Technics and Civilization

Technics and Civilization

Author: Lewis Mumford

Publisher: University of Chicago Press

Published: 2010-10-30

Total Pages: 524

ISBN-13: 0226550273

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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today. “The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture


French Rococo Ébénisterie in the J. Paul Getty Museum

French Rococo Ébénisterie in the J. Paul Getty Museum

Author: Gillian Wilson

Publisher: J. Paul Getty Museum

Published: 2021-03-30

Total Pages: 0

ISBN-13: 9781606066300

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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.


Spaces of Experience

Spaces of Experience

Author: Charlotte Klonk

Publisher:

Published: 2009-01-01

Total Pages: 305

ISBN-13: 9780300151961

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This fascinating study of art gallery interiors examines the changing ideals and practices of galleries in Europe and North America from the 18th to the late 20th century. It offers a detailed account of the different displays that have been created—the colors of the background walls, lighting, furnishings, the height and density of the art works on show—and it traces the different scientific, political and commercial influences that lay behind their development. Charlotte Klonk shows that scientists like Hermann von Helmholtz and Wilhelm Wundt advanced theories of perception that played a significant role in justifying new modes of exhibiting. Equally important for the changing modes of exhibition in art galleries was what Michael Baxandall has called “the period eye,” a way of seeing informed by the impact of new fashions in interior decoration and by department store and shop window displays. The history of museum interiors, she argues, should be appreciated as a revealing chapter in the broader history of experience.


My Apprenticeship

My Apprenticeship

Author: Beatrice Webb

Publisher: Cambridge University Press

Published: 1979

Total Pages: 480

ISBN-13: 9780521297318

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My Apprenticeship has long been cited as an important and fascinating source for students of social attitudes and conditions in late Victorian Britain, and this new paperback edition makes it once more generally available. Beatrice Webb, the eighth of the nine daughters of the railway magnate Richard Potter, was an exceptionally able person, with a zest for observation, a knack for pointed comment, and a habit of self-examination - all of which gifts she put to good account in the private diary she kept all her life and in this brilliant volume of autobiography which she based on that diary. It tells the story of a craft and a creed, of a withdrawn but talented girl, growing up in a prosperous household, who turned to social investigation and social reform, moving between the two starkly contrasted worlds of West End smart society and East End squalor. She served a hard apprenticeship, as a woman as well as a professional worker, and in a new introduction to this edition Norman MacKenzie describes the severe personal stresses which lay behind her life of dedication to social improvement, particularly her frustrated passion for Joseph Chamberlain and the troubled courtship which preceded her marriage to Sidney Webb. This volume ends on the eve of that marriage, when she was about to begin her famous and astonishingly productive collaboration with her husband. As historians, publicists and Fabian politicians the Webbs were pioneers of the modern age. The ensuring volume, which chronicles their mature career and was appropriately titled Our Partnership, is also published by the Cambridge University Press in collaboration with the London School of Economics and Political Science.


The Bader Collection

The Bader Collection

Author: David Albert De Witt

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9781553394013

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For many decades the Agnes Etherington Art Centre has received European paintings from the Bader Collection from a wide range of periods and schools, from the German Renaissance to the Italian Rococo. This book features the centre's substantial group of over 50 remarkable paintings from European schools, notably Italy, Germany, France and England.