Catalogue
Author: Sotheby & Co. (London, England)
Publisher:
Published: 1968
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Sotheby & Co. (London, England)
Publisher:
Published: 1968
Total Pages: 464
ISBN-13:
DOWNLOAD EBOOKAuthor: John Guy
Publisher: Metropolitan Museum of Art
Published: 2011
Total Pages: 226
ISBN-13: 1588394301
DOWNLOAD EBOOKPublished in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Author: Terence McInerney
Publisher: Metropolitan Museum of Art
Published: 2016-06-14
Total Pages: 276
ISBN-13: 1588395901
DOWNLOAD EBOOKAs one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.
Author: B. N. Goswamy
Publisher:
Published: 2009
Total Pages: 0
ISBN-13: 9788189738464
DOWNLOAD EBOOKPahari Painting - "Painting from the hills", often subsumed under the broad head, Rajput Painting - has long been acknowledged as one of the great achievements of India in the realm of art. For too long, however, the Pahari painter, the maker of these images, has continued to be seen as belonging to an indeterminate, anonymous group of craftsmen who simply plied predetermined brushes. The present work is aimed at challenging that notion, for it presents the painter as thinking man, faced with, and capable of, exercising choices. It was time that the 'long winter of neglect' in which he had been left by history came to an end.
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
Published: 1997
Total Pages: 154
ISBN-13: 0870997823
DOWNLOAD EBOOKA catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Author: John William Seyller
Publisher: Freer Gallery of Art and Arthur M. Sackler Gallery
Published: 2002
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKAuthor: Nainsukh (Pandit)
Publisher:
Published: 2000
Total Pages: 8
ISBN-13: 9788190102001
DOWNLOAD EBOOKPaintings in the collection of the Prince of Wales Museum of Western India.
Author: Milo Cleveland Beach
Publisher: Harvard University Press
Published: 1987
Total Pages: 190
ISBN-13: 9780674221857
DOWNLOAD EBOOKOne of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Author: Ananda Kentish Coomaraswamy
Publisher:
Published: 1936
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOKAuthor: Andrew Topsfield
Publisher:
Published: 2013
Total Pages: 0
ISBN-13: 9781851240876
DOWNLOAD EBOOKThis book reproduces some of the finest examples of Mughal period paintings in the historic collection of the Bodleian Library. Many of these images are spectacularly rich in detail and have never before been seen in print. They include paintings made for the Great Mughals Akbar, Jahangir and Shah Jahan (1556-1658), not least the six illustrations from the celebrated Baharistan manuscript prepared for Akbar in 1595. There are also important works of the reign of Muhammad Shah (1719-48), as well as paintings from the courts of the Deccan and from later provincial Mughal centres in Oudh and Bengal.