From his start as a West Point graduate, class of 1848, to his retirement as a brigadier general more than 40 years later, John C. Tidball saw much that shaped the United States and its army. This text tells the man's story.
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
While most kids learn that C is for cat, the children of high-income families deserve a more exclusive education. C is for Country Club: The Affluent Alphabet will not only teach them their ABCs, but will also impart important lessons about earning, living with, and spending a vast amount of wealth. With letter designations such as "E is for equestrian," "I is for inheritance," and "L is for legacy," the book perfectly captures the nuances of the privileged life, with witty and insightful rhymes from A to Z. This is a must-have, laugh-out-loud funny book for all parents whose children grace the halls of private schools, avoid flying coach, and simply can't decide which summer home to visit on the weekends.
Bailey is largely forgotten today, a victim of the recording industry's emphasis on the blues during the 1920s--a decision which segregated forever "black" folk music from "white" folk music. Bailey was from an African American mountain culture that shared much of its musical heritage with its Anglo-Saxon neighbors, producing a unique hybrid which Bailey called "black hillbilly." A virtuoso on the harmonica, guitar, and banjo, Bailey became one of the Grand Old Opry's earliest stars during the 1920s, only to be fired from the Opry in 1941 during one of the Opry's more repressive eras. Bailey's story is told mainly in his own words through interviews conducted by his longtime friend Morton, with Wolfe (English and folklore, Middle Tennessee State Univ.) providing cultural and historical background. The authors' stated goal was to write a book of universal appeal, and indeed the work is a fascinating cultural history. -- Library Journal
(Fake Book). Country gets real in this new collection in the Real Book series featuring over 275 country favorites presented in the "Real Book" look with lead sheets and lyrics. Songs include: Act Naturally * All My Rowdy Friends Are Coming over Tonight * Always on My Mind * Amazed * Beer for My Horses * Before He Cheats * Bless the Broken Road * Blue Moon of Kentucky * Boot Scootin' Boogie * A Boy Named Sue * Breathe * City of New Orleans * Coal Miner's Daughter * Could I Have This Dance * Coward of the County * Crazy * Delta Dawn * The Devil Went down to Georgia * Don't It Make My Brown Eyes Blue * Elvira * Family Tradition * Folsom Prison Blues * Forever and Ever, Amen * Friends in Low Places * The Gambler * Gentle on My Mind * God Bless the U.S.A. * Help Me Make It Through the Night * Here's a Quarter (Call Someone Who Cares) * Hey, Good Lookin' * I Hope You Dance * (I Never Promised You A) Rose Garden * I Will Always Love You * I've Got a Tiger by the Tail * Islands in the Stream * Jackson * Jambalaya (On the Bayou) * King of the Road * Live like You Were Dying * Lucille * Mama Tried * Mean * On the Road Again * Redneck Woman * Ring of Fire * Rocky Top * She Believes in Me * Southern Nights * Stand by Your Man * There's a Tear in My Beer * When You Say Nothing at All * Your Cheatin' Heart * and more.
In honor of the 25th anniversary of NYICB (New York is Book Country), this commemorative book brings together a splendid array of talent with one thing in common: an undisputed passion for the greatest city in the world. Featured are original pieces by more than 30 of the most popular authors of today and the past 25 years.
Don't Get above Your Raisin' examines the close relationship between "America's truest music" and the working-class culture that has constituted its principal source, nurtured its development, and provided its most dedicated supporters.