More than 200 rare photographs and 30 removable facsimiles of collectible memorabilia Carnegie Hall Treasures is the story of the world's most famous musical institution. Ten thematic chapters—from vocalists, conductors, and composers to rock and folk performers—offer a wealth of visuals of the jazz, world, classical, and popular musicians who've graced the Carnegie Hall stages, accompanied by informative, entertaining anecdotes by Pulitzer Prize–winning music writer Tim Page and Carnegie Hall.
The first fully illustrated history of Carnegie Hall, published to coincide with its 100th anniversary, documents the central role of Carnegie Hall in the cultural life of America. 350 illustrations, more than 50 in full color.
Carnegie Hall is recognized worldwide, associated with the heights of artistic achievement and a multitude of famous performers. Yet its beginnings are not so well known. In 1887, a chance encounter on a steamship bound for Europe brought young conductor Walter Damrosch together with millionaire philanthropist Andrew Carnegie and his new wife, Louise. Their subsequent friendship led to the building of this groundbreaking concert space. This book provides the first comprehensive account of the conception and building of Carnegie Hall, which culminated in a five-day opening festival in May 1891, featuring spectacular music, a host of performers and Tchaikovsky as a special guest conductor.
Andrew Carnegie is remembered as one of the world's great philanthropists. As a boy, he witnessed the benevolence of a businessman who lent his personal book collection to laborer's apprentices. That early experience inspired Carnegie to create the "Free to the People" Carnegie Library in 1895 in Pittsburgh, Pennsylvania. In 1896, he founded the Carnegie Institute, which included a music hall, art museum, and science museum. Carnegie deeply believed that education and culture could lift up the common man and should not be the sole province of the wealthy. Today, his Pittsburgh cultural institution encompasses a library, music hall, natural history museum, art museum, science center, the Andy Warhol Museum, and the Carnegie International art exhibition. In Palace of Culture, Robert J. Gangewere presents the first history of a cultural conglomeration that has served millions of people since its inception and inspired the likes of August Wilson, Andy Warhol, and David McCullough. In this fascinating account, Gangewere details the political turmoil, budgetary constraints, and cultural tides that have influenced the caretakers and the collections along the way. He profiles the many benefactors, trustees, directors, and administrators who have stewarded the collections through the years. Gangewere provides individual histories of the library, music hall, museums, and science center, and describes the importance of each as an educational and research facility. Moreover, Palace of Culture documents the importance of cultural institutions to the citizens of large metropolitan areas. The Carnegie Library and Institute have inspired the creation of similar organizations in the United States and serve as models for museum systems throughout the world.
The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now... Across North America, these twelve treasures, over ten-thousand dollars in precious jewels, are buried. The key to finding each can be found within the twelve full color paintings and verses of The Secret. Yet The Secret is much more than that. At long last, you can learn not only the whereabouts of the Fair People's treasure, but also the modern forms and hiding places of their descendants: the Toll Trolls, Maitre D'eamons, Elf Alphas, Tupperwerewolves, Freudian Sylphs, Culture Vultures, West Ghosts and other delightful creatures in the world around us. The Secret is a field guide to them all. Many "armchair treasure hunt" books have been published over the years, most notably Masquerade (1979) by British artist Kit Williams. Masquerade promised a jewel-encrusted golden hare to the first person to unravel the riddle that Williams cleverly hid in his art. In 1982, while everyone in Britain was still madly digging up hedgerows and pastures in search of the golden hare, The Secret: A Treasure Hunt was published in America. The previous year, author and publisher Byron Preiss had traveled to 12 locations in the continental U.S. (and possibly Canada) to secretly bury a dozen ceramic casques. Each casque contained a small key that could be redeemed for one of 12 jewels Preiss kept in a safe deposit box in New York. The key to finding the casques was to match one of 12 paintings to one of 12 poetic verses, solve the resulting riddle, and start digging. Since 1982, only two of the 12 casques have been recovered. The first was located in Grant Park, Chicago, in 1984 by a group of students. The second was unearthed in 2004 in Cleveland by two members of the Quest4Treasure forum. Preiss was killed in an auto accident in the summer of 2005, but the hunt for his casques continues.
Victoria Newhouse, noted author and architectural historian, addresses the aesthetics and acoustics in concert halls and opera houses of the past, present, and future in this stunning companion to the highly regarded Towards a New Museum. Site and Sound explores the daunting, perennial question: Does the music serve the space, or the other way around? Heavily illustrated throughout—with historic images, spectular color photographs, detailed drawings—this volume is an informed and enjoyable presentation of a building type that is at the heart of cities small and large. Newhouse starts with a survey of venues from ancient Greek and Roman times and progresses to contemporary works around the world. She singles out Lincoln Center in particular for its long history and its transitions and remodelings over the years. Two major chapters cover the present: one focuses on recent work in the West, including the National Opera House of Norway in Oslo by Snøhetta (2008), the Casa da Música in Porto, Portugal, by Rem Koolhaas (2005), and many more; the second examines the boom in concert halls in China. A final chapter looks at projects that are currently planned and the future of an architecture for music.
