Bring That Beat Back

Bring That Beat Back

Author: Nate Patrin

Publisher: U of Minnesota Press

Published: 2020-06-09

Total Pages: 336

ISBN-13: 1452963800

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How sampling remade hip-hop over forty years, from pioneering superstar Grandmaster Flash through crate-digging preservationist and innovator Madlib Sampling—incorporating found sound and manipulating it into another form entirely—has done more than any musical movement in the twentieth century to maintain a continuum of popular music as a living document and, in the process, has become one of the most successful (and commercial) strains of postmodern art. Bring That Beat Back traces the development of this transformative pop-cultural practice from its origins in the turntable-manning, record-spinning hip-hop DJs of 1970s New York through forty years of musical innovation and reinvention. Nate Patrin tells the story of how sampling built hip-hop through the lens of four pivotal artists: Grandmaster Flash as the popular face of the music’s DJ-born beginnings; Prince Paul as an early champion of sampling’s potential to elaborate on and rewrite music history; Dr. Dre as the superstar who personified the rise of a stylistically distinct regional sound while blurring the lines between sampling and composition; and Madlib as the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected from hip-hop. From these four artists’ histories, and the stories of the people who collaborated, competed, and evolved with them, Patrin crafts a deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated: the aesthetic and reconstructive power of one of the most revelatory forms of popular culture to emerge from postwar twentieth-century America. And you can nod your head to it.


Lyrics of a Rap Revolutionary

Lyrics of a Rap Revolutionary

Author: Chuck D

Publisher: KingDoMedia

Published:

Total Pages: 412

ISBN-13:

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The power is in the mic, and the power has been unleashed in clubs, arenas, stadiums, stages, and parks all over the planet. MC's are able to connect with its audience in a way that the music alone cannot. Hip Hop, via the MC, has undoubtedly become the voice of a new generation. Much attention has been paid to the staggering impact hip hop music and culture has had on the greater American and world cultures; its influence on fashion, television, advertising, and the attitudes of the world’s youth. However, not nearly as much attention has been paid to the social and political impact that the art form and its artists have had. Lyrics of a Rap Revolutionary is designed to transcend rap and venture into the realm of offering commentary and analysis into some of the deeper aspects of life itself. As one of rap’s preeminent political and social groups of all time, front man Chuck D offers direct explanations and interpretations of what his lyrics are about as a tool to help set minds free in this "hustle and flow and get rich or die tryin times." Chuck D — consistently ranked as one of the greatest rappers of all time — will provide insight in the creation of Hip-Hop iconic albums 1988’s “It Takes a Nation of Millions to Hold Us Back” and 1990’s “Fear of a Black Planet”, both recognized among the greatest politically charged albums of all time featuring rap classics such as "Fight the Power," "Don’t Believe The Hype," "Can’t Truss It," and "Welcome to the Terrordome." As Chuck D explains, "We must remain mindful that there’s a road to freedom, and resist the embarrassingly popular trend that ignorance and a ghetto mentality, which is cast upon us, is our only food for thought or food for non-thought. As MC's we must become more responsible and revolutionary in our approach, because we have young people around the globe listening to our every word and watching our every step." Lyrics of a Rap Revolutionary: Times, Rhymes & Mind of Chuck D will clarify, in a way similar to when a person rereads a book ten years after originally reading it, and allow for a deeper understanding and further insight into the thoughts behind classic and controversial Public Enemy lyrics. Admirers proclaimed him the Bob Dylan or Bob Marley of rap. -- Los Angeles Times One of the most politically and socially conscious artists of any generation? -- Spike Lee Chuck D is the greatest voice in Hip Hop history as far as social commentary and rhymes for the upliftment of Black people. Chuck D is in a league of his own. -- Kool Moe Dee


Dave Matthews Band FAQ

Dave Matthews Band FAQ

Author: Stephen Thomas Erlewine

Publisher: Rowman & Littlefield

Published: 2019-07-12

Total Pages: 392

ISBN-13: 1493050885

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Dave Matthews Band celebrated their 25th anniversary in 2016, a milestone few bands achieve. How did the group build and retain an audience so devoted that they stuck with DMB through more than a quarter century? Dave Matthews Band FAQ answers this question and many more, exploring the group’s history in detail from a variety of angles. Natives of the college rock circuit of the southern Atlantic seaboard, DMB became part of a close-knit group of similarly minded jam bands that spread across the USA during the 1990s. Thanks to a grassroots following that eagerly traded tapes of live DMB shows, the band cultivated a dedicated fan base that crossed over into the mainstream. Dave Matthews Band FAQ traces this evolution, documenting the culture of Charlottesville, Virginia, at the dawn of the ’90s, detailing the group’s peers and examining their catalog, both live and studio, in detail. Collectively, these chapters explain everything there is to know about the most popular jam band in history.


