British Film Music

British Film Music

Author: Paul Mazey

Publisher: Palgrave Macmillan

Published: 2021-02-13

Total Pages: 213

ISBN-13: 9783030335526

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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.


British Film Music and Film Musicals

British Film Music and Film Musicals

Author: K. Donnelly

Publisher: Springer

Published: 2007-08-16

Total Pages: 230

ISBN-13: 0230597742

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In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.


British Film Music

British Film Music

Author: Paul Mazey

Publisher: Springer Nature

Published: 2020-01-03

Total Pages: 221

ISBN-13: 303033550X

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This book offers a fresh approach to British film music by tracing the influence of Britain’s musical heritage on the film scores of this era. From the celebration of landscape and community encompassed by pastoral music and folk song, and the connection of both with the English Musical Renaissance, to the mystical strains of choral sonorities and the stirring effects of the march, this study explores the significance of music in British film culture. With detailed analyses of the work of such key filmmakers as Michael Powell and Emeric Pressburger, Laurence Olivier and Carol Reed, and composers including Ralph Vaughan Williams, William Walton and Brian Easdale, this systematic and in-depth study explores the connotations these musical styles impart to the films and considers how each marks them with a particularly British inflection.


The Rough Guide to Film Musicals

The Rough Guide to Film Musicals

Author: David Parkinson

Publisher: Penguin

Published: 2007-08-01

Total Pages: 340

ISBN-13: 0756647126

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The perfect companion to cinema's most spectacular genre, The Rough Guide to Film Musicals reveals how an escapist entertainment became Hollywood's most ingenious art form. From such enduring classics as Singin' In The Rain and West Side Story to recent successes like Evita and Chicago, this book reviews 50 essential musicals, including several forgotten gems. There are profiles of musical icons such as Fred Astaire, Judy Garland and George Gershwin and details of musicals from around the world. Complete with a list of the best soundtracks, websites and books for further reading, this Rough Guide takes a behind the scenes look at this magical movie genre.


Cheer Up!

Cheer Up!

Author: Adrian Wright

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 392

ISBN-13: 1783274999

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Who will remember 'Our Gracie' waving goodbye; Jack Buchanan constantly bumping into Elsie Randolph; Bobby Howes celebrating the invention of the Belisha Beacon, doing a cat duet with Wylie Watson and giving ideas to Rene Ray about ham sandwiches; John Wood and Claire Luce climbing the steps of the lighthouse and breathing on windows in Over She Goes, these accompanied by some of the most deft British and American composers of their time, their work lighter and freer than air. We catch those airs still, breathing on windows and wondering what became of it all. Book jacket.


The Hollywood Musical

The Hollywood Musical

Author: Jane Feuer

Publisher: Indiana University Press

Published: 1993

Total Pages: 176

ISBN-13: 9780253207685

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... both fresh and informed, as well as a pleasure to read. --Film Quarterly Since 1982, when this book first appeared, the Hollywood musical has undergone a rebirth, with the rise of teen musicals such as Dirty Dancing and Flashdance. In a chapter written especially for this second edition of her well-known study, Jane Feuer shows how this new development in the genre relates to important changes in the cinema audience itself. It is the text for the study of Hollywood musicals.


Contemporary Musical Film

Contemporary Musical Film

Author: Kevin J. Donnelly

Publisher: Edinburgh University Press

Published: 2017-06-26

Total Pages: 208

ISBN-13: 1474413145

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Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.


The British Pop Music Film

The British Pop Music Film

Author: S. Glynn

Publisher: Springer

Published: 2013-05-07

Total Pages: 267

ISBN-13: 0230392237

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The first detailed examination of the place of pop music film in British cinema, Stephen Glynn explores the interpenetration of music and cinema in an economic, social and aesthetic context through case studies ranging from Cliff Richard to The Rolling Stones, and from The Beatles to Plan B.


Film's Musical Moments

Film's Musical Moments

Author: Ian Conrich

Publisher: Edinburgh University Press

Published: 2006-07-14

Total Pages: 240

ISBN-13: 0748627278

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The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.


Mobilizing Music in Wartime British Film

Mobilizing Music in Wartime British Film

Author: Heather Wiebe

Publisher: Oxford University Press

Published: 2024-10-11

Total Pages: 209

ISBN-13: 0197631711

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Mobilizing Music in Wartime British Film examines the preoccupation with art music and total war that animated British films of the 1940s.