Camp Ghoul Mountain Part VI is one of the most infamous slasher-movie sequels of the 1980s. Known for its over-the-top gore effects, bizarre and psychedelic campground killer plot-and its legacy as a lightning rod for conspiracy theories concerning everything from UFOs and alien abductions to 9/11 and a secret cabal at the heart of world power. This revised and expanded Director's Cut contains a complete, authorized adaptation of the infamous cult slasher movie as well as the secret history of the behind-the-scenes drama and high-strange events that inspired the filmmakers, complete with footnotes and autobiographical anecdotes. Camp Ghoul Mountain Part VI: The Official Novelization is a love letter to the horror movie boom of the 1980s and conspiracy theories of the 1990s-and, perhaps, a dire warning of the dark future to come. Who wants to go camping?
From R.L. Stine, master horror author of the Goosebumps series and the Fear Street trilogy—now streaming on Netflix—comes another spooky tale! This summer Max is going to Camp Snake Lake—where he will have to swim in a lake filled with poisonous snakes . . . where a Headless Ghost roams the fields . . . where he and his mostly ghostly friends Nicky and Tara will continue the dangerous search for Nicky and Tara’s parents. But first Max will have to face the evil spirit Phears again. Can Max learn the secret that will destroy this most terrifying ghoul for good?
Lizzy Caldwell is so excited when she’s asked to join the Camp Fear Girls. It sounds like such a cool club. Even though the clubhouse is on Fear Street—the spookiest street around. Even though the troop badges show coffins and hangman’s nooses. Even though the Camp Fear Girls are mysteriously vanishing…
Harry and his brother, Alex, are dying to fit in at Camp Spirit Moon. But the camp has so many weird traditions. Like the goofy camp salute. The odd camp greeting. And the way the old campers love to play jokes on the new campers.Then the jokes start to get really serious. Really creepy. Really scary.First a girl sticks her arm in the campfire. Then a boy jams a pole right through his foot.Still, they're just jokes...aren't they?
From R.L. Stine, master horror author of the Goosebumps series and the Fear Street trilogy—now streaming on Netflix—comes another spooky tale! Max’s parents are planning to sell their house and move the family far, far away. But Max can’t leave Nicky and Tara, the two ghosts who live with him. They need him. He’s the only one who can help them become kids again! Max has to stop his parents!
Just days after marrying Sheriff Paul Davidson, Anna Pigeon moves to Colorado to assume her new post as district ranger at Rocky Mountain National Park. When two of three children who'd gone missing from a religious retreat reappear, Anna's investigation brings her face-to-face with a paranoid sect--and with a villain so evil, he'll make the hairs on the back of your neck stand on end.
On one fateful Halloween night, a television station near Denver, Colorado aired an adaptation of the infamous Gothic horror novel The Crypt of Blood. The spirited local theater troupe production of the classic vampire story quickly spiraled into high-strange weirdness, ghostly madness, and the disappearance of its cast and crew.What transpired on-stage and on-screen that night has become an urban legend, a myth relegated to internet forums, speculation among eccentric horror film collectors, and the ravings of the mad and paranoid. Some call it a publicity stunt by local filmmakers. Others decry it as a hoax. A few say the broadcast never aired at all.Those who have actually seen the special, however, insist it reveals something far more terrifying than any horror movie.You find yourself in possession of a copy of that dreaded broadcast, its cursed images seared into the tape of a well-worn VHS cassette. It's time to discover for yourself if this found-footage nightmare is as terrifying as its reputation, and if The Crypt of Blood: A Halloween TV Special is proof of a haunting-or something far worse-after all.
From R.L. Stine, master horror author of the Goosebumps series and the Fear Street trilogy—now streaming on Netflix—comes another spooky tale! Nicky and Tara still live in Max’s bedroom, and while they’ve found some clues, they still don’t know what happened to their parents. Meanwhile, Phears is still desperate to get his hands on Nicky and Tara, and to pressure Max into turning them over, Phears brings a Berserker Ghoul to inhabit Max’s body—and make Max go berserk when he least expects it! But Max, Nicky, and Tara aren’t giving in to Phears. They have a few tricks up their sleeve—like one very talkative ghost cat, who’s taken residence inside the tunnel to the ghost world. . . .
“Oh my human brothers, let me tell you how it happened.” Dr. Max Aue, the man at the heart of Jonathan Littell’s stunning and controversial novel The Kindly Ones, personifies the evils of the Second World War and the Holocaust. Highly educated and cultured, he was an ambitious SS officer, a Nazi and mass murderer who was in the upper echelons of the Third Reich. He tells us of his experience during the war. He was present at Auschwitz and Babi Yar, witnessed the battle of Stalingrad, and survived the fall of Berlin — receiving a medal from Hitler personally in the last days of Nazi Germany. Long after the war, he is living a comfortable bourgeois life in France, married with two children, managing a lace factory. And now, having evaded justice, he speaks out, giving a precise and accurate record of his life. The tone of his account is detached, lapidary, and for the most part unrepentant, whether he is describing his participation in mass murder on the Eastern Front, his bureaucratic investigations of labour productivity in the death camps, his casual murder of civilians as he tries to break through Russian lines towards the end of the war, or his fervid and convoluted relationship with his twin sister. Over its course, by entwining Aue’s life with those of historical figures such as Eichmann and Speer, Himmler and indeed Hitler, The Kindly Ones comes to depict the entire architecture of Nazism — from its grandest intellectual pretensions to its most minute, most chilling managerial details and executions. The Kindly Ones presents — with unprecedented realism, meticulous research that is both fascinating and compelling, and brilliant literary accomplishment — the greatest horrors imaginable. “War and murder are a question, a question without an answer, for when you cry out in the night, no one answers,” Aue says. In the same way, this powerfully affecting, powerfully challenging book confronts the reader with the most profound questions about history, morality, and art without offering any easy resolution. Written originally in French, and published now in English for the first time, The Kindly Ones has already sold to date well over a million copies in Europe. In France it won two prestigious prizes, including the Goncourt, and has been compared to War and Peace and other great classics of literature.
