Canadian Literature in English
Canadian Literature in English

Author: W. J. Keith

Publisher: The Porcupine's Quill

Published: 2006

Total Pages: 232

ISBN-13: 9780889842830

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When "Canadian Literature in English" was first published by Longman in 1985 it was described (in the "Modern Language Review") as a standard reference work on the subject' and the best critical account of its subject that we possess so far'. The book was released in London and New York, as such things were done at the time, but never distributed particularly well in Canada, where it faded, rapidly, from view. W. J. Keith, writing in the Preface to the Revised Edition, admits his first inclination was to embark on a total rewrite of the Longman edition. On further consideration, however, Keith came to realize that the 1985 publication was completed at the close of a major phase in the Canadian literary tradition' and that the remarkable flowering that began to manifest itself in the middle of the twentieth century had run its course by the beginning of the new millennium.' That being the case, Keith would argue that a number of writers who had already achieved [ considerable stature further developed their reputations' (in the period 1985-2005) but only a few extended them'. Keith is also quick to admit that he has chosen to ignore utterly the popular' at the one extreme (Robert Service, Lucy Maud Montgomery) as well as the avant-garde' (bpnichol, Anne Carson) at the other, in favour of those authors whose style lends itself to the simple pleasure of reading, and to that end he dedicates his history to all those (including the general reading public whose endangered status is much lamented in the Polemical Conclusion'') who recognize and celebrate the dance of words.'

The Oxford Handbook of Canadian Literature
The Oxford Handbook of Canadian Literature

Author: Cynthia Conchita Sugars

Publisher: Oxford University Press

Published: 2016

Total Pages: 993

ISBN-13: 0199941866

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The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.

Sharing the Past
Sharing the Past

Author: J.A. Weingarten

Publisher: University of Toronto Press

Published: 2019-09-05

Total Pages: 337

ISBN-13: 1487501048

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Sharing the Past is an unprecedentedly detailed account of the intertwining discourses of Canadian history and creative literature. When social history emerged as its own field of study in the 1960s, it promised new stories that would bring readers away from the elite writing of academics and closer to the everyday experiences of people. Yet, the academy's continued emphasis on professional distance and objectivity made it difficult for historians to connect with the experiences of those about whom they wrote, and those same emphases made it all but impossible for non-academic experts to be institutionally recognized as historians. Drawing on interviews and new archival materials to construct a history of Canadian poetry written since 1960, Sharing the Past argues that the project of social history has achieved its fullest expression in lyric poetry, a genre in which personal experiences anchor history. Developing this genre since 1960, Canadian poets have provided an inclusive model for a truly social history that indiscriminately shares the right to speak authoritatively of the past.

Crabtracks
Crabtracks

Author: Gordon Collier

Publisher: Rodopi

Published: 2002

Total Pages: 432

ISBN-13: 9789042015395

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The essays in this collection celebrate the signal achievement of Dieter Riemenschneider in helping found and consolidate the study of postcolonial anglophone literatures in Germany and Europe. As well as poems, a short story, drawings of the Indian scene (the first, and abiding, focus of this scholar's work), and 'letters' of reminiscence (one quite grave), there are revealing contributions of a literary-historical nature on the establishment of anglophone (especially African) literatures as an academic discipline within Germany, the UK, and Northern Europe generally, as well as a group of searching reflections on such topics of postcolonial import as globalization and the applicability of models to the literature of the indigene in Canada and Australia. The largest section is devoted to individual topics, each treatment implicitly keyed to approaches to the teaching of New Literatures texts. Writers covered include Anita Desai (landscape and memory), Salman Rushdie (painting in The Moor's Last Sigh), Charlotte Brontë (imperial discourse in Jane Eyre), Derek Walcott (Omeros and cultural cohabitation), and Witi Ihimaera (his rewriting of Katherine Mansfield). Topics dealt with include music and radio in West Africa, the African literary 'hit parade', the New Zealand prose poem, Canadian and Australian war fiction, the Middle Passage in the American and Caribbean novel, Paul Theroux's uneasy relations with V.S. Naipaul, and the colonial discourse of illness and recuperation. The volume closes with Dieter Riemenschneider's very first and most recent critical essays, the one a classic on Mulk Raj Anand, the other a challenging and doubtless controversial thesis on postcolonial minority writing. A select bibliography of Riemenschneider's work (books, edited publications, journal articles and book contributions, reviews and broadcasts) rounds off this substantial collection.

