In Britain since the Seventies, well-known historian Jeremy Black examines the most recent developments in British political, social, cultural and economic history. Taking the triumph of consumerism as an organizing theme, he charts the rise and fall of the Conservative Party, developments in British society, culture and politics, environmental issues, questions of identity, and changes in economic circumstance and direction. Iconic issues such as BSE, transport, asylum seekers and the NHS are viewed from both national and international perspectives. Black’s account of contemporary Britain challenges as well as entertains, seeking to engage the reader in the process of interpretation. Through the lens of the last three decades, the author unveils his image of a country in which uncertainty, contingency and change are the defining features. In charting the impact of increasing individualism, longevity and secularization, Black is drawn repeatedly to examine a fundamental paradox of modern Britain: "At the start of both century and millennium, the British were more prosperous than ever before, but . . . happiness has not risen with prosperity." Britain since the Seventies is a wide-ranging and cogent evaluation of recent British history, and as such will appeal to all those interested in the condition of modern Britain, and how it came to be so, as well as being an ideal introduction for students of the subject.
The late twentieth and early twenty-first centuries are commonly characterised as an age of ‘neoliberalism’ in which individualism, competition, free markets and privatisation came to dominate Britain’s politics, economy and society. This historical framing has proven highly controversial, within both academia and contemporary political and public debate. Standard accounts of neoliberalism generally focus on the influence of political ideas in reshaping British politics; according to this narrative, neoliberalism was a right-wing ideology, peddled by political economists, think-tanks and politicians from the 1930s onwards, which finally triumphed in the 1970s and 1980s. The Neoliberal Age? suggests this narrative is too simplistic. Where the standard story sees neoliberalism as right-wing, this book points to some left-wing origins, too; where the standard story emphasises the agency of think-tanks and politicians, this book shows that other actors from the business world were also highly significant. Where the standard story can suggest that neoliberalism transformed subjectivities and social lives, this book illuminates other forces which helped make Britain more individualistic in the late twentieth century. The analysis thus takes neoliberalism seriously but also shows that it cannot be the only explanatory framework for understanding contemporary Britain. The book showcases cutting-edge research, making it useful to researchers and students, as well as to those interested in understanding the forces that have shaped our recent past.
The 1970s is remembered as a decade of punk rock, the Winter of Discontent, Bloody Sunday and The Female Eunuch. The iconic images of the 70s, from the break-up of the Beatles to the striking Merseyside graveyard diggers and mountains of municipal rubbish in Leicester Square, provide a glimpse into the extraordinary contrasts of the decade. Britain in the 1970s has been painted as a country in crisis, but despite the strikes, power cuts, and stagflation, recent research has proclaimed that 1976 was the best time in Britain since 1950. The country underwent huge social and cultural shifts, with the blossoming of modern feminism, the Gay Liberation Front, and the establishment of the Commission for Racial Equality. The high street enjoyed the impact of new technology and new brands, and global travel was brought within the reach of many. In 1970s Britain, Janet Shepherd and John Shepherd will reassess a decade rich in continuities and contrasts, from different national and local perspectives.
'A masterful work of social history and cultural commentary, told with much wit. It almost makes you feel as if you were there' ROGER LEWIS, Mail on Sunday The 1970s. They were the best of times and the worst of times. Wealth inequality was at a record low, yet industrial strife was at a record high. These were the glory years of Doctor Who and glam rock, but the darkest days of the Northern Ireland conflict. Beset by strikes, inflation, power cuts and the rise of the far right, the cosy Britain of the post-war consensus was unravelling – in spectacularly lurid style. Fusing high politics and low culture, Crisis? What Crisis? presents a world in which Enoch Powell, Ted Heath and Tony Benn jostle for space with David Bowie, Hilda Ogden and Margo Leadbetter, and reveals why a country exhausted by decline eventually turned to Margaret Thatcher for salvation.
In the early 1970s, Britain seemed to be tottering on the brink of the abyss. Under Edward Heath, the optimism of the Sixties had become a distant memory. This book recreates the gaudy, schizophrenic atmosphere of the early Seventies: the world of Enoch Powell and Tony Benn, David Bowie and Brian Clough, Germaine Greer and Mary Whitehouse.
The late 1970s were Britain's years of strife and the good life. They saw inflation, riots, the peak of trade union power - and also the birth of home computers, the rise of the ready meal and the triumph of a Grantham grocer's daughter who would change everything. Dominic Sandbrook re-creates this extraordinary period in all its chaos and contradiction, revealing it as a turning point in our recent history, where, in everything from families and schools to punk and Doctor Who, the future of the nation was being decided. 'A brilliant historian.' A. N. Wilson, Spectator 'Magnificent . . . If you lived through the late Seventies - or, for that matter, even if you didn't - don't miss this book.' Mail on Sunday 'Entertaining, engaging, masterful, a joy . . . as a storyteller, Sandbrook is superb.' Sunday Telegraph 'Sandbrook has rummaged deep into the cultural life of the era to remind us how rich it was, from Bowie to Dennis Potter, Martin Amis to William Golding.' The Times 'While Sandbrook punctures some of our favourite myths . . . what makes this book such a pleasure is the sheer, unashamed nostalgia it evokes.' Daily Telegraph 'Compulsively readable . . . Sandbrook is right to argue that the 1970s was the moment when our century arrived.' Guardian
This book examines a decade of extraordinary ferment in ideas, and the battles about those ideas out of which emerged the Britain of the late-twentieth century.