California Out of the Box uses story as a basis for an interdisciplinary exploration of Golden State history, life and earth science, geography, social studies, the arts, and more! The content spans prehistory through the 1930s. This homeschool/progressive education curriculum includes a teacher guide with comprehension questions, reproducible student pages (for within a family), and answer keys; it is geared for students in grades 3-6, but suggestions are included for families with younger siblings. Note: families must purchase the 8 historical fiction and resource books separately, or request them from their local library.
The California Out of the Box Student Folder book provides a set of the Student Folder handouts from California Out of the Box: An Interdisciplinary History Curriculum. Using the same pagination as the curriculum, this book is not designed to be a standalone self-guided resource, but should be paired with the curriculum itself. Additionally, this book contains a set of timeline cards which can be used with the timeline project.Using story as a basis for an interdisciplinary study, the California Out of the Box curriculum explores Golden State history, life and earth science, geography, social studies, the arts, and more! To use this homeschool literature-approach curriculum, families will need to purchase or obtain these books: California Out of the Box curriculum (black book), Island of the Blue Dolphins, Esperanza Rising, Valley of the Moon: The Diary of Maria Rosalia de Milagros, The Earth Dragon Awakes, By the Great Horn Spoon, the Audubon Field Guide to California, and the Stories Combo Set (available at carriershellcurriculum.com; it replaces Stories from Where We Live: The California Coast). More information on literature boxes and how to obtain the required resources can be found at carriershellcurriculum.com.
Heyday is proud to present two new note card sets that honor the Northern California coast and wooded mountains of Marin County near Tom Killion's studio. Both boxes contain twelve white envelopes and twelve blank cards printed on fine white stock (3 each of 4 designs). Northern California Coast Note Card Box Above Stinson Beach Coast Camp, Pt. Reyes Marin Headlands from Land's End, San Francisco Tennessee Cove, Marin Headlands
"California Crackup is brilliant. It cuts through the familiar tangle of diagnoses and quick-fix solutions to provide a comprehensive and persuasive analysis of California's dysfunctional governmental system. Paul and Mathews have coolly laid out a complicated story, made it readable, sometimes even comedic. It is the best discussion of the issue I've seen in over three decades."--Peter Schrag, author of California: America's High-Stakes Experiment "I know of no other work that combines so succinctly and enjoyably a historical summary of California's existing problems with such a sweeping and provocative program of reform."--Ethan Rarick, University of California, Berkeley "Mark Paul and Joe Mathews have produced an indispensable guide to California's crisis of governance--and they have done so with humor, scholarship, fairness and storytelling verve. Every Californian should read this book."--Steve Coll, Pulitzer Prize-winning author of Ghost Wars "Mark Paul... has a talent for presenting California Big Think stuff in an easily accessible and always readable way...[offering] clear and creative insights on the subject of California's collapse."--CalBuzz "Joe Mathews has done an artful, fascinating, and convincing job of connecting the California of today's Schwarzenegger era to the long history that made his rise possible.--James Fallows,The Atlantic Monthly on Mathews' book, The People's Machine
Through the use of case examples and careful examination, this book presents the first interdisciplinary essay collection on the study of art crime, and its effect on all aspects of the art world. Contributors discuss art crime subcategories, including vandalism, iconoclasm, forgery, fraud, peace-time theft, war looting, archaeological looting, smuggling, submarine looting, and ransom. The contributors offer insightful analyses coupled with specific practical suggestions to implement in the future to prevent and address art crime. This work is of critical importance to anyone involved in the art world, its trade, study, and security.Art crime has received relatively little attention from those who study art to those who prosecute crimes. Indeed, the general public is not well-aware of the various forms of art crime and its impact on society at large, to say nothing of museums, history, and cultural affairs. And yet it involves a multi-billion dollar legitimate industry, with a conservatively-estimated $6 billion annual criminal profit. Information about and analysis of art crime is critical to the wide variety of fields involved in the art trade and art preservation, from museums to academia, from auction houses to galleries, from insurance to art law, from policing to security. Since the Second World War, art crime has evolved from a relatively innocuous crime, into the third highest-grossing annual criminal trade worldwide, run primarily by organized crime syndicates, and therefore funding their other enterprises, from the drug and arms trades to terrorism. It is no longer merely the art that is at stake.
