This unique collection of living spirituality, rising from the depths of Celtic Christianity, represents a hidden, oral tradition of greatest power and beauty, handed down through countless generations of Hebridean peasants. During his travels, Alexander Carmichael would visit the peasants in their huts, spending hours in front of their peat fires while they "intoned in a low, recitative manner" these poems and prayers. This is the most complete anthology of Celtic oral tradition ever assembled.
This book is a selection of modernized, paganized prayers and charms from volumes one and two of Carmichael's Carmina Gadelica, intended for use by Druids, Celtic Reconstructionists, or others interested in Celtic spiritulaity. The Carmina Gadelica is a six volume collection of prayers, charms, and folklore from Scotland assembled around 1900 by Alexander Carmichael. This book represents modernized, re-paganized versions of selected prayers and charms from the first two volumes of the series. It is designed to be used by Celtic Polytheists, Druids, or anyone else interested in Celtic Spirituality. All original deity references have been replaced with the names of Irish gods, and the language has been modernized, but otherwise the content has been kept as true to the original as possible.
Highlights from Carmina Gadelica, a 19th-century anthology of Scottish poetry, include prayers for Sundays and holidays, blessings for livestock, and chants to cure illness and ensure long life.
From the pen of a hospital chaplain, here are prayers and liturgies for use in ministry to the sick, covering scenarios with no current official provision.
A resource book for planning baptisms, naming ceremonies, weddings and civil partnerships and marking the many other significant moments of our nights and days. There are resources that do not assume any faith commitment, as well as ones that reflect Christian belief.
These powerful prayers and incantations have been collected from the remote highlands and islands of Gaelic-speaking Scotland. Many of these prayers go back to early Celtic Christianity and even further back to the prehistoric pagan roots of the Irish-Scottish world.
The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.
The ancient Celts did not distinguish between the sacred and the secular. To these imaginative people, everything had spiritual significance. Simpson draws deeply from this rich Celtic tradition to compile a collection of blessings that celebrate God's truth in readers' day-to-day lives.
Queen of the Night helps readers understand the role and power of the moon in the ancient religions, folklore, and mythology of Ireland and the British isles and then discover how to tap that power in their daily lives. Queen of the Night is a journey into the world of Celtic cosmology, shamanism, and sacred animals, as well as Celtic language, art, and culture, to discover the power and centrality of the moon. Since the earliest times, from stone circles and passage graves to the rites and customs of Druids, the moon has been the symbol of the Goddess and has played a crucial role in worship and celebration. In 13 chapters representing the moon's monthly and annual cycles, NicMhacha tells the story of Celtic moon mythology, as well as touching upon Greek, Hindu, and Norse traditions. Each chapter sets forth the role of the moon in Celtic tradition and culture and includes poetry, quotes, or prayers honoring the moon. At the end of each chapter, she offers meditations, ceremonies, and exercises to help readers connect with the moon and apply its power to their lives. From the world of fairies to bards, seekers, and shamans; from the moon's role in the secret meetings of women spinners to the role of sacred animals and mythic beings, Queen of the Night is a lively, informative, and transformative book for anyone who wants to understand and experience the power of the moon.
