Buffoonery in Irish Drama

Buffoonery in Irish Drama

Author: Kathleen Heininge

Publisher: Peter Lang

Published: 2009

Total Pages: 204

ISBN-13: 9781433105463

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Generations of Irish playwrights have tried to assert the reputation of the stage Irish figure as other than comic, but each effort was in its turn assailed as buffoonery. Using post-colonial and performative theory, Buffoonery in Irish Drama demonstrates the ways the Irish struggled to create a sense of identity in a colonial structure, and it explores the distortion and appropriation of that new identity that elicit further calls to eradicate negative stereotypes. Demonstrating the pervasiveness of the reclamation efforts, Buffoonery in Irish Drama covers a wide range of well-known and obscure plays to show the trajectory of twentieth-century drama that brings us into a globalized twenty-first-century Ireland.


Masculinities and the Contemporary Irish Theatre

Masculinities and the Contemporary Irish Theatre

Author: B. Singleton

Publisher: Springer

Published: 2010-11-24

Total Pages: 236

ISBN-13: 0230294537

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Irish theatre and its histories appear to be dominated by men and their actions. This book's socially and culturally contextualized analysis of performance over the last two decades, however reveals masculinities that are anything but hegemonic, played out in theatres and other arenas of performance all over Ireland.


Irish Drama, 1900-1980

Irish Drama, 1900-1980

Author: Cóilín Owens

Publisher: CUA Press

Published: 1990

Total Pages: 772

ISBN-13: 9780813207056

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"This superb collection of eighteen plays has long been needed. It provides a sound and solid introduction to the rich field of modern Irish drama, and should be as delightful to the private reader as it will be useful for university classes."--Journal of Irish Literature Contents: Spreading the News and The Gaol Gate-- Lady Gregory; On Baile's Strand and the Only Jealousy of Emer--W.B. Yeats; The Land--Padraic Colum; The Playboy of the Western World--J.M. Synge; Maurice Harr--T. C. Murray; The Magic Glasses--George Fitzmaurice; Juno and the Paycock- -Sean O'Casey; The Big House--Lennox Robinson; The Old Lady Says "No "--Denis Johnston; As the Crow Flies--Austin Clarke; The Paddy Pedlar--M. J. Malloy; The Vision of Mac Conglinne--Padraic Fallon; The Quare Fellow--Brendan Behan; All that Fall--Samuel Becket; Da--Hugh Leonard; Translations--Brian Friel


The Comic Everywoman in Irish Popular Theatre

The Comic Everywoman in Irish Popular Theatre

Author: Susanne Colleary

Publisher: Springer

Published: 2018-12-30

Total Pages: 136

ISBN-13: 3030020088

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This book is a comprehensive study of comic women in performance as Irish Political Melodrama from 1890 to 1925. It maps out the performance contexts of the period, such as Irish “poor” theatre both reflecting and complicating narratives of Irish Identity under British Rule. The study investigates the melodramatic aesthetic within these contexts and goes on to analyse a selection of the melodramas by the playwrights J.W. Whitbread and P.J. Bourke. In doing so, the analyses makes plain the comic structures and intent that work across both character and action, foregrounding comic women at the centre of the discussion. Finally, the book applies a “practice as research” dimension to the study. Working through a series of workshops, rehearsals and a final performance, Colleary investigates comic identity and female performance through a feminist revisionist lens. She ultimately argues that the formulation of the Comic Everywoman as staged “Comic” identity can connect beyond the theatre to her “Everyday” self. This book is intended for those interested in theatre histories, comic women and in popular performance.


Twentieth-Century Irish Drama

Twentieth-Century Irish Drama

Author: Christopher Murray

Publisher: Syracuse University Press

Published: 2000-05-01

Total Pages: 292

ISBN-13: 9780815606437

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This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.


The Theatre of Sean O'Casey

The Theatre of Sean O'Casey

Author: James Moran

Publisher: A&C Black

Published: 2013-12-04

Total Pages: 327

ISBN-13: 1408165953

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This Critical Companion to the work of one of Ireland's most famous and controversial playwrights, Sean O'Casey, is the first major study of the playwright's work to consider his oeuvre and the archival material that has appeared during the last decade. Published ahead of the centenary of the 1916 Easter Rising in Ireland with which O'Casey's most famous plays are associated, it provides a clear and detailed study of the work in context and performance. James Moran shows that O'Casey not only remains the most performed playwright at Ireland's national theatre, but that the playwright was also one of the most controversial and divisive literary figures, whose work caused riots and who alienated many of his supporters. Since the start of the 'Troubles' in the North of Ireland, his work has been associated with Irish historical revisionism, and has become the subject of debate about Irish nationalism and revolutionary history. Moran's admirably clear study considers the writer's plays, autobiographical writings and essays, paying special attention to the Dublin trilogy, The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars. It considers the work produced in exile, during the war and the late plays. The Companion also features a number of interviews and essays by other leading scholars and practitioners, including Garry Hynes, Victor Merriman and Paul Murphy, which provide further critical perspectives on the work.


Performance, Modernity and the Plays of J. M. Synge

Performance, Modernity and the Plays of J. M. Synge

Author: Hélène Lecossois

Publisher: Cambridge University Press

Published: 2020-11-26

Total Pages: 237

ISBN-13: 1108862497

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Irish Revivalist playwright J. M. Synge is often regarded as a realist. Yet what happens when his work is analysed through wider performance studies and situated alongside less familiar historical contexts? By addressing this question, Hélène Lecossois offers new and valuable perspectives on Synge's plays while at the same time engaging with the complexity of his treatment of a range of performance practices – from keening at rural funerals to the performances of 'native villagers' in the entertainment section of International Exhibitions. What emerges from her study is a dramatist acutely aware of the ability of theatre in performance to counteract relentless forward-moving narratives of modernity. Through detailed, contextualized case studies, the book simultaneously makes meaningful contributions to performance studies and opens up theoretical questions of performance relating to the status of the object on stage, the body on stage and theatrical time.


Myth and Reality in Irish Literature

Myth and Reality in Irish Literature

Author: Joseph Ronsley

Publisher: Wilfrid Laurier Univ. Press

Published: 1977-09

Total Pages: 344

ISBN-13: 0889200386

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Myth and Reality in Irish Literature offers a rich collection of essays covering a wide spectrum of Irish literature from the early medieval saints and scholars to twentieth century writers such as Joyce and Beckett. Lady Gregory, Synge, Yeats, O'Casey and Myles na Gopaleen are among the poets, playwrights, critics, and authors treated in the book. The essays are written from both a personal and a scholarly perspective. Contributors to the volume include the Irish authors Denis Johnston, Thomas Kilroy, Kate O'Brien and Thomas Kinsella, and scholars David Greene, Denis Donoghue, Ann Saddlemyer and Shotaro Oshima. Of interest to students of English Literature as well as observers of the Irish scene, this book is of particular value to students of Irish heritage and literature.


Performance and Identity in Irish Stand-Up Comedy

Performance and Identity in Irish Stand-Up Comedy

Author: S. Colleary

Publisher: Springer

Published: 2015-01-19

Total Pages: 192

ISBN-13: 1137343907

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One of the cultural phenomena to occur in Ireland in the last two decades has been the highly successful growth of stand-up comedy as a popular entertainment genre. This book examines stand-up comedy from the perspective of the narrated self, through the prism of the fabricated comedy persona, including Tommy Tiernan, Dylan Moran and Maeve Higgins.