The first book-length study in English of an important but neglected school of dissident Chinese writers active around the time of the war against Japan (1937-45).
In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.
The revised manuscript for the WW1 book, sponsored originally by Westmeath Community Development in 2011, focuses upon Kilbeggan in the Irish Republic while making comparisons with the experiences of similar towns in Counties Westmeath and Offaly. The suffering, heroism, and poignant accounts of so many young men sacrificing their lives, become alive in what would otherwise remain as the forgotten history of long since abandoned Irish regiments. Many youngsters also returned as physically and mentally scarred wrecks, to a civilian existence ill-equipped to help them. One surprise from the study concerns the number of older recruits, a few even over fifty years, who served as infantrymen. The study also recalls defunct regiments like the Connaught Rangers, or the Leinster Regiment, which gained four Victoria Cross awards in WW1. Military units emerge with less familiar names; for instance, the Inland Water Transport Corps. The study extends to the wider local civilian communities drawn into the European war of 1914-1918, especially the enormous contribution made by the remarkable women involved in relief work, and the tragedy sometimes resulting from that commitment. An example from the region is Venice C.H. Hackett, a Voluntary Aid Detachment (VAD) nurse who returned ill to London from abroad, only to die in October 1918 from the raging Spanish flu. Her remains lie in Liss, County Offaly. Yet, countless names of civilian helpers are unknown. Who indeed answered the bugle call?
Chinese Reportage details for the first time in English the creation and evolution of a distinctive literary genre in twentieth-century China. Reportage literature, while sharing traditional journalism’s commitment to the accurate, nonfictional portrayal of experience, was largely produced by authors outside the official news media. In identifying the literary merit of this genre and establishing its significance in China’s leftist cultural legacy, Charles A. Laughlin reveals important biases that impede Western understanding of China and, at the same time, supplies an essential chapter in Chinese cultural history. Laughlin traces the roots of reportage (or baogao wenxue) to the travel literature of the Qing Dynasty but shows that its flourishing was part of the growth of Chinese communism in the twentieth century. In a modern Asian context critical of capitalism and imperialism, reportage offered the promise of radicalizing writers through a new method of literary practice and the hope that this kind of writing could in turn contribute to social revolution and China’s national self-realization. Chinese Reportage explores the wide range of social engagement depicted in this literature: witnessing historic events unfolding on city streets; experiencing brutal working conditions in 1930s Shanghai factories; struggling in the battlefields and trenches of the war of resistance against Japan, the civil war, and the Korean war; and participating in revolutionary rural, social, and economic transformation. Laughlin’s close readings emphasize the literary construction of social space over that of character and narrative structure, a method that brings out the critique of individualism and humanism underlying the genre’s aesthetics. Chinese Reportage recaptures a critical aspect of leftist culture in China with far-reaching implications for historians and sociologists as well as literary scholars.
Turn back the clock with History Comics! In this volume, learn how millions of Americans joined the fight by working assembly lines, growing vegetables, and collecting scrap metal during World War II! When we think of war, we often focus on the battlefields. But during the war years of 1941 to 1945, Americans at home did whatever they could to support the troops and defeat the Nazis. While millions of soldiers ship out to fight on battlefronts in Europe and the Pacific, millions of men, women, and children step into new and exciting roles in cities and towns all across the United States. Four curious kids take us into factories, farms, and even kitchens to show what the fight on the home front looks like up close!
Captures the transformation of America during WWII, highlighting daily life, wartime economy, and the profound patriotism that united the nation. Don’t you know there’s a war on?! Use it up… Wear it out… Make it do… Or do without! Loose Lips Sink Ships! Any Bonds Today? Remember Pearl Harbor! Those were the slogans Americans called out to each other on the home front during WWII. They forged their days surrounded by fellow patriots sharing in the greatest endeavor of their lives: winning the war. The American Home Front in WWII presents the striking story of those times starting with little-known events well before Pearl Harbor – the clashes between isolationists and those favoring intervention and America’s first peacetime draft. The shock of Pearl Harbor transformed America from a peacetime country to a full wartime economy. Factories produced an airplane every sixty-one minutes. Women and Blacks entered the workforce as never before bringing about earthshaking changes. Americans describe in their own words the rigors of everyday life: rationing, air raid drills, rigging up black curtains and scrap drives. But Americans found ways to enjoy themselves- movie attendance swelled with films such as Casablanca while Broadway brought audiences Oklahoma. The music of Glen Miller and the voice of a skinny newcomer named Frank Sinatra had Americans swinging and swooning. The American Home Front in WWII brings this story to life to capture the extraordinary level of patriotism and teamwork on the home front. It truly was a time when there were no strangers.
Based on groundbreaking research, this book is the first of its kind to provide a close examination in English of the extensive imagery of the soldier figure in the war culture of early twentieth-century China. This study moves away from the traditional military history perspectives and focuses on the neglected cultural aspect of the intersection of war and society in China during a crucial period that led to the eventual victory of the Chinese Communist Party over the Nationalist Party. Integrating history, literature, and arts, this appealing narrative reveals multiple meanings of the soldier figure created by different political, social, and cultural forces in modern China. Drawing from a wide range of sources including government documents, speeches, newspaper articles, memoirs, military textbooks, and yangge drama, Yan Xu recounts stories of unforgettable Chinese political leaders, including Chiang Kai-shek and Mao Zedong. She also examines the wartime experiences of previously marginalized social groups, including women soldiers, wounded soldiers, student soldiers, military writers, and vocational education professionals, giving voice to those largely forgotten by military historians. This book opens up a new area in modern Chinese history and Chinese military history by revealing that the cultural discourse on the soldier image is essential to understanding Chinese nationalism, state-building, and civil-military relations in the early twentieth century.
"Tracing the formation of the modern concept of literature in 20th century China, this book examines the emergence of the Chinese socialist realist novel in relation to the literary and philosophical currents globalized in the wake of capitalist modernity"--Provided by publisher.