Are you tired of wimpy protagonists who get dragged kicking and screaming into their harems? What about weak-willed MCs who are controlled by their women? Well, fear not. Because Hank McCallum is anything but weak-willed. And in a world where Bunnygirls are slaves, he'll be the master they need and deserve. For their own good, of course.
Bea loves helping friends and really wants to be a superhero, but none of the costumes she tries on are quite right. What makes an outfit super? A cape? A mask? They're just not her. Even her dog Woofs agrees. It's not until Bea rescues and returns an injured bunny that she discovers the super suit that fits her personality. Bea is Bunnygirl! And she and Woofs are ready to help.
"James lives in the most amazing treehouse, but he's too shy to let anyone see it. Can Bunnygirl help him find a way to connect with people? Of course she can! Leave it to Bunnygirl to know just how to reach James AND introduce him to her friends, in a way that feels comfortable to him. Plus, James has some surprises of his own in this story of friendship and empathy."--Provided by publisher.
NATIONAL BESTSELLER Soon to be a major motion picture "Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" —Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." —Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." —Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl and Rouge "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library
"Forget what you saw today." There's something odd about Sakuta Azusagawa, an acerbic, standoffish high schooler who doesn't even own a cell phone in this day and age. And perhaps strange things happen to strange people, which is why on the last day of the Golden Week holiday, in a tranquil library, he meets a wild bunny girl. With that unforgettable encounter, their bizarre and mysterious love story begins.
Everybody needs a backup plan, especially when you lose your favorite toy. When Max loses his favorite toy—Bunny—his clever mom brings out the "backup bunny"—Fluffy—to save the day. Fluffy is thrilled to have the chance to play with Max, but is soon rejected by the observant child who notices that his ears are too new and perky. Can Fluffy find a way into his favorite boy's heart? The Backup Bunny will keep you laughing and inspire you to make room for another favorite story.
For little party bags you can crochet these little girl dolls. The dolls are 3.5 inches (9 cm) tall. Materials required: 3.00 mm hook; DK, Light Worsted yarn; Polyester fiberfill; Tapestry needle; 5 mm black beads for eyes : 2 beads for each doll; Needle and black thread for attaching eyes.
AN ALL-OUT FANTASY SEXTRAVAGANZA! The boys (and Crim) are back for round two! This time, they visit the golem specialty shop The Sex Marionette, which allows them to create their perfect partners. So what do they do? The unthinkable, of course! With Kanchal’s otherworldly craftsmanship, they dream up four golems that are the spitting image of Meidri! But what would the real Meidri do if she ever found out...? They’ll have their answer sooner than they think-because one of the golems goes missing!
Thinking Globally, Composing Locally explores how writing and its pedagogy should adapt to the ever-expanding environment of international online communication. Communication to a global audience presents a number of new challenges; writers seeking to connect with individuals from many different cultures must rethink their concept of audience. They must also prepare to address friction that may arise from cross-cultural rhetorical situations, variation in available technology and in access between interlocutors, and disparate legal environments. The volume offers a pedagogical framework that addresses three interconnected and overarching objectives: using online media to contact audiences from other cultures to share ideas; presenting ideas in a manner that invites audiences from other cultures to recognize, understand, and convey or act upon them; and composing ideas to connect with global audiences to engage in ongoing and meaningful exchanges via online media. Chapters explore a diverse range of pedagogical techniques, including digital notebooks designed to create a space for active dialogic and multicultural inquiry, experience mapping to identify communication disruption points in international customer service, and online forums used in global distance education. Thinking Globally, Composing Locally will prove an invaluable resource for instructors seeking to address the many exigencies of online writing situations in global environments. Contributors: Suzanne Blum Malley, Katherine Bridgman, Maury Elizabeth Brown, Kaitlin Clinnin, Cynthia Davidson, Susan Delagrange, Scott Lloyd Dewitt, Amber Engelson, Kay Halasek, Lavinia Hirsu, Daniel Hocutt, Vassiliki Kourbani, Tika Lamsal, Liz Lane, Ben Lauren, J. C. Lee, Ben McCorkle, Jen Michaels, Minh-Tam Nguyen, Beau S. Pihlaja, Ma Pilar Milagros, Cynthia L. Selfe, Heather Turner, Don Unger, Josephine Walwema
An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot. Animation is the optical illusion of motion created by the consecutive display of images of static elements. In film and video production, this refers to techniques by which each frame of a film or movie is produced individually. Computer animation is the art of creating moving images via the use of computers. It is a subfield of computer graphics and animation. Anime is a medium of animation originating in Japan, with distinctive character and background aesthetics that visually set it apart from other forms of animation. An animated cartoon is a short, hand-drawn (or made with computers to look similar to something hand-drawn) moving picture for the cinema, TV or computer screen, featuring some kind of story or plot (even if it is a very short one). Manga is the Japanese word for comics and print cartoons. Outside of Japan, it usually refers specifically to Japanese comics. Special effects (abbreviated SPFX or SFX) are used in the film, television, and entertainment industry to visualize scenes that cannot be achieved by normal means, such as space travel. Stop motion is a generic gereral term for an animation technique which makes static objects appear to move.