Readers over the world delight in the Narnia tales, the adult novels, and the sparkling Christian apologetics of C. S. Lewis. His literary criticism continues to provoke and enlighten. Here now is an excellent map of Lewis' two worlds: his life and his imagination. In an appealing style unhampered by academic jargon, Hannay offers: ¥ a biographical sketch of a man haunted by longing--a man who progressed from arrogant dogmatism to gentleness; ¥ concise summaries of each of the major works, including tantalizing quotations to entice the reader back to the original; ¥ a survey of the major themes throughout his writing, which connect works as seemingly different from each other as The Lion, the Witch, and the Wardrobe, Screwtape Letters, and A Preface to Paradise Lost; ¥ an analysis of his literary technique involving his allusive and compelling style.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
The works of C.S. Lewis have a wide appeal to a variety of audiences. Lewis is probably most famous for the best-selling The Chronicles of Narnia, although William Nicholson's Shadowlands will have led many readers to Lewis's own account of his tragic bereavement in A Grief Observed. However, Shadowlands represents only a small part of Lewis's controversial life, and omits much that is crucial to an understanding of this fascinating, and in some ways tormented, personality. Lewis enjoyed (to the chagrin of his academic colleagues) a tremendous success as a popular theologian. He was also a successful science fiction writer. And last, but by no means least, he was a brilliant and original academic in the field of English Studies. This book weaves together the very different elements in the complex phenomenon of C.S Lewis, and relates the central concerns of Lewis's life and work to current thinking about postmodernism, psychoanalysis and the idea of 'a new Humanism'.
Word and Story has broken new ground by enlisting well-known scholars in the examination of Lewis's ideas about language and narrative, both as stated in theory and as exemplified in practice. Never before has such clear, significant, and thorough work in these areas been brought together in one place. This compilation of sixteen essays demonstrates how an awareness of Lewis's ideas about language and narrative is essential to a full understanding and appreciation of his thought and works. The contributors examine Lewis's poetry, The Dark Woods, Studies in Words, and other works that have so far received little attention, in addition to more familiar parts of the Lewis canon. By approaching Lewis primarily as an artist and theorist, not just a Christian apologist, these essays offer new insights into his creative imagination, critical acumen, and his craftsmanship as a writer. One comes away from this book with a fresh vision and with heightened expectation, eager to return to Lewis's works.
Narnia, Perelandra—places of wonder and longing. The White Witch, Screwtape—personifications of evil. Aslan—a portrait of the divine. Like Turkish Delight, some of C.S. Lewis’s writing surprises and whets our appetite for more. But some of his works bite and nip at our heels. What enabled C.S. Lewis to create such vivid characters and compelling plots? Perhaps it was simply that C.S. Lewis had an unsurpassed imagination. Or perhaps he had a knack for finding the right metaphor or analogy that awakened readers’ imaginations in new ways. But whatever his gifts, no one can deny that C.S. Lewis had a remarkable career, producing many books in eighteen different literary genres, including: apologetics, autobiography, educational philosophy, fairy stories, science fiction, and literary criticism. And while he had and still has critics, Lewis' works continue to find devoted readers. The purpose of this book is to introduce C.S. Lewis through the prism of imagination. For Lewis, imagination is both a means and an end. And because he used his own imagination well and often, he is a practiced guide for those of us who desire to reach beyond our grasp. Each chapter highlights Lewis’s major works and then shows how Lewis uses imagination to captivate readers. While many have read books by C.S. Lewis, not many readers understand his power to give new slants on the things we think we know. More than a genius, Lewis disciplined his imagination, harnessing its creativity in service of helping others believe more deeply. “Truly fresh, rhetorically astute works about C. S. Lewis are rare, but this provocative new volume by Jerry Root and Mark Neal emerges at just the right time to reinvigorate Lewis scholarship beyond the clichés we continue to repeat to each other. The Surprising Imagination of C. S. Lewis delivers just that salvo, an ingenious, empathetic, lavishly informed elucidation of Lewis’s understanding of the life of the imagination.” —Bruce L. Edwards, Professor Emeritus of English and Africana Studies, Bowling Green State University, Bowling Green, OH “Our grasp of ‘imagination’ is such a pale and paltry thing; Neal and Root offer a much-needed corrective by illustrating Lewis’s robust use of the word. The happy result is a more accurate and nuanced reading of Lewis. But there is more: through their careful work, we are graced with a rich, new vocabulary to discern and describe the many uses of creative imagination all around us.” —Diana Pavlac Glyer, Professor of English at Azusa Pacific University, Azusa, CA, author of The Company They Keep: C .S. Lewis and J. R. R. Tolkien as Writers in Community “This fabulous book on Lewis’s imagination will delight readers new to Lewis and those who, like the authors, have been reading him for decades. It shimmers with the joy of exploration and discovery. The Surprising Imagination of C. S. Lewis is a reliable and inspiring guide not only to Lewis but to a treasure trove of imaginative books that fired Lewis’s own imagination. In Robert Frost’s delightful phrase, this book is the occasion for a ‘fresh think.’” —Wayne Martindale, Emeritus Professor of English, Wheaton College, Wheaton, IL “Jerry Root and Mark Neal make excellent use of Lewis's literary criticism of other authors to show how he employed different varieties of imagination in his own works. The result is a good book about Lewis and an even better one on the capacity of imagination to enrich each of our lives every day.” —Mark Noll, Francis A. McAnaney Professor of History, University of Notre Dame, Notre Dame, IN “For nearly four decades I have been reading books and articles in the field of Lewis studies. This volume is one of the most original and fascinating books on Lewis to appear in a long time.” —Lyle W. Dorsett, Billy Graham Professor of Evangelism, Beeson Divinity School, Samford University, Birmingham, AL
This is a unique collection of two of the Inklings and their literary associates’ views on the negative impacts of technology in various areas of life and the resolution of these impacts through fellowship with others and faith in the Creator. Some of these essays offer suggestions on how ensnarement by social media and surrender to modern technology can be countered by surrender to God. Other essays also demonstrate how the significant literary craft of these authors can enchant readers and invite them into fairylands from which they return empowered and with a keener spiritual vision to tackle universal and present concerns.
C. S. Lewis has been read and studied as though he were two authors—a writer of Christian apologetics and a writer of science fiction and fantasy. Only in recent years has there been any move to examine his work as the creation of a single, unique mind. This is the first major critical study to undertake that task. Chad Walsh, who wrote an earlier study of Lewis, Apostle to the Skeptics, reassesses the Oxford don’s legacy fifteen years after his death—his poetry, visionary fiction, and space fiction; The Chronicles of Narnia; Till We Have Faces; his criticism; and his religious-philosophical writing. Lewis emerges as an archetypal Christian and the creator of some of the most original books of our century.
Shepherd's Notes- Christian Classics Series is designed to give readers a quick, step by step overview of some of the enduring treasures of the Christian faith. They are designed to be used along side the classic itself- either in individual study or in a study group. The faithful of all generations have found spiritual nourishment in the Scriptures and in the works of Christians of earlier generations. Martin Luther and John Calvin would not have become who they were apart from their reading Augustine. God used the writings of Martin Luther to move John Wesley from a religion of dead works to an experience at Aldersgate in which his "heart was strangely warmed." Shepherd's Notes will give pastors, laypersons, and students access to some of the treasures of Christian faith.
