A mix of nature facts and reflection from the author of A Book of Bees--further proof that "the real masterwork that Sue Hubbell has created is her life" (New York Times Book Review). Covers everything from blackflies and gypsy moths to silverfish and ladybugs (the one insect for which "bug-hating" humans have an inordinate fondness). Line drawings.
Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.
In this timely and controversial work, Sue Hubbell contends that the concept of genetic engineering is anything but new, for humans have been tinkering with genetics for centuries. Focusing on four specific examples -- corn, silkworms, domestic cats, and apples -- she traces the histories of species that have been fundamentally altered over the centuries by the whims and needs of people.
In this fascinating book, Hubbell journeys into the remarkable lives of the little-known creatures that really run the world--the animals without backbones, including one of the most elusive and enigmatic of all, "Aphrodite" the sea mouse.
Medicaid, America’s government-run health insurance program for the poor, should be a lifeline that provides needed health care to Americans with no other options. Surprisingly, however, it doesn’t. The medical literature reveals a $450 billion-a-year scandal: that people on Medicaid have far worse health outcomes than those with private insurance, and no better outcomes than those with no insurance at all. Why is this so? In How Medicaid Fails the Poor, Avik Roy explains how Medicaid’s clumsy design and perverse incentives make it hard for people on Medicaid to get the medical care they need. Medicaid doesn’t reimburse doctors or hospitals for the cost of caring for Medicaid enrollees, forcing many doctors to opt out of the program. The Affordable Care Act, otherwise known as Obamacare, doubles down on this broken system. Roy shows us that there are better ways, using private insurance, to provide needed care to our poorest citizens.
Jet-jock Will Bucko is back. After battling the punkers and mutants, he has earned his Federal Air command wings. But when an old buddy is scheduled for execution, Bucko goes AWOL to rescue him, and the only way to win back federal approval is to infiltrate and expose a ruthless band of pirates.