Slavery and the British Country House
Slavery and the British Country House

Author: Madge Dresser

Publisher: Historic England Publishing

Published: 2013

Total Pages: 0

ISBN-13: 9781848020641

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The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.

Philip de László
Philip de László

Author: Caroline Corbeau-Parsons

Publisher:

Published: 2010

Total Pages: 32

ISBN-13: 9781855144255

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This introductory guide to Philip de Laszlo's portraiture explores his reputation as one of the most important and prolific portrait artists working in Britain between 1907 and 1937."

Left Shift
Left Shift

Author: John A. Walker

Publisher: Bloomsbury Publishing

Published: 2001-12-21

Total Pages: 305

ISBN-13: 0857714317

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John Walker brings to vivid life a neglected period in twentieth-century art history. He re-creates a time when visual fine artists, under the impact of left-wing politics, women's liberation and the gay movement, were seeking to re-establish a social purpose. His story is one of a struggle for art by contending factions in the art world, in which artists, curators, critics and organisations - both establishment and alternative - key exhibitions, galleries and magazines, all play a part. He offers welcome insight into the work of the key players and the many forms they used to express radical engagement in the events of the decade.