"The hardpan layer of the Caprock undergirds the high plains of the Llano Estacado, where it has resisted erosion with the same tenacity that it has collected stories. From Apache hunting grounds to Mennonite settlements, the region is no stranger to the searching gaze of the weary traveler... In this exceptional collection of forty-eight essays from local contributers, David Murrah and John T. "Jack" Becker continue the work of cataloguing the memory of the mesa."--Back cover.
Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.
In the winter of 1901, James W. Jarrott led a band of twenty-five homesteader families toward the Llano Estacado in far West Texas, newly opened for settlement by a populist Texas legislature. But frontier cattlemen who had been pasturing their herds on the unfenced prairie land were enraged by the encroachment of these “nesters.” In August 1902 a famous hired assassin, Jim Miller, ambushed and murdered J. W. Jarrott. Who hired Miller? This crime has never been solved, until now. Award-winning author Bill Neal investigates this cold case and successfully pieces together all the threads of circumstantial evidence to fit the noose snugly around the neck of Jim Miller’s employer. What emerges from these pages is the strength of intriguing characters in an engrossing narrative: Jim Jarrott, the diminutive advocate who fearlessly champions the cause of the little guy. The ruthless and slippery assassin, Deacon Jim Miller. And finally Jarrott’s young widow Mollie, who perseveres and prospers against great odds and tells the settlers to “Stay put!”
America's Great Plains once possessed one of the grandest wildlife spectacles of the world, equaled only by such places as the Serengeti, the Masai Mara, or the veld of South Africa. Pronghorn antelope, gray wolves, bison, coyotes, wild horses, and grizzly bears: less than two hundred years ago these creatures existed in such abundance that John James Audubon was moved to write, "it is impossible to describe or even conceive the vast multitudes of these animals." In a work that is at once a lyrical evocation of that lost splendor and a detailed natural history of these charismatic species of the historic Great Plains, veteran naturalist and outdoorsman Dan Flores draws a vivid portrait of each of these animals in their glory—and tells the harrowing story of what happened to them at the hands of market hunters and ranchers and ultimately a federal killing program in the nineteenth and twentieth centuries. The Great Plains with its wildlife intact dazzled Americans and Europeans alike, prompting numerous literary tributes. American Serengeti takes its place alongside these celebratory works, showing us the grazers and predators of the plains against the vast opalescent distances, the blue mountains shimmering on the horizon, the great rippling tracts of yellowed grasslands. Far from the empty "flyover country" of recent times, this landscape is alive with a complex ecology at least 20,000 years old—a continental patrimony whose wonders may not be entirely lost, as recent efforts hold out hope of partial restoration of these historic species. Written by an author who has done breakthrough work on the histories of several of these animals—including bison, wild horses, and coyotes—American Serengeti is as rigorous in its research as it is intimate in its sense of wonder—the most deeply informed, closely observed view we have of the Great Plains' wild heritage.
"A chronicle of Texas's emergence as a wine-producing region. Relates the stories of winegrowers, past and present, who have contributed to Texas wine culture"--Provided by publisher.
The Texas Panhandle-its eastern edge descending sharply from the plains into the canyons of Palo Duro, Tule, Quitaque, Casa Blanca, and Yellow House-is as rich in history as it is in natural beauty. Long considered a crossroads of ancient civilizations, the twenty-six northernmost Texas counties lie on the southern reaches of the Great Plains, w...
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
“Fluent, mordant, authentic, propulsive…wonderfully lit from within” (Lee Child, The New York Times Book Review), this critically acclaimed, stunningly mature literary debut is the darkly comic story of a car thief on the run in the gritty and arid landscape of the 1970s Texas panhandle. In this “stellar debut,” (Publishers Weekly) car thief Troy Falconer returns home after years of wandering to reunite with his younger brother, Harlan. The two set out in search of Harlan’s wife, Bettie, who’s left him cold and run away with the little money he had. When stealing a station wagon for their journey, Troy and Harlan find they’ve accidentally kidnapped a Mennonite girl, Martha Zacharias, sleeping in the back of the car. But Martha turns out to be a stubborn survivor who refuses to be sent home, so together, these unlikely road companions haphazardly attempt to escape across the Mexican border, pursued by the police and Martha’s vengeful father. But this is only one layer of Troy’s story. Through interjecting entries from his journal that span decades of an unraveling life, we learn that Troy has become so estranged from society that he’s shunned the very idea of personal property. Instead of claiming possessions, he works motels, stealing the suitcases and cars of men roughly his size, living with their things until those things feel too much like his own, at which point he finds another motel and vanishes again into another man’s identity. Richly nuanced and complex, “like a nesting doll, [Presidio] continually uncovers stories within stories” (Ian Stansel, author of The Last Cowboys of San Geronimo). With a page-turning plot, prose as gritty and austere as the novel’s Texas panhandle setting, and a determined yet doomed cast of characters ranging from con artists to religious outcasts, this “rich and rare book” (Annie Proulx, author of Barkskins) packs a kick like a shot of whiskey. Perfect for fans of Cormac McCarthy, Denis Johnson, and Larry McMurtry, who said that Kennedy “captures the funny yet tragic relentlessness of survival in an unforgiving place. Let’s hope he keeps his novelistic cool and brings us much, much more.”
Texas is as well known for its diversity of landscape and culture as it is for its enormity. But West Texas, despite being popularized in film and song, has largely been ignored by historians as a distinct and cultural geographic space. In West Texas: A History of the Giant Side of the State, Paul H. Carlson and Bruce A. Glasrud rectify that oversight. This volume assembles a diverse set of essays covering the grand sweep of West Texas history from the ancient to the contemporary. In four parts—comprehending the place, people, politics and economic life, and society and culture—Carlson and Glasrud and their contributors survey the confluence of life and landscape shaping the West Texas of today. Early chapters define the region. The “giant side of Texas” is a nineteenth-century geographical description of a vast area that includes the Panhandle, Llano Estacado, Permian Basin, and Big Bend–Trans-Pecos country. It is an arid, windblown environment that connects intimately with the history of Texas culture. Carlson and Glasrud take a nonlinear approach to exploring the many cultural influences on West Texas, including the Tejanos, the oil and gas economy, and the major cities. Readers can sample topics in whichever order they please, whether they are interested in learning about ranching, recreation, or turn-of-the-century education. Throughout, familiar western themes arise: the urban growth of El Paso is contrasted with the mid-century decline of small towns and the social shifting that followed. Well-known Texas scholars explore popular perceptions of West Texas as sparsely populated and rife with social contradiction and rugged individualism. West Texas comes into yet clearer view through essays on West Texas women, poets, Native peoples, and musicians. Gathered here is a long overdue consideration of the landscape, culture, and everyday lives of one of America’s most iconic and understudied regions.
In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows. The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters who become his heroes, “the stoic, long-suffering men and women whose lives he opens up with urgency and respect” (New York Times). In an era that promises ever-greater natural disasters, The Worst Hard Time is “arguably the best nonfiction book yet” (Austin Statesman Journal) on the greatest environmental disaster ever to be visited upon our land and a powerful reminder about the dangers of trifling with nature. This e-book includes a sample chapter of THE IMMORTAL IRISHMAN.
