British Watercolours and Drawings from Rowlandson to Riley
Author:
Publisher:
Published: 1982
Total Pages: 64
ISBN-13:
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Author:
Publisher:
Published: 1982
Total Pages: 64
ISBN-13:
DOWNLOAD EBOOKAuthor: British Council
Publisher:
Published: 1982
Total Pages: 59
ISBN-13: 9780901681836
DOWNLOAD EBOOKAuthor: Stephen Bury
Publisher: Oxford University Press, USA
Published: 2012-06-21
Total Pages: 1341
ISBN-13: 0199923051
DOWNLOAD EBOOKThis dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.
Author:
Publisher:
Published: 1982
Total Pages: 70
ISBN-13:
DOWNLOAD EBOOKAuthor: Andrew Wilton
Publisher: Te Neues Publishing Company
Published: 1993
Total Pages: 348
ISBN-13:
DOWNLOAD EBOOK"The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: J. Drummond
Publisher:
Published: 1982
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: David Cox
Publisher: Yale University Press
Published: 2008
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKBorn in Birmingham, England, in 1783, David Cox was destined to become a major figure in the linked worlds of landscape painting and watercolor painting in the first half of the nineteenth century. Remarkably, no significant study of the artist has been undertaken in more than a century. This beautifully illustrated volume focuses much-needed attention on Cox, filling in the details of his biography and illuminating his contributions to British landscape painting. Cox's widely-known Sun, Wind, and Rain, painted in 1845, is emblematic of his concern with the representation of light and atmosphere and weather. He was unparalleled in his ability to capture the effects of wind and weather. Scott Wilcox's chapter in this book investigates Cox's artistic identity and his legacy. Other chapters address such topics as Birmingham's cultural milieu; myths about Cox's life; the papers he chose; his painting in oils; and the fakes, forgeries, and misattributions that have challenged attempts to identify his oeuvre with certainty. Published in association with the Yale Center for British Art and the Birmingham Museums & Art Gallery Exhibition Schedule: Yale Center for British Art (October 16, 2008 - January 4, 2009) Birmingham Museums & Art Gallery, Birmingham, England (January 31 - May 3, 2009)
Author: William Turner
Publisher:
Published: 1984
Total Pages: 92
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1987
Total Pages: 486
ISBN-13:
DOWNLOAD EBOOKAuthor: Tony Knipe
Publisher: Conran Octopus
Published: 1983
Total Pages: 200
ISBN-13:
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