From Clay to Bronze

From Clay to Bronze

Author: Tuck Langland

Publisher:

Published: 1999

Total Pages: 248

ISBN-13:

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You will then learn how to create a mold to cast the sculpture in wax, pour the molten bronze, and finesse the final bronze sculpture."--BOOK JACKET. "Whether you are an experienced sculptor trying bronze for the first time, or someone entirely new to sculpture, From Clay to Bronze will serve as your one-stop reference."--BOOK JACKET.


Bronze Casting

Bronze Casting

Author: Guy Thomas

Publisher: Manual of Techniques S

Published: 1995

Total Pages: 136

ISBN-13:

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This is a practical and comprehensive guide to this traditional and ancient craft. It describes in detail how a sculpture is cast into bronze and includes a multitude of ideas for making sculptures using different techniques.


The Secrets of Bronze Casting

The Secrets of Bronze Casting

Author: Sarah Craske

Publisher: Crowood Press (UK)

Published: 2012

Total Pages: 0

ISBN-13: 9781847974136

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Bronze casting is exciting and versatile: bronze can be poured or shaped to any required form. However, there are few people who understand the full process and this practical book reveals its secrets and celebrates its versatility.


The Alchemy of Sculpture

The Alchemy of Sculpture

Author: Tony Birks

Publisher: Marston House Publishers

Published: 2004

Total Pages: 160

ISBN-13: 9781899296200

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From the artist's original, through the lost wax and sand casting process to the pour of the metal and the final patination, this clear and modern book guides the reader through a technique with a 6000 year history to its twenty-first century application


Cast in Bronze

Cast in Bronze

Author: Musée du Louvre

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9782757201831

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This book provides an overview of the bronze sculpture produced in France from the 16th to 18th centuries. Works by major sculptors such as Goujon, Pilon, Prieur, Anguier, Puget, Girardon, Desjardins, Coysevox, Le Loraain, Bertrand, Cafferi, Pigalle, and Houdon represent a spectacular phase of French art and history ranging from the Renaissance through Neoclassicism up to the French Revolution.


The Bronze Object in the Middle Ages

The Bronze Object in the Middle Ages

Author: Ittai Weinryb

Publisher: Cambridge University Press

Published: 2016-04-18

Total Pages: 319

ISBN-13: 1316539024

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This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.


A Survival Guide for Bronze Sculptors

A Survival Guide for Bronze Sculptors

Author: Gabe Gabel

Publisher:

Published: 2008

Total Pages: 280

ISBN-13: 9781436337786

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Gabe Gabel has written the book she wishes she had been able to find when she started her professional career thirty years ago. It is really a two part book. One part concentrates on the bronze sculpture. Art collectors will find the step by step explanation of the casting process extremely educational. Artists who wish to learn more about doing a bronze sculpture will not only like that part, but the complete how-to-do-it discussion will cover everything they need to know about taking a sculpture all the way through. It starts with the placement of the armature and finishes with the decision of the number of the limited edition they choose to cast. The information is all there, the basic tools, the different choices they have in methods and materials, and why Gabe prefers the ones she does. There are sources, and expenses, and many ways to save money that she has learned over the years. Many options are discussed, there are suggestions for solving problems that can occur, and attention is paid to safety concerns that artists face that are rarely mentioned. Nearly any bronze sculptor is likely to learn some tips that they will appreciate, no matter how experienced they are. Don't look for "how to create" your art. The reader has to bring his or her own artistic ability to the sculpture table. This is not the book to show you how to do a horse sculpture, though the book does follow one horse original from armature to bronze. This is a book to show you how to bring your own creations to casting ready sculpture. But if you do want to sculpt a horse, you will come out with some great ideas to make yours even better. For artists who use other media, there is a great deal of wonderful information on all aspects of marketing and managing your art business. It is a business, and Gabe feels that is must be treated as such if an artist wants to make a profit and to make a living selling their work. It is all there, how to start and utilize a mailing list; there is a discussion on show vehicles and various art displays, (with information on building your own,) show clothing and manners, types of shows, galleries, your home office and computer. Look for letters to "Dear Aunt Gabby" and her often rather pointed advice. Aunt Gabby has heard it all, from artists and buyers to show promoters. Aunt Gabby is not an art critic,( she thinks there are enough of those), but she can be highly critical of artists and their behaviors. In short, this is a book by an artist for artists, though Gabe does hope that art collectors will find it irresistible, too. Please visit her personal web site, gabegabel.com to enjoy her work in full color, see her show schedule, and read her newsletters. She also welcomes comments through e-mail at [email protected]