Catalogue of Books Printed in the XVth Century now in the British Library (BMC). Part XIII: Hebraica
Catalogue of Books Printed in the XVth Century now in the British Library (BMC). Part XIII: Hebraica

Author:

Publisher: BRILL

Published: 2021-10-25

Total Pages: 360

ISBN-13: 9004475311

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The Catalogue of Books Printed in the XVth Century Now in the British Museum (British Library), generally referred to as BMC, is a monument in the history of the book. BMC followed on from the rearrangement of the Museum's incunabula begun by Robert Proctor on the basis of the comprehensive survey of printing types and presses of the fifteenth century that he had published in 1898 as an 'Index' of the incunabula in the Museum and the Bodleian Library. The Index represented a working-out of the system he had developed for the identification of printers of the incunabula period on the basis of typographical material. The volumes of BMC extend Proctor's principles by providing full descriptions of the incunabula in the collections of the British Museum and making revisions where necessary. The first part appeared in 1908, prepared by A.W. Pollard after Proctor's death in 1903. The most recent part was published in 1985.

Catalogue of Books Printed in the XVth Century Now in the British Library
Catalogue of Books Printed in the XVth Century Now in the British Library

Author: British Library

Publisher: Catalogue of Books Printed in

Published: 2004

Total Pages: 288

ISBN-13: 9789061942597

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The Catalogue of Books Printed in the XVth Century Now in the British Museum (British Library), generally referred to as BMC, is a monument in the history of the book. BMC followed on from the rearrangement of the Museum's incunabula begun by Robert Proctor on the basis of the comprehensive survey of printing types and presses of the fifteenth century that he had published in 1898 as an Index of the incunabula in the Museum and the Bodleian Library.The Index represented a working-out of the system he had developed for the identification of printers of the incunabula period on the basis of typographical material. The volumes of BMC extend Proctor's principles by providing full descriptions of the incunabula in the collections of the British Museum and making revisions where necessary. The first part appeared in 1908, prepared by A.W. Pollard after Proctor's death in 1903. The most recent part was published in 1985. 50 leaves with facsimiles and other illustrations.

Mythical Indies and Columbus's Apocalyptic Letter
Mythical Indies and Columbus's Apocalyptic Letter

Author: Elizabeth Moore Willingham

Publisher: Liverpool University Press

Published: 2015-08-01

Total Pages: 448

ISBN-13: 1782840370

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With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those "new" lands and their inhabitants that continues today. Columbus's epistolary announcement travelled from country to country in a late-medieval media event -- and the rest, as has been observed, is history. The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed the Letter and had it printed in the Spanish folio. The Letter has figured in studies of Spanish Imperialism and of Discovery and Colonial period history, but it also offers insights into Columbus's passions and motives as he reinvents himself and retails his vision of Peter Martyr's Novus orbis to men and women for whom Columbus was as unknown as the places he claimed to have visited. The central feature of the book is its annotated variorum edition of the Spanish Letter, together with an annotated English translation and word and name glossaries. A list of terms from early print-period and manuscript cultures supports those critical discussions. In the context of her text-based reading, the author addresses earlier critical perspectives on the Letter, explores foundational questions about its composition, publication and aims, and proposes a theory of authorship grounded in text, linguistics, discourse, and culture.