Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
DOWNLOAD EBOOKAuthor: Avery Library
Publisher:
Published: 1968
Total Pages: 880
ISBN-13:
DOWNLOAD EBOOKAuthor: Teylers Museum. Bibliotheek
Publisher:
Published: 1915
Total Pages: 1164
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1980
Total Pages: 784
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress
Publisher:
Published: 1968
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1945
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Art and Architecture Division
Publisher:
Published: 1975
Total Pages: 760
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1979
Total Pages: 550
ISBN-13:
DOWNLOAD EBOOKAuthor: Giovanna De Lorenzi
Publisher:
Published: 1988
Total Pages: 726
ISBN-13:
DOWNLOAD EBOOKAuthor: Hollis Clayson
Publisher: Getty Publications
Published: 2003-10-30
Total Pages: 224
ISBN-13: 0892367296
DOWNLOAD EBOOKIn this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.