Before the 99% occupied Wall Street... Before the concept of social justice had impinged on the social conscience... Before the social safety net had even been conceived... By the turn of the 20th Century, the era of the robber barons, Andrew Carnegie (1835-1919) had already accumulated a staggeringly large fortune; he was one of the wealthiest people on the globe. He guaranteed his position as one of the wealthiest men ever when he sold his steel business to create the United States Steel Corporation. Following that sale, he spent his last 18 years, he gave away nearly 90% of his fortune to charities, foundations, and universities. His charitable efforts actually started far earlier. At the age of 33, he wrote a memo to himself, noting ..".The amassing of wealth is one of the worse species of idolatry. No idol more debasing than the worship of money." In 1881, he gave a library to his hometown of Dunfermline, Scotland. In 1889, he spelled out his belief that the rich should use their wealth to help enrich society, in an article called "The Gospel of Wealth" this book. Carnegie writes that the best way of dealing with wealth inequality is for the wealthy to redistribute their surplus means in a responsible and thoughtful manner, arguing that surplus wealth produces the greatest net benefit to society when it is administered carefully by the wealthy. He also argues against extravagance, irresponsible spending, or self-indulgence, instead promoting the administration of capital during one's lifetime toward the cause of reducing the stratification between the rich and poor. Though written more than a century ago, Carnegie's words still ring true today, urging a better, more equitable world through greater social consciousness.
This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music.
Cumberland Island is a national treasure. The largest of the Sea Islands along the Georgia coast, it is a history-filled place of astounding natural beauty. With a thoroughness unmatched by any previous account, Cumberland Island: A History chronicles five centuries of change to the landscape and its people from the days of the first Native Americans through the late-twentieth-century struggles between developers and conservationists. Author Mary Bullard, widely regarded as the person most knowledgeable about Cumberland Island, is a descendant of the Carnegie family, Cumberland's last owners before it was acquired by the federal government in 1972 and designated a National Seashore. Bullard's discussion of the Carnegie era on Cumberland is notable for its intimate glimpse into how the family's feelings toward the island bore upon Cumberland's destiny. Bullard draws on more than twenty years of research and travels about the island to describe how water, wind, and the cycles of nature continue to shape it and also how humans have imprinted themselves on the face of Cumberland across time--from the Timuca, Guale, and Mocamo Indians to the subsequent appearances of Spanish, French, African, British, and American inhabitants. The result is an engaging narrative in which discussions about tidal marshes, sea turtles, and wild horses are mixed with accounts of how the island functioned as a center for indigo, rice, cotton, fishing, and timber. Even frequent visitors and former residents will learn something new from Bullard's account of Cumberland Island.
For Matthew Zory, a Cincinnati Symphony Orchestra musician and an award-winning photographer, documenting the historic renovation of Cincinnati Music Hall was a revelation.¿I¿ve played in Music Hall for more than 20 years, but photographing the renovation enabled me to explore parts of the building I¿d never seen before,¿ says Zory, assistant principal bass (Trish and Rick Bryan Chair). ¿Watching work crews uncover the `bones¿ of Music Hall gave me a new appreciation for the incredible craftsmanship that went into the building.¿Zory spent hundreds of hours photographing the hall during its 16-month renovation and is publishing a book featuring some of his favorite shots. Through the Lens: The Remaking of Cincinnati¿s Music Hall, a 272-page limited edition coffee-table book was released in 2018 to high praise.¿I never intended to publish a book,¿ he says. ¿As a matter of fact, I never intended to photograph the entire renovation project. I thought I¿d go in a couple of times, take a few pictures and that would be it. But everything they were doing was so interesting and the light was so fantastic, I kept going back. I posted a lot of photos on Facebook, and people kept asking, `When is the book coming out?¿ It made me realize that other people were as captivated by the project as I was.¿For Zory, whose work has appeared in numerous local galleries, including the Taft Museum, Carnegie Center for the Arts and Wash Park Art, creating a book meant winnowing a portfolio of more than 10,000 photos down to a few hundred for publication. ¿There was so much I wanted to share with people about this project and the people who worked on it,¿ he says. ¿The scale of the project and the workmanship that went into renovating it really was extraordinary. I¿ve tried to capture all of that¿
