Re-create great cathedral stained glass with these renderings based on details from cathedral windows in France, Germany, Austria, and England. Sixteen plates specially printed on translucent paper show details from Augsburg Cathedral, Chartres, Le Mans, and others. Captions identify cathedral and window.
This fascinating volume invites colorists of all ages to color detailed illustrations of 40 great churches from around the world. Includes St. Paul's (London), Chartres (France), Notre Dame (Paris), Cologne (Germany), St. Peter's (Rome), St. Basil's (Moscow), St. Patrick's (New York), the Washington Cathedral, and more.
Sixteen full-page plates of Celtic motifs on translucent paper. Mythical beasts, Celtic crosses, saints, and more. Color and hang near a light source for exciting stained glass effects.
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
The Saints Coloring Book is a joy for teens and adults. Grab your crayons and markers: these "stained glass windows" are ready for coloring and perfect for hanging. Alongside each saint there's a brief biography that gives modern meaning to these heroic Christian men and women from history. They are sure to engage the colorist's mind and heart. The fourteen illustrations are printed on one-sided pages, making them a pleasure to display. Turn a sunny window into a cathedral-like wall of color! ** Volume 3 - the Martyrs - contains: The Crucifixion, Our Lady of Sorrows, St. Andrew Kim Taegon, St. Anne Line, St. Charles Lwanga, St. Cristóbal Magallanes Jara, St. Edith Stein, Sts. Felicity and Perpetua, St. Joan of Arc, St. Lorenzo Ruiz, St. Lucy Yi Zhenmei, St. Maria Goretti, St. Meinrad, and St. Stephen. Suitable for ages 12 and up.
Stunning reproductions of some of the world's most beautiful stained glass220 full-color illustrations accompany informative textThe newly-cleaned stained glass of Canterbury Cathedral in Kent, England is a revelation - the vibrant color and breathtaking detail are newly visible to today's visitors. The finest of this glass will be reproduced within a lavishly designed book to be enjoyed by tourists and general readers alike.In this book, Michael Michael has the pleasure of selecting the most beautiful and important pieces of glass on display at the Cathedral. His text sets these within the context of the biblical stories they depict. Communicating his passion for the glass and his understanding of its art and historical context, this book will appeal to non-specialists who are interested in the meanings behind single images and narrative sequences of glass.An additional chapter written by Sebastian Strobl outlines the fascinating history of changing methods of restoration and conservation, as well as the work carried out today by the Cathedral's expert team.
The cathedral of Saint-Pierre in Beauvais, France, is most famous as a failure--its choir vaults came crashing down in 1284--and only secondarily for its soaring beauty. This lavishly illustrated and elegantly written book represents the first serious look at the stunning collection of Gothic stained glass windows that has always dominated the experience of those who enter Beauvais Cathedral. Chapter by chapter, Michael Cothren traces the glazing through four successive campaigns that bridged the century between the 1240s and the 1340s. The reader is transported back in history, gaining fascinating insight into what the glazing of Beauvais actually would have looked like as well as what it would have communicated to those who frequented the cathedral. Contrary to the widespread assumption that these windows are heavily restored, Cothren shows that they are in fact surprisingly well preserved, especially in light of the cathedral's infamous history of architectural disaster. More importantly, Cothren goes far to dismantle a long-held misconception about medieval painted windows, and indeed monumental medieval pictorial art in general: the notion that it was conceived and produced as a substitute text for ignorant, illiterate folks, providing for them a "Bible of the Poor." Indeed, Cothren shows us that stained glass windows, rich with shaded meanings, functioned more like sermon than scripture. As an ensemble, they created a radiant interpretive backdrop that explicated and situated the performance of the Mass in this giant liturgical theater.
Striking stained glass designs based on cathedral windows in Augsburg, Poitiers, Bourges, reproduced on translucent art paper. Twelve one-page designs, plus stunning four-page reproduction of Chartres Cathedral window.