Vietnamese history. Much like the revolutionary ideologies and struggles in the name of the Vietnamese nation the revolution in Vietnamese Catholic life polarized the place of the new Church in post-colonial Vietnamese politics and society.
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
In this assessment James McMillan moves away from ideologically-based representations of the man to focus on his use of power. He recognises the Emporer as a highly skilled operator who in the face of innumerable obstacles, attempted to conduct an original policy.
The twenty-seven articles presented in this volume mark the first stage of an international research project set up after the comprehensive reorganization of the International Institute of Social History in 1987. The aim of this extensive book project is to study the development of working-class movements using comparative research in an international framework in the time-period 1870-1914. Included in this study are papers by experts on as many countries (both European and non-European) as possible with a modern labour movement: Britain, Belgium The Netherlands, Sweden, Norway, Denmark, France, Italy, Spain, Germany, Switzerland, Austria, The Czech Workers' Movement in the Habsburg Empire, Hungary, Rumania, Bulgaria, Serbia, Greece, The Jewish Workers' Movement in the Russian Empire, Poland, Finland, United States of America, Australia, New Zealand, South Africa, Argentina, and Japan.
