The Present Book Examines The Various Caskets, The Different Kinds Of Material Used For Preparing Them, Their Shapes And Sixes And Finally The Method Of Consecration Followed For Enshrining These Holy Relics. Alongside It Also Provides An Uptodate Account Of Buddhism In South India, The Author, Taking Into Consideration The Archaeological And Literacy Data, Tries To Set At Rest The Conflicting Opinions Held By Scholars Regsrding The Identification Of Dantapura, Photographs, Sketches, Etc., Which Lie Scattered In Various Reports.
Drawing on both textual and archaeological evidence, this study offers an integrated approach to scholarly debates on monasteries and guru relics in South India between the fourteenth and seventeenth centuries. This study analyzes the role of the guru in the development of Hindu monastic orders, from centers of education to institutions of traditional authority. Focusing on the complex socio-religious context of the whole-body icon, the author analyzes the relic as a nexus of contradictions surrounding sacredness and death.
Buddhism is popularly seen as a religion stressing the truth of impermanence. How, then, to account for the long-standing veneration, in Asian Buddhist communities, of bone fragments, hair, teeth, and other bodily bits said to come from the historic Buddha? Early European and American scholars of religion, influenced by a characteristic Protestant bias against relic worship, declared such practices to be superstitious and fraudulent, and far from the true essence of Buddhism. John Strong's book, by contrast, argues that relic veneration has played a serious and integral role in Buddhist traditions in South and Southeast Asia-and that it is in no way foreign to Buddhism. The book is structured around the life story of the Buddha, starting with traditions about relics of previous buddhas and relics from the past lives of the Buddha Sakyamuni. It then considers the death of the Buddha, the collection of his bodily relics after his cremation, and stories of their spread to different parts of Asia. The book ends with a consideration of the legend of the future parinirvana (extinction) of the relics prior to the advent of the next Buddha, Maitreya. Throughout, the author does not hesitate to explore the many versions of these legends and to relate them to their ritual, doctrinal, artistic, and social contexts.
LOSE YOURSELF IN THE BUDDHIST EXPERIENCE INDIA IS THE GUARDIAN OF a rich and ancient culture, and the seat of Buddhism. Mystic monasteries on Himalayan slopes, richly carved stupas amid lush gardens, cavernous dwellings with exquisite paintings –India is home to all these and more. In this, her seventh book, respected historian Aruna Deshpande travels the length and breadth of the country to track down the imprints of Buddhism. Never before has any historian presented every major Buddhist site located in India in one book. Here are the architectural gems of Lumbini, the lesser known Tawang Monastery of Arunachal Pradesh, the unparalleled Bodh Gaya and a reliable guide to visiting all these places. A boon to pilgrims, travelers and armchair explorers alike, Buddhist India Rediscovered will fire the imagination and carry you on a memorable journey. “A remarkably thorough catalogue of India’s Buddhist sites. Whether their interest is in history and culture or Buddhist pilgrimage, I am sure many readers will find this work of great value.” From the foreword by HIS HOLINESS THE DALAI LAMA
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
A visual exploration of the Buddhist stupa or reliquary mounds at one of ancient India’s most remarkable monuments at Amarāvatī. In this book, Jaś Elsner presents a fresh perspective on the rich visual culture of ancient South Asia, connecting the stupa’s artistic innovations with advancements in Buddhist philosophy and practice. He offers new insights into early Buddhist art in South India, as well as a new understanding of the relationship between early Buddhism and its material culture. The photographs collected here, particularly those featuring objects from the British Museum in London, reveal in detail how the stupa communicated Buddhist teachings and practices to its followers, making this book an invaluable resource for students and scholars alike.
The book provides an updated chronology of the Amar?vat? st?pa and argues its close link with the long-term development of urbanization of this region between ca. 200 BCE-250 CE based on the latest archaeological, art-historical and epigraphic evidence.
Drawing on a large corpus of cross-disciplinary evidence, this book sheds light on the life of the Aurangabad caves and offers new interpretations on the development of Buddhist art and practice in the region, from the diffusion of early rock-cut monasteries to the advent of Mahayana and the emergence of esoteric art and rituals.