Canada & Its Americas
Canada & Its Americas

Author: Winfried Siemerling

Publisher: McGill-Queen's Press - MQUP

Published: 2010-01-15

Total Pages: 319

ISBN-13: 0773584641

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The chapters in this volume, a groundbreaking work in the burgeoning field of hemispheric American studies, expand the horizons of Canadian and Québécois literatures, suggest alternative approaches to models centred on the United States, and analyze the risks and benefits of hemispheric approaches to Canada and Quebec. Revealing the connections among a broad range of Canadian, Québécois, American, Caribbean, Latin American, and diasporic literatures, the contributors critique the neglect of Canadian works in Hemispheric studies and show how such writing can be successfully integrated into an emerging area of literary inquiry. An important development in understanding the diversity of literatures throughout the western hemisphere, Canada and Its Americas reveals exciting new ways for thinking about transnationalism, regionalism, border cultures, and the literatures they produce.

Margaret Atwood
Margaret Atwood

Author: Shannon Hengen

Publisher: Scarecrow Press

Published: 2007-05-22

Total Pages: 455

ISBN-13: 0810866684

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Authors Shannon Hengen and Ashley Thomson have assembled a reference guide that covers all of the works written by the acclaimed Canadian author Margaret Atwood since 1988, including her novels Cat's Eye, The Robber Bride, Alias Grace, and the 2000 Booker Prize winner, The Blind Assassin. Rather than just including Atwood's books, this guide includes all of Atwood's works, including articles, short stories, letters, and individual poetry. Adaptations of Atwood's works are also included, as are some of her more public quotations. Secondary entries (i.e. interviews, scholarly resources, and reviews) are first sorted by type, and then arranged alphabetically by author, to allow greater ease of navigation. The individual chapters are organized chronologically, with each subdivided into seven categories: Atwood's Works, Adaptations, Quotations, Interviews, Scholarly Resources, Reviews of Atwood's Works, and Reviews of Adaptations of Atwood's Works. The book also includes a chapter entitled 'Atwood on the Web,' as well as extensive author and subject indexes. This new bibliography significantly enhances access to Atwood material, a feature that will be welcomed by university, public, and school librarians. Margaret Atwood: A Reference Guide 1988-2005 will appeal not only to Atwood scholars, but to students and fans of one of Canada's greatest writers.

Artful Flight
Artful Flight

Author: Susan Glickman

Publisher: The Porcupine's Quill

Published: 2022-02-21

Total Pages: 260

ISBN-13: 0889844410

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Susan Glickman muses that thoughtful literary criticism is not merely about ‘duelling with words, however full of flourishes and feints’. Rather it ‘means—or ought to mean—to evaluate something dispassionately, seeing not only its faults but its virtues.’ In Artful Flight, she does just that, writing respectfully but uncompromisingly about artistic topics both ostensibly familiar (such as considerations of writers like Northrop Frye, Don Coles, Erín Moure and Bronwen Wallace) and delightfully arcane (such as the etymological evolution of contranyms in Shakespeare and beyond). With keen intelligence and droll wit, Glickman explores a variety of artistic concerns, from the expectations of literary genre, the formalist hurdles of poetry and the tyranny of modern opinion to the magical history of the violin and the pleasure of creating visual art later in life. Her approach is unabashedly her own: feminist, supportive and drawing on a wide range of cultural and literary references. These well-reasoned essays prove that balanced criticism can be compelling, nuanced and sensitive to the motives and influences of artists.

Michael Ondaatje
Michael Ondaatje

Author: Lee Spinks

Publisher: Manchester University Press

Published: 2013-07-19

Total Pages: 333

ISBN-13: 1847795854

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Michael Ondaatje is the first comprehensive and fully up-to-date study of Ondaatje’s entire oeuvre. Starting from Ondaatje’s beginnings as a poet, this volume offers an intensive account of each of his major publications, including The Collected Works of Billy the Kid, Coming Through Slaughter, In The Skin of a Lion and The English Patient, drawing attention to the various contexts and intertexts that have informed his work. The book contains a broad overview of Ondaatje’s career for students and readers coming to his work for the first time. It also offers an original reading of his writing which significantly revises conventional accounts of Ondaatje as a postmodern or postcolonial writer. As the fullest account of Ondaatje’s work to date, Spinks’s approach draws on a range of postcolonial theory and, as well as being a landmark in Ondaatje scholarship, makes a distinctive contribution to debates about postcolonial literature and the poetics of postmodernism.