Camelot in the Nineteenth Century

Camelot in the Nineteenth Century

Author: Robert Thomas Lambdin

Publisher: Bloomsbury Publishing USA

Published: 2000-07-30

Total Pages: 174

ISBN-13: 0313030553

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For centuries, accounts of King Arthur and his court have fascinated historians, scholars, poets, and readers. Each age has added material to reflect its own cultural attitudes, but no era has supplemented the earlier versions more than the poets of the Medieval Revival of nineteenth-century England. This book examines how Arthurian legend was read and rewritten during that period by four enduring writers: Alfred Lord Tennyson, Matthew Arnold, William Morris, and Algernon Charles Swinburne. While other works have looked at Arthurian legend in light of nineteenth-century social conditions, this volume focuses on how these poets approached love and death in their works, and how the legend of Arthur shaped their vision. An introductory chapter traces Arthurian legend from its inception. The chapters that follow are each devoted to a particular author's use of Arthurian material in an exploration of love and death. For Tennyson, love leads to trust, and when trust is shattered, death soon follows. Arnold, on the other hand, advocates moderation, so that the loss of a loved one produces neither debilitating agony nor only a mild melancholy. Morris concentrates on the differences between physical and spiritual love, while Swinburne presents a world tormented by love and in which death is the only release.


Tennyson’s Camelot

Tennyson’s Camelot

Author: David Staines

Publisher: Wilfrid Laurier Univ. Press

Published: 2010-10-30

Total Pages: 294

ISBN-13: 1554587948

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As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.


Chivalry and the English Gentleman

Chivalry and the English Gentleman

Author: Mark Girouard

Publisher:

Published: 1981

Total Pages: 312

ISBN-13: 9780300027396

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Geïllustreerde studie over de herleving van de codes van het middeleeuwse ridderschap van het einde van de 18e eeuw tot de eerste wereldoorlog.


Illustrating Camelot

Illustrating Camelot

Author: Barbara Tepa Lupack

Publisher: Boydell & Brewer Ltd

Published: 2008

Total Pages: 282

ISBN-13: 1843841835

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An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.


The Door to Camelot

The Door to Camelot

Author: Suzannah Rowntree

Publisher: Bocfodder Press

Published: 2019-03-10

Total Pages: 175

ISBN-13:

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What if King Arthur had a daughter? Blanche was an ordinary girl in 1900 England...until the knight crashed through her door. Now, her guardians say she’s a princess lost in time. Now, her father’s enemies want her dead. Raised in the wild, Perceval has never known his father. Hoping for answers, he sets out to pledge his sword to the legendary King Arthur Pendragon. But dark forces threaten Camelot. And darker secrets fester behind the legend. Sparks fly when Perceval steals a kiss from the strange damsel he finds in the forest. Blanche doesn’t trust this brash young knight...but as assassins close in, he might be her only chance of survival. If you love Narnia and Middle Earth, you’ll be enchanted by this beautifully crafted Camelot! The Door to Camelot is Book One of Pendragon’s Heir, an acclaimed new Arthurian retelling now being re-released in three volumes. Get it now.


Poetics of Luxury in the Nineteenth Century

Poetics of Luxury in the Nineteenth Century

Author: Betsy Winakur Tontiplaphol

Publisher: Routledge

Published: 2016-04-22

Total Pages: 222

ISBN-13: 1317079515

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Beginning with John Keats and tracing a line of influence through Alfred Lord Tennyson and Gerard Manley Hopkins, Betsy Tontiplaphol draws on established narratives of the nineteenth century's social and literary developments to describe the relationship between poetics and luxury in an age when imperial trade and domestic consumerism reached a fevered pitch. The "luscious poem," as Tontiplaphol defines it, is a subset of the luxurious, a category that suggests richness in combination with enclosure and intimacy. For Keats, Tontiplaphol suggests, the psychological virtues of luscious experience generated a new poetics, one that combined his Romantic predecessors' sense of the ameliorative power of poetry with his own revaluation of space, both physical and prosodic. Her approach blends cultural context with close attention to the formal and affective qualities of poetry as she describes the efforts of Keats and his equally”though differently”anxious Victorian inheritors to develop textual spaces as luscious as the ones their language describes. For all three poets, that effort entailed rediscovering and reinterpreting the list, or catalogue, and each chapter's textual and formal analyses are offered in counterpoint to careful examination of the century's luscious materialities. Her book is at once a study of influence, a socio-historical critique, and a form-focused assessment of three century-defining voices.


Beyond Camelot

Beyond Camelot

Author: Edward L. Rubin

Publisher: Princeton University Press

Published: 2007-08-27

Total Pages: 479

ISBN-13: 1400826624

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This book argues that many of the basic concepts that we use to describe and analyze our governmental system are out of date. Developed in large part during the Middle Ages, they fail to confront the administrative character of modern government. These concepts, which include power, discretion, democracy, legitimacy, law, rights, and property, bear the indelible imprint of this bygone era's attitudes, and Arthurian fantasies, about governance. As a result, they fail to provide us with the tools we need to understand, critique, and improve the government we actually possess. Beyond Camelot explains the causes and character of this failure, and then proposes a new conceptual framework, drawn from management science and engineering, which describes our administrative government more accurately, and identifies its weaknesses instead of merely bemoaning its modernity. This book's proposed framework envisions government as a network of connected units that are authorized by superior units and that supervise subordinate ones. Instead of using inherited, emotion-laden concepts like democracy and legitimacy to describe the relationship between these units and private citizens, it directs attention to the particular interactions between these units and the citizenry, and to the mechanisms by which government obtains its citizens' compliance. Instead of speaking about law and legal rights, it proposes that we address the way that the modern state formulates policy and secures its implementation. Instead of perpetuating outdated ideas that we no longer really believe about the sanctity of private property, it suggests that we focus on the way that resources are allocated in order to establish markets as our means of regulation. Highly readable, Beyond Camelot offers an insightful and provocative discussion of how we must transform our understanding of government to keep pace with the transformation that government itself has undergone.


King Arthur in America

King Arthur in America

Author: Alan Lupack

Publisher: Boydell & Brewer

Published: 1999

Total Pages: 408

ISBN-13: 9780859916301

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King Arthur in America analyzes the tremendous appeal of the Arthurian legends in America by examining the ways that Americans have found to democratize the Matter of Britain and to incorporate aspects of it not only into America's own mythologies but also into literature, film, social history, and popular culture.


The Artist and Political Vision

The Artist and Political Vision

Author: Benjamin R. Barber

Publisher: Transaction Publishers

Published:

Total Pages: 432

ISBN-13: 9781412817530

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Art and politics are often regarded as denizens of different realms, but few artists have been comfortable with the notion of a purely aesthetic definition of art. The artist has a public and thus political vision of the world interpreted by his art no less than the statesman and the legislator have a creative vision of the world they wish to make. The sixteen original essays in this volume bear eloquent witness to this interpenetration of art and politics. Each confronts the intersection of the aesthetic and the social, each is concerned with the interface of poetic vision and political vision, of reflection and action. They take art in the broadest sense, ranging over poets, dramatists, novelists, essayists, and filmmakers. Their focus is on art and its political dilemmas, not simply on the artist. They consider the issues raised for politics and culture by alienation, violence, modernization, technology, democracy, progress, and revolution. And they debate the capacity of art to stimulate social change and incite revolution, the temptations of social control of culture and of political censorship, the uncertain relationship between art and history, the impact of economic structure on artistic creation and of economic class on artistic product, the common ground between art and legislation and between crea-tivitv and control.