Bury My Clothes is a meditation on violence, race, and the place in art at which they intersect. Art—specifically in oppressed communities—is about survival, Roger Bonair-Agard asserts, and establishing personhood in a world that says you have none. Through poetry, we transform both the world of art and the world itself. Roger Bonair-Agard is a Cave Canem fellow, two-time National Poetry Slam Champion, and author of Tarnish and Masquerade and Gully. He has appeared three times on HBO’s Def Poetry Jam and is Co-founder and Artistic Director of the LouderARTS Project in New York.
Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege. Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.
Luna (a werewolf, witch, demon hybrid) is a college graduate who is held captive by Samael, a werewolf using dark magic to dampen her powers to keep her from leaving. One evening she musters enough strength to break free and blink to her old home in Cambridge where she gets a job at a local bar and runs into someone unexpected. Soon after Samael begins to haunt her thoughts and plague her dreams. A demon named Drew becomes on edge each passing day after her arrival as a werewolf names Tatum begins protecting Luna from her past. Despite his efforts Samael finds Luna which forces Tatum and his father to take drastic measures to ensure her safety. Samael however has other plans and enlists the help of a dangerous Demon names Russell. After Luna gets a promotion Tatum has to travel overseas for work to secure future connections for his father which puts a strain on his relationship with Luna as another woman surfaces. Samael makes his move, and his actions cause the council to appear in search of Luna but before they can take her Drew appears and then disappears taking Luna with him. Tatum goes into a fit of rage and tracks down a demon and forces him to take him to the underworld where he is sure to be killed unless he can get to his mate first. Can things be resolved or are the destined to fall apart?
Volume one of an odd boy is a memoire of an eccentric aficionado of Bach and Blues, poetry and painting. A portrait of the artist as a lad, set in the experimental cultural ferment of the late 1960s. It is a coming-of-age adventure, both surreal and innocent, humorous and poignant, depicting an era when the Arts set a generation's imagination on fire. The author's life is a rare roulette wheel of childhood wonder and tragic debacles; a debilitating stammer and a powerful singing voice; bad luck and fierce good fortune. At 16 he's travelled far in human experience from the midnight expedition he made to the crossroads at the age of 12.
Robert Louis Stevenson's classic adventure tale tells of the kidnapping of David Balfour. After the death of David's parents, he is sent to an uncle he's never heard of to find his fortune. Uncle Ebenezer doesn't want to part with his money, but he will pay to have his nephew kidnapped and put into slavery! Discover the betrayal, adventure, and friendship David finds on his struggle home in the Calico Illustrated Classics adaptation of Stevenson's Kidnapped. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.
This moving account of loss, grief, healing, and spiritual awakening is written and narrated by three individuals: Louise Brandson, Laura Brandson, and Rhiann Hosking. It traces the aftermath of the sudden death, in a horrific automobile accident, of a central figure in the three authors' lives - a husband, father, and grandfather, respectively. This book as well, is an empowering account of the journey through domestic abuse and ultimate triumphant over the life altering effects experienced by author Laura Brandson and family. Each individual describes her path from the initial shock through the grieving process toward healing and spiritual awakening. This work will appeal to those who have lost a loved one or lived through domestic abuse, and are searching for solace. At it's heart, this work explores the beautiful and mystical nature of life and life after death.
an unlikely romance between a Washington rancher and an illegal Mexican immigrant whom she rescues one snowy night. When a saddled horse shows up riderless at Alice Anderson’s snowed-in ranch, she knows someone’s in danger—no one could survive long in the bitter Washington cold. Bundled up atop her best horse, Alice sets out to find the rider, preparing herself for the worst. But when Alice comes across a hunched figure in a snow bank and brings the man back to Standfast, she realizes she wasn’t prepared for Domingo Rolodan. The Mexican raquero is on the run from immigration services—and harboring a deep secret. He and Alice slowly develop an abiding friendship that gradually blossoms into romance. Now, facing threats that include deportation, cultural misunderstandings, and the looming presence of a drug addict with claim to the ranch, can Alice and Domingo find a way to hold firm to their new love? Through her warm and engaging prose Foster skillfully brings to life the pastoral landscape of Washington state, transporting readers into her breathtaking world.
The patient is an ascetically pretty 15½-year-old white female. She is intelligent, fearful, extremely anxious, and depressed. Her rage is poorly controlled and inappropriately expressed. Diagnostic Impression: Program for social recovery in a supportive and structured environment appears favorable. Life Inside In 1967, three months before her sixteenth birthday, Mindy Lewis was sent to a state psychiatric hospital by court order. She had been skipping school, smoking pot, and listening to too much Dylan. Her mother, at a loss for what else to do, decided that Mindy remain in state custody until she turned eighteen and became a legal, law-abiding, "healthy" adult. Life Inside is Mindy's story about her coming-of-age during those tumultuous years. In honest, unflinching prose, she paints a richly textured portrait of her stay on a psychiatric ward -- the close bonds and rivalries among adolescent patients, the politics and routines of institutional life, the extensive use of medication, and the prevalence of life-altering misdiagnoses. But this memoir also takes readers on a journey of recovery as Lewis describes her emergence into adulthood and her struggle to transcend the stigma of institutionalization. Bracingly told, and often terrifying in its truths, Life Inside is a life-affirming memoir that informs as it inspires.
The present work, a grammar of Dhimal, fills an important void in the documentation of the vast and ramified Tibeto-Burman language family. Dhimal, a little known and endangered tongue spoken in the lowlands of southeastern Nepal by about 20,000 individuals, is detailed in this work. With data gathered in the village of hiy b r , the author crafts a readable description of the western dialect, using over 1000 examples to illustrate usage. Included in this reference work are seventeen texts, riddles, songs and a Dhimal-English glossary. Joining other recent ground-breaking linguistic descriptions by researchers from the Himalayan Languages Project at Leiden University, this grammar of Dhimal will have lasting scientific value and aid the Dhimal community in preserving their language.
