Bronze Tree of Death carries on the saga of Cavern of the Blood Zombies and Angry Sea, Hidden Sands, the third volume of a series that has jumpstarted imaginations and turned dreams into nightmares on two continents. Once again Xu Lei has created a riveting blend of horror, history, and high adventure
A grave robber searching for an ancient tomb instead finds a labyrinthine cavern full of dead bodies and must battle vampires, blood zombies, and corpse-eating bugs in order to escape.
Winner of the 2014 Mythopoeic Myth & Fantasy Studies Award At the heart of the mythology of the Anglo-Scandinavian-Germanic North is the evergreen Yggdrasil, the tree of life believed to hold up the skies and unite and separate three worlds: Asgard, high in the tree, where the gods dwelled in their great halls; Middlegard, where human beings lived; and the dark underground world of Hel, home to the monstrous goddess of death. With the advent of Christianity in the North around the year 1000, Yggdrasil was recast as the cross on which Christ sacrificed himself. G. Ronald Murphy offers an insightful examination of the lasting significance of Yggdrasil in northern Europe, showing that the tree's image persisted not simply through its absorption into descriptions of Christ's crucifix, but through recognition by the newly converted Christians of the truth of their new religion in the images and narratives of their older faith. Rather than dwelling on theological and cultural differences between Christianity and older Anglo-Scandinavian beliefs, Murphy makes an argument internal to the culture, showing how the new dispensation was a realization of the old. He shows how architectural and literary works, including the Jelling stone in Denmark, the stave churches in Norway, The Dream of the Rood, the runes of the futhark, the round churches on Bornholm, the Viking crosses at Middleton in Yorkshire and even the Christmas tree, are all indebted to the cultural interweaving of cross and tree in the North. Tree of Salvation demonstrates that both Christian and older Northern symbols can be read as a single story of salvation.
Heidegger’s later thought is a thinking of things, so argues Andrew J. Mitchell in The Fourfold. Heidegger understands these things in terms of what he names “the fourfold”—a convergence of relationships bringing together the earth, the sky, divinities, and mortals—and Mitchell’s book is the first detailed exegesis of this neglected aspect of Heidegger’s later thought. As such it provides entrée to the full landscape of Heidegger’s postwar thinking, offering striking new interpretations of the atomic bomb, technology, plants, animals, weather, time, language, the holy, mortality, dwelling, and more. What results is a conception of things as ecstatic, relational, singular, and, most provocatively, as intrinsically tied to their own technological commodification. A major new work that resonates beyond the confines of Heidegger scholarship, The Fourfold proposes nothing less than a new phenomenological thinking of relationality and mediation for understanding the things around us.
Palace of Doom, the fourth volume of The Grave Robbers' Chronicles, tightens its noose of suspense around the necks of its characters and provides more of the monstrous creatures that nightmares are made of in this claustrophobic, chilling Chinese saga.
A lively and authoritative investigation into the lives of our ancestors, based on the revolution in the field of Bronze Age archaeology which has been taking place in Norfolk and the Fenlands over the last twenty years, and in which the author has played a central role.
After Uncle Three's boat disappears in the South China Sea, Fats, Poker-face, and Uncle Three's nephew set out to search for him and find themselves battling monsters in a labyrinth where the rooms keep shifting, as they each wonder who they can trust.