How To Read Music

How To Read Music

Author: James Sleigh

Publisher: Wise Publications

Published: 2011-02-09

Total Pages: 224

ISBN-13: 0857120751

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If you want to learn how to read and write music, this is the book you have been waiting for! Written in plain English and using a minimum of jargon, it’s supplemented by audio material and other extras all available at hybridpublications.com This means that you get lots of examples of how things should sound plus many online bonuses, all clearly flagged on the relevant page in the book. Regular worksheets at the chapter ends make sure you have understood the key points before moving on, and again auxiliary material is available online. Learning to read and write music is not some abstract theory, it is a practical skill that can be learnt. For the first time there is a book plus a website dedicated to teaching you how! If you’ve failed before, it’s probably because you never had a unique product like How to Read Music!


The Oxford Handbook of Music and Virtuality

The Oxford Handbook of Music and Virtuality

Author: Sheila Whiteley

Publisher: Oxford University Press

Published: 2016

Total Pages: 721

ISBN-13: 0199321280

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Has the virtual invaded the realm of the real, or has the real expanded its definition to include what once was characterized as virtual? With the continual evolution of digital technology, this distinction grows increasingly hazy. But perhaps the distinction has become obsolete; perhaps it is time to pay attention to the intersections, mutations, and transmigrations of the virtual and the real. Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited by Sheila Whiteley and Shara Rambarran, is the first book to offer a kaleidoscope of interdisciplinary perspectives from scholars around the globe on the way in which virtuality mediates the dissemination, acquisition, performance, creation, and reimagining of music. The Oxford Handbook of Music and Virtuality addresses eight themes that often overlap and interact with one another. Questions of the role of the audience, artistic agency, individual and communal identity, subjectivity, and spatiality repeatedly arise. Authors specifically explore phenomena including holographic musicians and virtual bands, and the benefits and detriments surrounding the free circulation of music on the internet. In addition, the book investigates the way in which fans and musicians negotiate gender identities as well as the dynamics of audience participation and community building in a virtual environment. The handbook rehistoricizes the virtual by tracing its progression from cartoons in the 1950s to current industry innovations and changes in practice. Well-grounded and wide-reaching, this is a book that students of any number of disciplines, from Music to Cultural Studies, have awaited.


Afrosonic Life

Afrosonic Life

Author: Mark V. Campbell

Publisher: Bloomsbury Publishing USA

Published: 2022-02-10

Total Pages: 160

ISBN-13: 1501379313

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Afrosonic Life explores the role sonic innovations in the African diaspora play in articulating methodologies for living the afterlife of slavery. Developing and extending debates on Afrosonic cultures, the book attends to the ways in which the acts of technological subversion, experimentation and production complement and interrupt the intellectual project of modernity. Music making processes such as dub, turntablism, hip-hop dj techniques and the remix, innovate methods of expressing subjecthoods beyond the dominant language of Western “Man” and the market. These sonic innovations utilize sound as a methodology to institute a rehumanizing subjectivity in which sound dislodges the hierarchical ordering of racial schemas. Afrosonic Life is invested in excavating and elaborating the nuanced and novel ways of music making and sound creation found in the African diaspora.


Making Beats

Making Beats

Author: Joseph G. Schloss

Publisher: Wesleyan University Press

Published: 2014-11-20

Total Pages: 273

ISBN-13: 0819574821

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Winner of IASPM's 2005 International Book Award Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of "digging" for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.


Detroit, Lenacrave and Cleveland

Detroit, Lenacrave and Cleveland

Author: Brooke!

Publisher: AuthorHouse

Published: 2010-12

Total Pages: 631

ISBN-13: 1452091242

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I was almost as hard headed as it gets while repeatedly insisting on missing and ignoring the entire point that Mom and a few others tried to get me to realize. "GET YOUR EDUCATION!!!" I still had some great times here and there every now and then, and I can only imagine how beautiful-my-life-would-have-been if I would have followed the "The Golden Rules." Some wonderful things have happened to me even though I still feel that I truly did not deserve or even know how to sincerely enjoy thoroughly, but on the other hand, some not so wonderful things have happened to me that I basically brought on myself as a direct result of not following "The Golden Rules." EDUCATION IS A MUST!!! I know my family was not the only family that has gone through a divorce, and I know there are millions of kids who went through divorce without a scratch. I am not blaming any of my failures as a man on the pitfalls of divorce, but I can clearly see now that my "character flaws" were a direct hit stemming from the casualties of my parents divorce. I did not ask to be me, and I certainly did not ask or expect to be stuck on stupid for almost three tenths of a century. It was what it was! If I would have known their divorce would eventually effect me which I believe set the wheels in motion that turned towards me turning out the way I have, I would have started Praying that night. But I had no idea it would, and neither did they. I can only imagine how beautiful my life would have been if their marriage was meant to be, but it was not about me. Brooke!


Dig That Beat!

Dig That Beat!

Author: Sheree Homer

Publisher: McFarland

Published: 2015-05-11

Total Pages: 245

ISBN-13: 1476620466

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Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rooted in rockabilly, rhythm and blues, country and western, gospel, and pop, the genre was popularized by performers like Elvis Presley, Bill Haley, Chuck Berry and Jerry Lee Lewis. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided. Artists sharing their experiences include Dale Hawkins, Big Jay McNeely, Ace Cannon, Sleepy LaBeef, Billy Swan, Robin Luke, Rosie Flores and James Intveld. Conway Twitty, Buck Owens and Janis Martin are also featured.