Themes in French Culture
Themes in French Culture

Author: Rhoda Métraux

Publisher: Berghahn Books

Published: 2001

Total Pages: 166

ISBN-13: 9781571818140

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Margaret Mead collaborated with her long-time colleague Rhoda Métraux in this unique study of French culture. The Hoover Institute at Stanford University originally published this volume, which grew out of the Columbia University project on Research of Contemporary Cultures in 1954. It is one of the few works by American social scientists dealing with broad themes of French life. Mead and Métraux present a vivid picture of the French starting with the organization of the house and its architecture, and drawing original conclusions for the structure of French families and overall cultural values. This work, long out of print, is a fascinating and penetrating portrait of a contemporary European society.

The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal

Author: The J. Paul Getty Muiseum

Publisher: Getty Publications

Published: 1977-01-01

Total Pages: 90

ISBN-13: 0892360062

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The J. Paul Getty Museum Journal 4 is a compendium of articles and notes pertaining to the Museum’s permanent collections of decorative arts. This volume includes an introduction and two articles by Gillian Wilson, Curator of Decorative Arts. Volume 4 also features articles by Jiří Frel, the Museum’s Curator of Antiquities; Edith Standen, Curatorial Consultant, Department of Western European Art, the Metropolitan Museum of Art in New York; Geraldine Hussman, California State University at Northridge; Jean-Luc Bordeaux, Professor of Art History and Director of the Fine Arts Gallery, California State University at Northridge; and Faya Causey, University of California, Santa Barbara.

Ettore Sottsass
Ettore Sottsass

Author: Ettore Sottsass, Jr.

Publisher: Skira

Published: 2018-02-27

Total Pages: 328

ISBN-13: 9788857235356

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The brilliant architect and designer Ettore Sottsass "made glass" from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass's works in glass and crystal

On Virginity ; Against Remarriage
On Virginity ; Against Remarriage

Author: Saint John Chrysostom

Publisher: New York ; Toronto : E. Mellen Press

Published: 1983

Total Pages: 216

ISBN-13:

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This is an English translation of these treatises. The work is also introduced by Elizabeth Clark, who sets forth the context of the treatises and makes an extended comparison between John's teaching and that of Paul in 1 Corinthians.

Thomas Stearns at Venini
Thomas Stearns at Venini

Author: Marino Barovier

Publisher: Skira Editore

Published: 2019-10-22

Total Pages: 480

ISBN-13: 9788857241005

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Thomas Stearns and his collaboration with the Venini glassworks in the early Sixties in the new chapter of the series "Le Stanze del Vetro". The American artist Thomas Stearns (1936-2006) collaborated with the Venini glassworks as guest designer between 1960 and 1962. Thomas Stearns designed elegant blown-glasspieces with irregular features using various materials. Stearns was the first American to design for Venini; he won a on Fulbright Travel Grant, left Cranbrook Academy, and showed up in Murano with new ideas, but absolutely no knowledge of the Italian language. But, from this potentially disastrous situation grew a collection of ground-breaking designs that actually won the "Best of Show" award at the Venice Bienale of 1962. When the judges found out that the winner was not Italian, but a monolingual American, they actually rescinded the award. By then, however, it was pretty impossible to deny that Thomas Stearns had created something really special. Stearns' amazing designs proved too difficult to put into mass production, which made them even more special.