"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.
In this lively and pathbreaking book, William Monter sketches Europe's increasing acceptance of autonomous female rulers between the late Middle Ages and the French Revolution. Monter surveys the governmental records of Europe's thirty women monarchs—the famous (Mary Stuart, Elizabeth I, Catherine the Great) as well as the obscure (Charlotte of Cyprus, Isabel Clara Eugenia of the Netherlands)—describing how each of them achieved sovereign authority, wielded it, and (more often than men) abandoned it. Monter argues that Europe's female kings, who ruled by divine right, experienced no significant political opposition despite their gender.
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.
The essays in this volume consider three aspects of queenship and politics: the institutional foundations and practice of politics, the politics of religion and religious devotion, and the literary and artistic representations of queenship and power. They address the distinctive Spanish political culture that resulted in a form of queenship similar to, yet also substantially different from, that of northern Europe.
While earlier historians have seen the elaborate public rituals of the Burgundian dukes as stagnant forms held over from the chivalric world of the High Middle Ages, Peter Arnade argues that they were a vital theater of power through which the ducal court and the urban centers constantly renegotiated their relationship. This book is the first to apply the combined insights of social, political, and cultural history to an important but little-explored area of medieval and early modern Europe, the Burgundian Netherlands. Realms of Ritual traces the role of ritual in encounters between the dukes of Burgundy (later the Habsburg princes) and the townspeople of Ghent, the most important city in the county of Flanders. Arnade analyzes city-state ceremonies through which Ghent's aldermen, patricians, guildsmen, and the city's military and drama confraternities confronted local power and the growth of the Burgundian state. In the first serious reappraisal of Johan Huizinga's classic work The Waning of the Middle Ages, Arnade confirms Huizinga's vision of a Low Country society rich in public symbols, yet reveals the city-state conflict within which such ritual thrived. He offers a dramatically new perspective on the Northern Renaissance, as well as a historical/anthropological model for the study of urban-state relations.
This book demonstrates how Calvin's uncompromising stance on sacred images gained favor throughout Europe and was increasingly seen in the years between 1550 and 1600 as the unavoidable culmination of the Sola Scriptura principle. It also documents in detail how Catholic doctrine evolved to counteract the radical positions of Calvinism and how this doctrine translated through pastoral action into the new artistic trends - in both architecture and painting - which dominated the Seventeenth century.
'Luxury in the 18th Century' explores the political, economic, moral and intellectual effects of the production and consumption of luxury goods, and provides a broadly-based account from a variety of perspectives, addressing key themes of economic debate, material culture, the principles of art and taste, luxury as 'female vice' and the exotic.
