Caisse des loyers Autun. Société de St Vincent de Paul
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DOWNLOAD EBOOKAuthor: Jean-Nicolas-Louis Durand
Publisher: Getty Publications
Published: 2000-01-01
Total Pages: 363
ISBN-13: 0892365803
DOWNLOAD EBOOKJean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
Author: John Ruskin
Publisher:
Published: 1902
Total Pages: 348
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Published: 2000
Total Pages: 1344
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DOWNLOAD EBOOKAuthor: Cevat Erder
Publisher:
Published: 1986
Total Pages: 248
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DOWNLOAD EBOOKAuthor: Gillian Wilson
Publisher: Getty Publications
Published: 2002-03-07
Total Pages: 289
ISBN-13: 089236632X
DOWNLOAD EBOOKJ. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.
Author: Sergio Villari
Publisher: Rizzoli International Publications
Published: 1990
Total Pages: 188
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DOWNLOAD EBOOKAuthor: Wallraf-Richartz-Museum
Publisher: Scala Books
Published: 1993
Total Pages: 136
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DOWNLOAD EBOOKWallraf-Richartz Museum's malerisamling; med korte indledninger til de forskellige perioder
Author: Jean F. Tulard
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Published: 1989-01-01
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ISBN-13: 9780828824910
DOWNLOAD EBOOKAuthor: Alberto Perez-Gomez
Publisher: National Geographic Books
Published: 1985-04-11
Total Pages: 0
ISBN-13: 0262660555
DOWNLOAD EBOOKThis important book, which won the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today. Between the late Renaissance and the early nineteenth century, the ancient arts of architecture were being profoundly transformed by the scientific revolution. This important book, which won the 1984 Alice Davis Hitchcock Award, traces the process by which the mystical and numerological grounds for the use of number and geometry in building gave way to the more functional and technical ones that prevail in architectural theory and practice today. Throughout, it relates the major architectural treatises of successive generations to the larger culture and the writings of philosophers, mathematicians, scientists, and engineers. The book leads the reader through the controversy that was generated by Claude Perrault in the seventeenth century. His writings began to cast doubt on the absolute aesthetic value of the classical orders and the "perfect" proportions that were architecture's legacy from Pythagorean times. Thus the once immutable "invisible" system lost its special status forever. The book focuses in particular on eighteenth-century developments in the science of mechanics and emerging techniques in structural analysis which slowly entered the architectural treatises and found their way into practice, often by way of civil and military engineers. And by the nineteenth century, the book notes, even architectural rendering and drawing were radically changed through the introduction of new descriptive and projective geometries. Tracing these fundamental changes in architectural intentions, Pérez-Gómez challenges many popular misconceptions about the theory and history of modern architecture. At the same time, he suggests an intangible loss, that of a culture's power to express through a building its total mathematical, mystical, and magical world-view.