This pioneer work is an annotated catalogue, illustrated with specimens of the types made during the sixteenth century in the area now covered by the Netherlands and Belgium. The influence of the sixteenth-century typecutters was considerable; in fact, many of their type faces, described in this book, were to be found in English printing offices of those days and even much later.
Scholarly and highly readable survey traces the industry from its 15th-century beginnings through the technical advances of the 20th century. Explores associations between printing and education, language, and literature.
This book offers something new, a full-length study of printing Anglo-Saxon (Old English) from 1566 to 1705, combining analysis of content and form of production. It starts from the end-product and addresses the practical issues of providing for printing Anglo-Saxon authentically, and why this was done. The book tells a story that is largely Cambridge-orientated until Oxford made an impact, largely thanks to Franciscus Junius from Leiden. There is a catalogue of all books containing Anglo-Saxon, with full details of their use of manuscript or printed sources. This information allows us to see how knowledge of Anglo-Saxon grew and developed.
More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The first comprehensive analytical bibliography of Atlantic Canadian imprints, this volume covers some 320 books, pamphlets, broadsides, government publications, and serials. Most have not been listed before in any bibliography or catalogue. They represent the holdings of more than thirty libraries and archives in the four Atlantic provinces, and in Ontario, Quebec, the United States, and England. Each entry follows the principles of descriptive bibliography and includes full collation, contents, record of paper, type, and binding, analysis of issue and state, and location of every copy examined. Historical notes deal with authorship, printing, publishing, distribution and sales, and with the content of important works and the relationship between items. Arrangement is by province, then by year of publication. The material catalogued encompasses a wide range of subjects. God and government are two of the most common, but there are many others: education, municipal organization, history, elections, transportation, agriculture, legal trials, and a number of societies—benevolent, national, religious, and masonic. There are also many almanacs, including one in German, several satires and addresses in verse, and a French abécédaire. Not surprisingly in a nineteenth-century Maritime bibliography, signal books and decisions about piracy abound. Six indexes provide access by author, title, genre, trades, place of publication, and language. Patricia Fleming’s work continues Marie Tremaine’s A Bibliography of Canadian Imprints, 1751–1800 and supplements that work with new and previously unlocated imprints. It adds an essential element to our understanding of print communication in Atlantic Canada.
This comprehensive, well-illustrated volume ranges from the earliest pictographs and hieroglyphics to the work of 20th-century designers. Subjects include early writing forms; Roman lettering; runes and medieval hands; the Carolingian minuscule and derivative types; humanistic writing and derivative fonts; and much more. 89 complete alphabets and more than 165 additional specimens.
