User-friendly instructions from an expert on recreating the 4 major medieval styles — early medieval Roman rustic, early Uncial, Carolingian, and late medieval Gothic textura — come to life with profiles of a figure from each era — Julius Caesar, King Arthur, Charlemagne, Robin Hood. Expert advice on spacing, paragraphing, punctuation, more.
Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th–15th centuries). Excellent photographs; directions for duplicating medieval techniques with modern tools. "Vastly rewarding and illuminating." — American Artist.
A complete, stroke-by-stroke guide to producing Celtic calligraphy. Learn how to create each leter of the alphabet in the age-old Celtic manner. Crystal clear instructions also cover pens, inks, work surface, paper and lines, how to hold the pen and more. 38 full-page plates plus 8 illustrations.
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
This stunningly illustrated new book focuses on 77 intricate, expressive and individual examples of calligraphy from the unparalleled collection of the British Library. The author, a renowned expert on the history of the form as well as a fine calligrapher herself, writes - uniquely - from a practitioner's point of view. Ranging from the Middle Ages, when beautiful calligraphy was a way of celebrating the divine, to the renaissance of the art form by William Morris, to the modern school of calligraphers following in the wake of master typographer Edward Johnston, Patricia Lovett charts the development of calligraphy through the history of European manuscripts. Large-scale full-colour reproductions enable the reader to see the fine detail of each manuscript, and to understand more clearly than ever before the painstaking craft and great artistic skill that were necessary to create these strikingly beautiful pieces of writing.
This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.
Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts.
Discover the timeless art of beautiful writing! This introduction to creating calligraphy combines beginner-friendly clarity with thorough guidance and gorgeous examples. Introduces nine major calligraphic styles, with detailed diagrams and tips for writing each letter.Sub-sections include histories of each alphabet, step-by-step tutorials for embellishing your calligraphy, and ways to showcase your elegant lettering.Full color photographs and illustrations throughout.
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
