"I'm pregnant." Two words that will rock one man's world forever. On location for a film about a horse-racing dynasty, Lily Beaumont is drawn into a sizzling affair with sexy stablehand Nash James. Now she has to trust him with the truth about their baby. Even though the undercover millionaire is on a mission against his hated rival, he won't walk away from Lily or their unborn child. It will mean coming clean about his true identity--and the decades-old secret that brought him to Kentucky horse country. But will the truth cost him the woman and family he now craves?
USA TODAY bestselling author Lynne Graham captivates with this emotional surprise pregnancy billionaire romance, part of The Stefanos Legacy miniseries! How do you tell your billionaire boss…you’re expecting his babies? Orphaned Leah has never had it easy in life. Desperate for a job, she agrees to become ruthless Giovanni Zanetti’s housekeeper and finally gain some security. What she never expected was that being between his billion-dollar sheets would be so undeniably tempting… Gio’s forbidden night with the totally off-limits innocent was a strictly one-time indiscretion. Anything more than that would require a level of trust he no longer has to give. Then Leah returns with a revelation that rocks the Italian’s carefully constructed world: she’s pregnant…with his twins! Previously published as “The Heirs His Housekeeper Carried”. From Harlequin Presents: Escape to exotic locations where passion knows no bounds. Read all The Stefanos Legacy books: Book 1: Promoted to the Greek's Wife Book 2: The Heirs She Carried Book 3: King’s Christmas Heir
“A fascinating study of the also-rans and almost-made-its of medieval history . . . Beautifully written and well researched, it is an engaging read.” —History . . . The Interesting Bits! When William the Conqueror died in 1087, he left the throne of England to William Rufus . . . his second son. The result was an immediate war as Rufus’s elder brother Robert fought to gain the crown he saw as rightfully his; this conflict marked the start of 400 years of bloody disputes as the English monarchy’s line of hereditary succession was bent, twisted and finally broken when the last Plantagenet king, Richard III, fell at Bosworth in 1485. The Anglo-Norman and Plantagenet dynasties were renowned for their internecine strife, and in Lost Heirs we will unearth the hidden stories of fratricidal brothers, usurping cousins and murderous uncles; the many kings—and the occasional queen—who should have been but never were. History is written by the winners, but every game of thrones has its losers too, and their fascinating stories bring richness and depth to what is a colorful period of history. King John would not have gained the crown had he not murdered his young nephew, who was in line to become England’s first King Arthur; Henry V would never have been at Agincourt had his father not seized the throne by usurping and killing his cousin; and as the rival houses of York and Lancaster fought bloodily over the crown during the Wars of the Roses, life suddenly became very dangerous indeed for a young boy named Edmund. “A journey through the minefield of opposing factions fighting for the crown of England.” —Books Monthly
Prophecy and destiny combine to tear peasant-born twins, Ilan and Adra from their home and return them to the throne their grandfather refused. Compelled to stay by the needs of their people; driven to go by their resentful nobles and hostile neighbors, Ilan can't forget his duty while Adra only wants her freedom back. Regardless of how they choose, they stand to lose but if they can't agree, they are going to lose each other and the country has its own plans for them.
Don't be fooled by the subject matter of the subtitle, this is an enjoyable literary romp through the standards of academia that takes the reader on journey of discovery: what made Shakespeare "Shakespeare"? The death of his only son, and with that death the loss of his family lineage, may have driven Shakespeare to rescue his son from death, time and time again, on the stage. And what, at the end of it all, does it possibly mean anyway? Why care about Shakespeare as a man or an author? This work explores the many questions that surround not only Shakespeare, but his world both at home and on the stage.
Captain James A. Baker, Houston lawyer, banker, and businessman, received an alarming telegram on September 23, 1900: his elderly millionaire client William Marsh Rice had died unexpectedly in New York City. Baker rushed to New York, where he unraveled a plot to murder Rice and plunder his estate. Working tirelessly with local authorities, Baker saved Rice’s fortune from more than one hundred claimants; he championed the wishes of his deceased client and founded Rice Institute for the Advancement of Literature, Science and Art—today’s internationally acclaimed Rice University. For fifty years Captain Baker nurtured Rice’s dream. He partnered with leading lawyers to create Houston’s first nationally recognized law firm: Baker, Botts, Lovett & Parker, now the worldwide legal practice of Baker Botts L.L.P. He chartered several Houston businesses and utility companies, developed two major regional banks, promoted real estate projects, and led an active civic life. To expand the Institute’s endowment, Baker invested William Marsh Rice’s fortune with local entrepreneurs, who were building homes, office towers, commercial enterprises, and institutions that transformed Houston from a small town in the nineteenth century to an international powerhouse in the twenty-first century. Author Kate Sayen Kirkland explored the archival records of Baker and his family and firm and carefully mined the archives of Baker’s contemporaries. Published as part of Rice University’s centennial celebration, Captain James A. Baker of Houston, 1857–1941 weaves together the history of Houston and the story of an influential man who labored all his life to make Houston a world-class city.
A study of Shakespeare’s child figures in relation to their own political moment, as well as our own. Politicians are fond of saying that “children are the future.” How did the child become a figure for our political hopes? Joseph Campana’s book locates the source of this idea in transformations of childhood and political sovereignty during the age of Shakespeare, changes spectacularly dramatized by the playwright himself. Shakespeare’s works feature far more child figures—and more politically entangled children—than other literary or theatrical works of the era. Campana delves into this rich corpus to show how children and childhood expose assumptions about the shape of an ideal polity, the nature of citizenship, the growing importance of population and demographics, and the question of what is or is not human. As our ability to imagine viable futures on our planet feels ever more limited, and as children take up legal proceedings to sue on behalf of the future, it behooves us to understand the way past child figures haunt our conversations about intergenerational justice. Shakespeare offers critical precedents for questions we still struggle to answer.
With Christ After the Lost : A Search for Souls by Lee Rutland Scarborough, first published in 1919, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Answering an unexpected call to faith in her thirties, Melody Gee contends with what saying “yes” to conversion requires of an adopted daughter of Chinese immigrants. Faced with a new framework for her place in the world, grief and doubt shadow her tentative steps toward becoming a believer. She looks for answers and consolation in her family’s story of immigration trauma and cultural assimilation, in the ways their burdens and limitations made her answer-seeking both impossible and inevitable. In essays that explore the parallels between conversion and language acquisition, isolated liturgies, cultural inheritances, stalled initiations, disrupted storytelling, and adoption, Gee examines conversion’s grief and hope, losses and gains, hauntings and promises. We Carry Smoke and Paper is a memoir about what we owe to those who sacrifice everything for us, and it is about the many conversions in a lifetime that turn our heads via whispers and shouts, calling us to ourselves.
