For years, Callahan's was the place where friends met to have a few drinks, tell a few jokes, and occasionally save the world. Until that unfortunate incident with the nuke a few years ago.... But Jake Stonebender and his wife have opened a new Callahan's, Mary's Place, and all the regulars are there: Doc Webster, Fast Eddie the piano player, Long Drink McGonnigle, and of course the usual talking dogs, alcoholic vampires, aliens, and time travelers. Songs will be sung, drinks will be drunk (and drunks will have drinks), puns will be swapped...and as a three-eyed, three-legged, three-armed, three-everythinged alien flashes through space toward the bar, it just might be time to save the world again....
The discreet little bar that Jake Stonebender established a few blocks below Duval Street was named simply The Place. There, Fast Eddie Costigan learned to curse back at parrots as he played the house piano; the Reverend Tom Hauptman learned to tend bar bare-chested (without blushing), Long-Drink McGonnigle discovered the margarita and several señoritas, and all the other regulars settled into comfortable subtropical niches of their own. Nobody even noticed them save the universe. Over time, the twice-transplanted patrons of Callahan’s Place attracted a collection of local zanies so quintessentially Key West pixilated that they made the New York originals seem, well, almost normal. The elfin little Key deer, for instance--with a stevedore’s mouth; or the merman with eczema; or Robert Heinlein’s teleporting cat. For ten slow, merry years, life was good. The sun shone, the coffee dripped, the breeze blew just strongly enough to dissipate the smell of the puns, and little supergenius Erin grew to the verge of adolescence. Then disaster struck. Through the gate one sunny day came a malevolent, moronic, mastodon of a Mafioso named Tony Donuts Jr., or Little Nuts (don’t ask). He’d decided to resurrect the classic protection racket in Key West--and guess which tavern he picked to hit first? Then, thanks to very poor accessorizing (she chose the wrong belt--and no, we’re not going to explain that one), Jake’s wife, Zoey, suddenly found herself in a place with no light, no heat, and no air. And no way home. The urgent question was where--precisely where--but that turned out to be a problem so complex that even the entire gang, equipped with teleportation, time travel, and telepathic syntony (you can look it up) might not be able to crack it in time. And while all this was going on, Death himself walked into The Place. But this time he would not leave alone. . . .
Callahan's Place is the neighborhood tavern to all of time and space, where the regulars are anything but. Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.
All the best lines from the Saloon at the far-out edge of space-time! Off the Wall at Callahan's is a collection of epigrams, maxims, proverbs, observations, eye-watering puns, and original song lyrics distilled from the first five volumes of the Callahan's Place series (from Callahan's Crosstime Saloon to Lady Slings the Booze). After the original Callahan's Place was destroyed, all of these gems were painstakingly deciphered from blown-up old photos of the wall behind the bar, where Callahan let his customers scrawl graffiti in place of the usual mirror. So technically, every word is "off the wall." Further ennobled by numerous interior B&W illustrations by Phil Foglio, there are even capsule bios at the end for every person (real or imaginary) quoted in the graffiti section. Welcome to Callahan's Crosstime Saloon . . .There's no place like it in this, or any other, universe.
The Historical Dictionary of Science Fiction in Literature is a useful reference to the broad and burgeoning field of science fiction literature. Science fiction literature has gained immensely in critical respect and attention, while maintaining a broad readership. However, despite the fact that it is a rapidly changing field, contemporary science fiction literature also maintains a strong sense of its connections to science fiction of the past, which makes a historical reference of this sort particularly valuable as a tool for understanding science fiction literature as it now exists and as it has evolved over the years. The Historical Dictionary of Science Fiction in Literature covers the history of science fiction in literature through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries including significant people; themes; critical issues; and the most significant genres that have formed science fiction literature. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject.
Dr. Philip Callahan shares his life experience, technologies, and interesting undocumented accounts with good friend Joe Blankinship in this wonderfully transcribed into print expose. Taped in 2004 and transcribed into a book in 2010, this book envelops the expanse of Phil's writings.. about eighteen books in all.. powerfully transmitted in candid conversation.
A collection of witty, irreverent essays on subjects running the gamut from the space program to airport bans on smoking are included in this anthology. Written by Spider Robinson, The Crazy Years takes its name from Robert A. Heinlein's designation of the last years of the 20th century and contains essays from Robinson's tenure as op-ed columnist for The Globe and Mail and from Galaxy Online. Environmentalists that place the survival of earth before the survival of humanity, the idiocy of computer designs, and the downsides of the Internet are among the subjects Robinson uses to take the world to task.
“Street provides a crucial critical and cultural service by not only studying Eastwood’s individual films in sharp detail but also by providing a close and serious analysis of the cultural and historic times of the films.”—Sam B. Girgus, author of Clint Eastwood’s America “By far the most comprehensive, sustained, and detailed discussion of the Dirty Harry phenomenon. A thorough and engaging account of how a fictitious renegade cop became an enduring icon of the angry conservative backlash that sought to halt 1960s liberalism in its tracks.”—Nick Heffernan, author of Culture, Environment and Ecopolitics Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema. In Dirty Harry’s America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Across the entire series, conservative anger and moral outrage confront elitist liberalism and moral relativism. Paying particular attention the films' representation of crime, family and community, sexuality, and race, Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars. Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.
The unfinished sci-fi masterpiece by the author of Stranger in a Strange Land—completed by the Hugo Award–winning author of The Stardance Trilogy. Joel Johnston has found the love of his life in Jinny Hamilton. Life would be perfect if only he earned enough money to support a family. But now that Jinny knows his love is true, she reveals an incredible secret: she is really Jinny Conrad, granddaughter of Richard Conrad, the wealthiest man in the solar system. And now that Joel proven his love for Jinny, her family has a plan for him. Joel is to be groomed for a place in the vast Conrad empire and sire a dynasty to carry on the family business. Most men would jump at the opportunity. But to Jinny’s surprise, and even his own, Joel turns down her generous offer and sets off on the mother of all benders. When he wakes up on a colony ship heading into space, he decides it’s time to forget Jinny and make a life among the stars. But his plans—and the plans of billions of others—are shattered by a cosmic cataclysm so devastating it will take all of humanity’s strength and ingenuity just to survive. When an outline for Variable Star was found among Robert A. Heinlein’s papers, Spider Robinson was commissioned to complete the novel. The result is a thrilling new work of science fiction from two of the genre’s greatest minds.
