They said in Texas that Tom Buchanan ate wildcat for breakfast and that he was slow to anger—like a rattler dozing in the desert sun. But now every saloon and dance hall had heard the news: Buchanan was cleaning his guns. The genial giant of a man had sworn to kill the outlaws who had shot his best friend in the back. Old timers shook their heads. It wasn’t going to be a fair fight, they said. The odds were only three to one.
There are few authors who can weave nail-biting thrills, edge-of-your-seat drama, and romantic suspense as masterfully as Julie Garwood. Now she ratchets up the tension with Murder List, in which evil is on the hunt– and proves to be methodically organized and chillingly successful. When Chicago detective Alec Buchanan is offered a prime position with the FBI, it is the perfect opportunity to leave the Windy City and follow in his brothers’ footsteps to the top echelons of law enforcement. But first he must complete one last assignment (and one that he is not too happy about): acting as a glorified bodyguard to hotel heiress Regan Hamilton Madison. The gorgeous exec has become entangled in some potentially deadly business. Someone has e-mailed her a graphic crime-scene photo–and the victim is no stranger. Regan suspects that the trouble started when she agreed to help a journalist friend expose a shady self-help guru who preys on lonely, vulnerable women. In fact, the smooth-as-an-oil-slick Dr. Lawrence Shields may be responsible for the death of one of his devotees, which was ruled a suicide. Hoping to find some damning evidence, Regan attends a Shields seminar. At the gathering, the doctor persuades his guests to partake in an innocent little “cleansing” exercise. He asks them to make a list of the people who have hurt or deceived them over the years, posing the question: Would your world be a better place if these people ceased to exist? Treating the exercise as a game, Regan plays along. After ten minutes, Shields instructs the participants to bring their sheets of paper to the fireplace and throw them into the flames. But Regan misses this part of the program when she exits the room to take a call–and barely escapes a menacing individual in the parking lot. The experience is all but forgotten–until the first person on Regan’s list turns up dead. Shock turns to horror when other bodies from the list start to surface, as a harrowing tango of desire and death is set into motion. Now brutal murders seem to stalk her every move–and a growing attraction to Alec may compromise her safety, while stirring up tender emotions she thought she could no longer feel. Yet as the danger intensifies and a serial killer circles ever closer, Regan must discover who has turned her private revenge fantasies into grisly reality.
He was a tall son—taller than most men by a head, with a look of wildness in his battered, tough face. He was Tom Buchanan out of West Texas, who fought with joy and loved with gusto—who many times had gone to meet death without pause and with great good nature. This time he took on the whole of Agry County and the violent bandit clan that ran it. It was no fight of his—but a girl had been violated and a family’s honor tarnished. So Buchanan settled his gunbelt and flexed his great hands and went surging into battle like a one-man troop of cavalry. And, by God, in the end there was left even to burn in Agrytown …
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
